Stolen Education

In the world of Major League Baseball no one has created a mythology like Nolan Ryan. Told from the point of view of the hitters who faced him and the teammates who revered him, Facing Nolan is the definitive documentary of a Texas legend.

Both cautionary tale and rallying cry, Shouting Down Midnight recounts how the Wendy Davis filibuster of 2013 galvanized a new generation of activists and reveals what is at stake for us all in the struggle for reproductive freedom.

Filmmaker S.R. Bindler profiles Texas contestants trying to win a truck by keeping one hand on it longer than everyone else.

Humorous, melancholy documentary about copywriter, photo model and poet Frans Vogel (1935-2016). A handsome kid who became involved in the art world of the 1950s. Thanks to his absurd humor and provocative behavior, Vogel became a familiar face on the Rotterdam art scene.

With a movie camera mounted in the passenger seat of his car, Andy Anderson drove around filming his local neighbourhood of Fort Worth, Texas. The procession of sunny lawns and quiet houses has a day-dreamy innocence, however on the soundtrack, a narrator recites from the police records of over 600 crimes committed in the area. Domestic violence, petty theft, drug related assault; the list of vicious and hapless actions unfolds randomly, "a woman said her husband punched her in the face when he asked her for ten dollars and she didn't have the money. theft; two lawnmowers.." In a powerful counterpoint of sound and image Drive By Shooting creates a two hour-long surveillance film that misses all the action, yet evokes a sense of vulnerability on the streets and violence behind closed doors.

A young Holocaust survivor who descends into crime; an Italian-Jewish engineer who wants to see a movie; a German Christian who forgives her husband’s murderer because of her Buddhist faith; and a Jewish woman who carries on an affair with a Nazi and exposes members of the resistance so that she and her children may survive: their fates intersect when two bullets are fired into a queue of people waiting to see “A Man Escaped” at Tel Aviv’s Cinema North in 1957.

This behind-the-scenes documentary follows Beto O'Rourke's rise from virtual unknown to national political figure through his bold attempt to unseat Ted Cruz in the US Senate.

Oproerkraaiers

Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.

A man that is a stranger, is an incredibly easy man to hate. However, walking in a stranger’s shoes, even for a short while, can transform a perceived adversary into an ally. Power is found in coming to know our neighbor’s hearts. For in the darkness of ignorance, enemies are made and wars are waged, but in the light of understanding, family extends beyond blood lines and legacies of hatred crumble.

When French writer Marguerite Duras (1914-96) published her novel The Sea Wall in 1950, she came very close to winning the prestigious Prix Goncourt. Meanwhile, in Indochina, France was suffering its first military defeats in its war against the Việt Minh, the rebel movement for independence.

The documentary by Mari Soppela focuses on glass ceilings, a metaphor for the invisible borders between men and women in work life. Talk about glass ceilings is usually associated with women’s opportunities to advance to well paid managerial positions, but the documentary connects itself more broadly to the structural problems of work life from women’s perspective. Glass ceilings are long trials about equal pay, having to continually prove one’s skills, and 85-cent euros. The topic cannot be handled without intersectional crossings: what are invisible glass ceilings for some, are solid concrete for others.

Errol Morris's unique documentary dramatically re-enacts the crime scene and investigation of a police officer's murder in Dallas.

At the age of 13, Robin drops out of school. His grades are inadequate, even at a special school, and to make matters worse, his health continues to deteriorate. That was over 20 years ago. Today he runs his own hair salon.

For the three-channel video Salidas y Entradas Exits and Entrances, artists Jessica Hankey and Erin Johnson worked with applied theatre facilitator Gina Sandi Diaz to offer performance workshops at public daytime senior centers managed by the city of El Paso’s Parks and Recreation Department. With the senior center as a stage, the elders who participated in the workshops enacted social, political and geographical imaginaries for the camera. Through improvisation and performance exercises drawn from the work of Viola Spolin and Augusto Boal, themes emerge: the dynamics of the U.S.- Mexico border, the desire to be seen, the role of musical storytelling as a soundtrack to daily life, power dynamics, and gender as performance. As the boundaries between rehearsal, improvisation, and performance blur, the ways in which individual lives and sociopolitical realities merge together are foregrounded.

A behind-the-scenes look inside the case to overturn California's ban on same-sex marriage. Shot over five years, the film follows the unlikely team that took the first federal marriage equality lawsuit to the U.S. Supreme Court.

It follows two teenage rappers in Bangkok who use their musical talent to navigate their difficult circumstances.

This one-hour film, narrated by Actor BURT LANCASTER, explores the lingering effects of The Hollywood Blacklist, which occurred in the late forties and early fifties as part of the Anti-Communist witch-hunts that terrorized the nation. This film is seen through the eyes of the wives and children of the now deceased Hollywood figures whose careers were destroyed when studio bosses, along with guild and union officials capitulated to the demands of the House Un-American Activities Committee.

A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.

Working from the text of James Baldwin’s unfinished final novel, director Raoul Peck creates a meditation on what it means to be Black in the United States.