Follow two Canadians, Bob Lush and Mike Birch, aboard their yachts during the 1980 Observer Singlehanded Transatlantic Race. More than a record of this prestigious international sailing event, the resulting film is the starting point for an epic of challenge and determination.
In 1967, a young David Lynch grabbed his new Bolex 16mm camera, to film his friend and mentor Bushnell Keeler and brother Dave Keeler sailing on the Chesapeake Bay in Bush's King's Cruiser. This was David Lynch's very first film, which he prefers to call a "home movie". It depicts a man, a painter, who changed David's life forever pursuing the artist's life, which he continues to this day.
A documentary about Göran Schildt and his relationship with the Mediterranean.
This short film showcases water sports activities such as sailboat racing and surfboard riding, including Christian Peterson doing a human surfboard at 45 mph.
Hotel Monterey is a cheap hotel in New York reserved for the outcasts of American society. Chantal Akerman invites viewers to visit this unusual place as well as the people who live there, from the reception up to the last story.
The vessel is Infinity, a 120-foot hand-built sailboat, crewed by a band of miscreants. The journey, an 8,000 mile Pacific crossing from New Zealand to Patagonia, with a stop in Antarctica. Unlike all the other boats heading to the Southern Ocean, Infinity is no ice-reinforced super-yacht crewed by professional sailors; rather, Infinity lives in the moment and sails on a whim. What can be found in abundance on board is blood, sweat, enthusiasm, risk tolerance, disdain for authority, and an ample supply of alcohol – all in all a mad voyage of reckless adventure just for the sheer joy of it. Along the way the crew will battle a hurricane of ice in the Ross Sea, assist the radical environmental group Sea Shepherd in their fight with illegal whalers, and tear every sail they have. At the heart of their journey is a quest for awe and a sense of wonder with the raw power of the natural world.
Using nature shots with narration and a musical score, this documentary tells the story about the Moken, Myanmar's last sea nomads.
A crew including a Writer, two Musicians, an Artist and a Stonemason embark on the Camino by sea, in a traditional boat that they built themselves on an inspiring, and dangerous, 2,500 km modern day Celtic odyssey all the way from Ireland to Northern Spain.
Celebrates 30 years of televised specials by The National Geographic Society.
Girt By Sea is a cinematic love letter to the coastline of Australia - a poetic celebration of our connection to the sea as documented through archival footage over the past 100 years.
This Sportscope series entry highlights sailboat races in Holland.
A feature length documentary film following Larry Ellison's 10-year quest to bring the oldest trophy in international sport, The America's Cup, back to the United States.
The Norfolk Broads tourist film promotes the pleasures of boating.
A 1962 West German documentary film directed by Hermann Leitner and Rudolf Nussgruber.
This award-winning PBS documentary sweeps viewers into a seafaring adventure with a community of Polynesians, as they build traditional sailing canoes, learn how to follow the stars across the open ocean, and embark upon a 2,000-mile voyage in the wake of their ancestors.
A documentary following the attempt by three young people to be the first windsurfers to cross Cook Strait.
In hand-built, double-hulled canoes sixty feet long, the ancestors of today's Polynesians sailed vast distances using only the waves, the stars, and the flights of birds to navigate. Anthropologist Sanford Low visits the Caroline Islands of Micronesia to meet Mau Piailug, the last navigator initiated on his island and one of few men still practicing this once-essential art. He demonstrates his skill by sailing a replica canoe 2500 miles from Hawaii to Tahiti with no modern navigational instruments.
Best of E.O.F.T. No. 1
Under 30
Harald Reichenbach sets off around the globe in a sailing boat collecting garbage from the sea with local people. Using a press, he compresses what they find and pours it into resin to form ‚G-Cubes’. He then takes the garbage back as art to the people who created it – consumers in industrialized countries. Nothing on the journey goes exactly as planned, however, and Reichenbach finds himself teetering between art and activism.