Femme Fatale: The Nightmare Come True

A daughter is constantly overshadowed by her famous father, but she is determined to make her own mark in the world.

Multimillionaire Steven Beard, a retired broadcasting executive, who fell hard for Celeste , an attractive waitress who served him his nightly cocktail at the local country club in Austin, Texas.

The ambitious Betsy is happy: she gets promoted to a leading management position. Her happiness is spoiled only a little by problems with a boyfriend who feels neglected and an harassing boss. She realizes much too late that her secretary Norma is after her job and step by step tries to ruin her career and private life.

The inner world of the great painter Max Ernst is the subject of this film. One of the principal founders of Surrealism, Max Ernst explores the nature of materials and the emotional significance of shapes to combine with his collages and netherworld canvases. The director and Ernst together use the film creatively as a medium to explain the artist's own development.

For three and a half centuries, from the same day that Diego Velázquez (1599-1660) applied his last brushstroke to the canvas, the enigma of “Las meninas, o La familia de Felipe IV” (1656) has not been deciphered. The secret story of a painting unveiled as if it was the resolution of a perfect crime.

Katherine Watson is a recent UCLA graduate hired to teach art history at the prestigious all-female Wellesley College, in 1953. Determined to confront the outdated mores of society and the institution that embraces them, Katherine inspires her traditional students, including Betty and Joan, to challenge the lives they are expected to lead.

In 2009, art detective Dr Bendor Grosvenor caused a national scandal by proving that the Scottish National Portrait Gallery's iconic portrait of Bonnie Prince Charlie, the rebel Stuart who almost seized power in 1745, was not in fact him. Keen to make amends, and suspecting that a long-lost portrait of the prince by one of Scotland's greatest artists, Allan Ramsay, might still survive, Bendor decides to retrace Charles's journey in the hope of unravelling one of the greatest mysteries in British art.

Documentary in which art critic Waldemar Januszczak argues that beauty is still to be found in modern art, despite several recent books claiming the contrary.

A survey of the painting of Henri Matisse, revealing the development of the idyllic quality in his work. Studies pictures from the beginning of his career, and follows the spontaneous flowering of color.

100 years ago Mata Hari faced the firing squad as a convicted Dutch spy. It was at this moment that the legend of Mata Hari, the seductive spy, was born. Newly-discovered documents cast doubt on her guilt and reveal startling truths about her life. Mata Hari was a self-made woman whose boldness and sexuality threatened the male establishment. Most of what we've known about her until now has largely been myth. Mata Hari's challenges as an abused wife, single mother and a creative independent woman are familiar to women around the world. At the turn of the century, her struggles to attain sexual freedom, artistic expression, and liberation from the constraints of conventional society are the same ones women face today. She graced the cover of Vogue, performed all over Europe and left a coterie of smitten admirers in her wake.

Nicholas Baum goes on a journey to Den Bosch, Hieronymus Bosch's town, and gives his explanation about what he thinks the painter's works originally meant.

A portrait of the visionary Dutch artist M. C. Escher (1898-1972), according to his own words, taken from his diary, his correspondence and the texts of his lectures.

An account of the short life and the astonishing and provocative work of the Austrian painter Egon Schiele (1890-1918), seen through the peculiar point of view and the critic voices of the women who defined the paramount milestones of his existence: Gerti, his sister; Wally, his main model and lover; and Edith, his wife. A brief story of love, hate, betrayal and misfortune.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

An account of the life and work of Swiss painter, sculptor, architect and designer H. R. Giger (1940-2014), tormented father of creatures as fearsome as they are fascinating, inhabitants of nightmarish biomechanical worlds.

Based on the latest technological and scientific advances, this documentary explores the palace's architectural past to resurrect Louis XIV's vanished Versailles. Versailles was an ongoing building site at the time of Louis XIV and continued to be transformed by its successive occupants later on. The Versailles we know today only vaguely resembles the Versailles of the Sun King. Most of its original features and apartments no longer exist. Thanks to the digitisation of thousands of plans, a team of scientists takes us back in time to explore this forgotten past in a new way, through a large-scale reconstruction project to bring back the Versailles of Louis XIV as he designed it, according to his requirements and dreams.

A documentary celebrating Lee Miller, a model-turned-photographer-turned-war reporter who defied anyone who tried to pin her down, put her on a pedestal, or pigeonhole her in any way.

Year 1763, the Seven Years' War is about to end. August III, Elector of Saxony and King of Poland, has died, leaving empty the royal treasury and an extraordinary collection of paintings, sculptures, jewelry and goldsmith masterpieces, which he considered a symbol of his greatness, and that of Dresden, one of the European capitals of Baroque art.

Olev Subbi (1930–2013) was one of the most significant painters of the second half of the 20th century. His art constantly strived for harmony and beauty, reviving lost memories. This documentary reconstructs the environments of his paintings, features interviews with artists and Subbi’s contemporaries, and incorporates archival footage, creating a multilayered perspective on the life and work of this remarkable artist.