The Balloonist

This documentary follows 8 teens and pre-teens as they work their way toward the finals of the Scripps Howard national spelling bee championship in Washington D.C.

The sculptor Sergio Camargo died 20 years ago. If the bones left in the grave are in fact his remains, would his sculptures be living remains? What's ephemeral and what's lasting? Is there a possible eternity? We see the movie through the eyes of the daughter confronting both the artist and the man.

Poetic documentary about the polar expedition of S. A. Andrée which Troell had previously dramatized in "Ingenjör Andrées luftfärd" (1982).

L'abatis

Documentary that profiles Mark Pauline, the machine performance artist of Survival Research Laboratories. As the Title suggests, Pauline lost most of one hand during experimentation. 'Maimed Artist' explores the often destructive world of such performance art, where there is a fine line between entertainment and insanity.

Documentation of three Survival Research Laboratories events, 1983-1984. Meet Stu, the SRL guinea pig, and see him training to operate the 4-legged Walking Machine, see 10-barrel shotguns, hear the "Stairway to Hell".

Dejte nám křídla

A documentary portrait shot in Positano, Italy in 1965 about Australian artist and occultist Vali Myers.

Edie Bouvier Beale and her mother, Edith, two aging, eccentric relatives of Jackie Kennedy Onassis, are the sole inhabitants of a Long Island estate. The women reveal themselves to be misfits with outsized, engaging personalities. Much of the conversation is centered on their pasts, as mother and daughter now rarely leave home.

A Traveltalks visit to some small towns in Mexico. In Mazatlán, away from the tourist spots, we see a small village where fishing, growing coconuts, and gathering large sea turtles are the main pursuits. We then visit Toluca on market day, where people sell produce and pottery. The last stop is Taxco, where the Castilian influence of the Spanish conquerors is still prevalent.

A fascinating journey through the life of Israeli artist Dani Karavan, an irreverent and charismatic creator, recognized worldwide for radically transforming public space with his monumental environmental installations.

When the Cows Come Home introduces audiences to Tilly and Maggie, a pair of cows that musician, journalist, artist and cow whisperer, Andrew Johnstone has befriended and subsequently saved from slaughter. The garrulous herdsman is enthusiastic to expound his views on animal husbandry, bovine communication and the vagaries of life in general, before the film walks us back through the events that have shaped the singular farmer-philosopher. From personal family tragedy to warring with Catholic school authorities, innovating in Hamilton’s nascent music scene to creating guerrilla art installations; Johnstone’s life has had a truly idiosyncratic trajectory. Mental health issues may have seen him retreat to life on the farm, but the film makes clear its subject’s restless inquisitiveness is far from being put out to pasture.

As their population dwindles, their businesses are all about gone, this town in rural Monterey, Indiana fights to stay alive. An in-depth look into small town life, “Welcome to Monterey” follows a town’s journey to their 20th annual Labor Day Festival, capturing the people’s passions and doubt about whether this town has a future in today’s world.

"The acid soil of New England, its wide stretches of hardwoods, its numerous sugar maples, its rolling or mountainous character, the sunshine of its autumn weather, all these contribute to the glory of this annual display. The birches of Maine the aspens of the White Mountains, the sugar Maples of Vermont, the long rainbow of the Connecticut River Valley cutting from top to bottom through New England, the Berkshires - mention these to anyone who has traveled widely through a New England fall and you will evoke instant memories of superlative beauty." -Edwin Way Teale, Autumn across America, 1956

An intimate, arresting portrait of the cursed Appalachian mining town of Ivanhoe, Virginia. The film captures the town as it prepares for the annual Jubilee, a wild 4th of July celebration where families and neighbors let loose and triumph over daily hardships, industrial abandonment, and race.

Discover the truth behind the popular story the media pushed since the 1970s and the real consequences journalism had on a small Ontario town.

A hilarious countdown of the black sheep of aviation, aircraft that have embarrassed their builders, enraged the owners and terrified their pilots. These are stories of aircraft that should have never been built, including highly imaginative concepts to “fly” tanks and jeeps directly onto the battlefield, a real flying saucer and starkly bizarre efforts to design and build a submarine that flies. We come to understand why these ideas were doomed from the start…

In the heart of the Finnish forest, the long-closed foundry of the little town of Karkkila has come back to life thanks to director Aki Kaurismäki and his creation of the town's first cinema. The peace and calm of the little town of Karkkila, nestled deep in the Finnish forest, is interrupted by unexpected sounds. In the abandoned foundry, noisy building work is taking place. Inside the building, Aki Kaurismäki is both builder and site manager of what is soon to become the Kino Laika cinema. The creation of the cinema is the talk of the town. In the factory still in activity, in a 1960s Cadillac, in a bikers' club, in the local pub, in the woods or in Aki Kaurismäki's former editing room, people start talking about cinema again.

The Big One is an investigative documentary from director Michael Moore who goes around the country asking why big American corporations produce their product abroad where labor is cheaper while so many Americans are unemployed, losing their jobs, and would happily be hired by such companies as Nike.

With his seemingly naïve, symbolic paintings, Joan Miró formed a new artistic language in the 20th century. Brought up in Barcelona, the painter, graphic artist and sculptor was drawn to Paris and, under the influence of the surrealists, developed his unique style and poetic imagery that unite Catalan folk art and fantastic elements. Robin Lough followed the 85-year-old Miró to theatre rehearsals and went to see him in his studio on Majorca. There he met with an amazingly creative and disciplined artist, whose visionary pictures paved the way for abstract expressionism.