Frida

Six novellas present eight people who resolve to commit suicide. The stories interweave moments from disparate lives, each born of despair and urgent choice.

What did our parents leave behind for us in the boxes they got from their parents? An artist struggles with what he has gotten in the wake of his mother’s death, and a girl forces him to look inside not only the box but himself.

Two men sit in a car, watching the world through the windshield. One is silent, the other is slowly drinking himself to death. External reality becomes a reflection of internal decay. Almost without words, the film speaks through gaze, sound, and silence.

A vacationing entomologist suffers extreme physical and psychological trauma after being taken captive by the residents of a poor seaside village and made to live with a woman whose life task is shoveling sand for them.

A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town, she learns that their support has a price.

One of the topics that film affects is dominance the victory over fascist Germany cult in the minds of people and the obscurantist attitude of society towards the Great Patriotic War.

Four friends spend a final summer together tangled in a web of sexual obsession, alienation and magic.

Three friends form a bond over the year, Johnathan is gay, Clare is straight and Bobby is neither, instead he loves the people he loves. As their lives go on there is tension and tears which culminate in a strong yet fragile friendship between the three.

A Swedish TV presenter finally confronts her domineering husband about serious accusations made against him, causing her well-ordered life to unravel.

Mockumentary experimental film, which shows one day in the life of a young man. The action takes place on the Day of Soviet Cosmonautics, April 12, one of the last years of the USSR. Outside the window, it is gradually getting warmer, the onset of spring is felt, promising hope for the possibility of changes in the country. The hero of the film is fond of space. The young man, who idolizes Gagarin, is engaged in reconstruction, making the uniform in which the cosmonaut walked in the prime of his glory. Our hero is also a film enthusiast. He makes films with stories of space flights and shows them to his friends. The film is stylized as amateur films of the 1980s and was shot on a 16-mm color film made by the company" Svema", made in the Soviet Union. The quality of this film allows the viewer to fully immerse themselves in the atmosphere of the time of the film, which is dedicated to Soviet cosmonautics and Edward D. Wood Jr.

Ayush suffers from sleep paralysis and dark hallucinations, haunted by shadowy figures that represent his repressed fears. Trapped between dream and reality, he confronts these manifestations of his inner turmoil.

A painter lives with his wife and four children in a studio. Due to creative frustrations and the irritation of admirers and hangers-on he becomes increasingly reclusive, finally sealing himself away in the attic. Based on an Albert Camus story.

Three phases of the life of guerrilla priest Camilo Torres (the initial caption explains well how Camilo's mother distanced herself from the film, which falsifies in her opinion her son's life and ideology), told in such a way that it is difficult to read the same person in them; also because the protagonist of the first segment, a young bourgeois university student who is seduced by revolutionary ideals dying during a student revolt, is blessed on the lawn at the moment of his death by the very protagonist of the second episode, this one more obviously inspired by the Camilo Torres who felt his vocation and gave himself to the priesthood.

Giulia is an independent young woman who is prepared to offer her body and her spirit against all the religious taboos.

Inhabitants of a small village in Hungary deal with the effects of the fall of Communism. The town's source of revenue, a factory, has closed, and the locals, who include a doctor and three couples, await a cash payment offered in the wake of the shuttering. Irimias, a villager thought to be dead, returns and, unbeknownst to the locals, is a police informant. In a scheme, he persuades the villagers to form a commune with him.

Two boys anxiously wait for their friend to partake in illicit activities, however their curiosity overwhelms them leading to an unfortunate chain of events.

Composed of two narrative layers. The first layer includes a visit to the cinema (including a projectionist) and a reflection on their perception and experiencing the projection. The second layer is the projected work, ie film in film. This is based on the structure of the myth: at the beginning we see a tree that seems to refer to the tree (life or knowledge) in Eden. This is followed by a correlation of the images of Michelangelo Buonarroti's The Creation of Adam (1512) and other Renaissance works. The following shots from the Nazi concentration camps, ie the presentation of manifestations of human evil, are then an allegory of the fall of a man who was the result of the original sin in paradise.

Crab Day is a short film made to accompany Cate Le Bon’s eponymous album, released on April 15, 2016 via Turnstile. Directed by Phil Collins and shot on location in Berlin in the winter of 2015.

On an otherwise quiet night there is a startling knock at the door. Andrew Tucker answers the door to find an old friend whom he hasn't seen in years. The disheveled and absent friend comes to him with one request: "I need you to come with me but, I can't tell you where we're going." Andrew takes a chance but learns that every answer brings more questions. Nothing good ever comes knocking after midnight and Andrew's nightmare asks how far you would go to help a friend.

In Edo-era Japan, a ukiyo-e artist languishes in his master’s shadow. Creatively stifled, he finds consolation in the company of a prostitute, and becomes entangled in a love triangle. A mystery emerges involving two portraits and the sudden disappearance of the artist Sharaku. Helmed by Cannes-selected director Tatsuji Yamazaki, the film employs kabuki-inspired sequences and stylised sets.