African Glory

Inspired by true events, this film takes place in Rwanda in the 1990s when more than a million Tutsis were killed in a genocide that went mostly unnoticed by the rest of the world. Hotel owner Paul Rusesabagina houses over a thousand refuges in his hotel in attempt to save their lives.

An account of the victims of the Sierra Leone Civil War and depicts the most brutal period with the Revolutionary United Front (RUF) rebels capturing the capital city on January 1999.

As beautiful and sleek as it is deadly, 52 Blocks merits special conservation efforts as the United States' only existing native martial culture, as it is indeed, the jazz of the martial arts world. Across the African diaspora, there are manifestations of African-derived warrior-dances, capoeira in brazil, mani in Cuba, ladja in Martinique, pinge in Haiti- yet the US offshoot has remained esoteric, because it was suppressed throughout slavery, Reconstruction and Jim Crow and then obscured in the criminal justice system. The history, interviews and training of the martial arts style that created Breakdance and boxing greats like Mike Tyson.

A documentary based on the book Umbanda no Brasil by the scholar Mata e Silva, who is interviewed by the director. The book studies the Brazilian religion known as spiritism, a syncretism of African beliefs and magical rites, Indian beliefs and images, and Catholic symbols.

A Wildlife Safari through Africa.

Thursday 27th of October 2016 – Teatro Espace, Turin. Mulatu Astatke is a musician, composer, arranger and Ethiopia’s cultural ambassador. He’s known as the godfather of ethiojazz, a unique blend of jazz, traditional Ethiopian music, latin, caribbean reggae and afrofunk. Born in 1943 in Jimma, Mulatu studied music not only in Ethiopia but also in UK and USA. In 2005 he contributed to the soundtrack of Jim Jarmusch’s film “Broken Flowers”, reaching a new public worldwide.

The film deals with the judgment of the so-called "compromised", who integrated the colonial apparatus. At Josina Machel school, in an amphitheater with a full audience and balcony, there is a stage where Samora Machel and the members of the Frelimo political committee are located. He records Samora, an impeccable political actor, sometimes histrionic, in the role that he is attributed as the animator of the scene in the trial.

Four young people from Tanzania and Cameroon complete a year of weltwärts voluntary service in Germany. For each of them, it is their first visit in Europe. The film follows the volunteers throughout their year of service, it expresses different expectations, enthusiasm, goals and challenges. The volunteers describe subjectively their personal experiences as well as their view of Germany. The documentary is a thoughtful and exciting vision of the exchange program seen by four young people.

ADRIFT- People of a Lesser God is the story of an incredible odyssey made by several-times Pulitzer Prize-nominated undercover reporter Dominique C. Mollard. In this gripping story, Mollard sails with 38 African migrants, among them a five-month-old baby, out of West Africa on a quest to reach the golden shores of Europe. All aboard are packed together like sardines in a leaky fishing canoe as they set off under full moon on their harrowing journey. ADRIFT-People of a Lesser God captures the struggle of these desperate migrants as they brave their way across the cold Atlantic, risking their lives in search for a better future. —Ziad H. Hamzeh

Part documentary, part personal essay, this experimental film combines archive imagery with the striking wintry landscapes of Alaska to tell the story of immigrant experience coming into the UK from 1960 onwards.

A team of volunteer doctors and nurses are on board a unique ship. Crammed with medical supplies and volunteer medics, this floating hospital sails to the poorest nations on earth. This year they sail for Guinea on the West African Coast. On arrival they will face the most severe of medical issues, not seen in other parts of the world. But the medical challenges are only half of the story. They will confront ethical decisions as they decide who will be helped and who will not. This is a searing, complex journey for the volunteer medics, as they deal with life and death cases - and balance the fates of these patients in their hands.

Out of Darkness is a full length three-part documentary by director Amadeuz Christ (Δ+), examining the untold history of African people, the African cultural contribution to the nations of the world, and the events that have contributed to the condition of African people today. Out of Darkness will explore the Nubian/Kushitic origins of Nile Valley Civilization, contact between Africa and the Americas since the times of antiquity, as well as the influence of the Moors in Europe leading to Europe’s intellectual Renaissance. In addition, the film will analyze the history of modern day racism, the concept of “white supremacy,” the impact of Hip Hop as a social movement, and the idea of nationhood. Out of Darkness is narrated by Prof. Kaba Kamene and co-stars Dr. Umar Johnson, Dr. Claud Anderson, Tim Wise, Prof. James Small, Dr. Joy DeGruy, Anthony Browder, Sabir Bey, Atlantis Browder, and Taj Tarik Bey.

Villa Madjo

This biographical docudrama traces the life of Dr. Albert Schweitzer, from his birth in Alsace, up to the age of 30 when he made the decision to go to French Equatorial Africa and build his jungle hospital. The latter half of the film encompasses a full day in the hospital-village, following the octogenarian Samaritan in his daily rounds.

Jaguar, a kind of road movie on foot, tells of the journey of three friends, Damouré, Lam and Illo, on their way to the Gold Coast where they hope to make a fortune in order to return to their village in a few months.

Ben Caldwell’s Medea, a collage piece made on an animation stand and edited entirely in the camera, combines live action and rapidly edited still images of Africans and African Americans which function like flashes of history that the unborn child will inherit. Caldwell invokes Amiri Baraka’s poem “Part of the Doctrine” in this experimental meditation on art history, Black imagery, identity and heritage.

The life of a runaway slave who founded the Quilombo dos Palmares, an outlaw community of Brazilian slaves.

Because jazz is the miraculous product of the horror of slavery, Youssou N'Dour returned to the slave route and the music they created, in search of new inspiration. Accompanied by the blind Swiss pianist Moncef Genoud and the Director of the Gorée House of Slaves Museum, Joseph N'Diaye, the Senegalese singer wrote new songs during this initiatory voyage which took him to the USA then to Europe. At Gorée, an island just off the Senegalese coast and symbol of the slave trade, his memorable concert marked the end of this quest and the start of a new challenge: making today's generation aware of the tragedy of slavery, the importance of not forgetting and the need for reconciliation.

With the British government promoting an inaccurate revisionist version of the 1807 Abolition of the 'Slave Trade' Act many are determined to ensure that Truth prevails in 2007. With contributions from community activists, project workers, teachers, historians and the business community, this documentary confronts the myths about British slavery, presents the true history of the Maafa and African resistance and examines the politics of the government's bicentenary celebrations. On Screen Contributors: Dr Abiola Ogunshola, emma pierre, Bro Hakim, Dr Hakim Adi, Henry Bonsu, Ms Serwah, Bro Omowale, Kwaku Bonsu, Kubara Zamani, Dr Kimani Nehusi, Bro Ldr Mbandaka, Michael Eboda, Onyeka, shaka Marday, Stephen Henry, Teleica Kirkland and Dr William Lez Henry. Directed by Toyin Agbetu Produced by emma pierre

An educational documentary spanning two continents, opening up a much-needed debate about traditional African spiritual systems; their cosmologies, ideologies and underlying ethical principles. Modern science no longer refutes the origins of mankind being in Africa and similarities in the cosmological ideologies of African esoteric systems with those found many established world religions today, suggest that it was not only people that migrated, but also concepts and themes that then provided bedrock for the formation of other systems of belief.