I Am Yours

The grind of daily life as a Brick Lane Bangladessi as seen through the eyes of Nazneen (Chatterjee), who at 17 enters an arranged marriage with Chanu (Kaushik). Years later, living in east London with her family, she meets a young man Karim (Simpson).

Four ambitious and beautiful young women. From four very different corners of Mexico. Just like hundreds of others, they are caught up in the frenzy that sweeps the nation when Alejandro Mateos, one of the country's most powerful producers, dreams up a nationwide talent search to cast the lead in his next big movie. But all this is news to Alejandro's on-again, off-again lover, Eva Gallardo, a diva of epic proportions, who expected to get the part. While Eva schemes to nail down the role, our four leads begin their own journey on the road to fame.

Good-natured Reverend Henry Biggs finds that his marriage to choir mistress Julia is flagging, due to his constant absence caring for the deprived neighborhood they live in. On top of all this, his church is coming under threat from property developer Joe Hamilton. In desperation, Biggs prays to God for help – which arrives in the form of an angel named Dudley.

A high school outcast pays a cheerleader to pose as his girlfriend so he can be considered cool.

It is just another day in the small town of Hamlin until something disastrous happens. Suddenly, news breaks that a series of nuclear warheads has been dropped along the Eastern Seaboard and, more locally, in California. As people begin coping with the devastating aftermath of the attacks — many suffer radiation poisoning — the Wetherly family tries to survive.

Following a brutal assault, a college co-ed's life spirals until she encounters her assailant while working as a dancer. The predator has become the prey, and the prey has set her sights on revenge.

One day Sammy and his younger sister Ellie happen upon a cabin where Alice, a young, partially deaf girl with epilepsy is being kept by her abusive stepfather. The three soon become friends and hope to get Alice an education and help her escape from the torture she undergoes daily. However, Alice's stepfather soon finds out about the friendship Alice has struck up and punishes her brutally. This story of friendship and youth shows that everyone is human and deserves to be treated so, no matter their disability or weakness.

Over the years, a child's romantic ideals about death blossom into necrophilia, the study of embalming and the most profound relationship of her life.

The engagment between a struggling photographer and an assistant professor is marred by an act of violence.

Everyone has Halloween, but in Yorkshire, they have Mischief Night, where madness and mayhem rule. In the course of one night, the barriers that separate two families—one white, one Asian—come tumbling down in a blaze of crime, clubbing, love and fireworks—changing all their lives forever.

Mona Bergström is a sweet eurovision-obsessed woman in her 30s. She is married to a lazy husband and has four children, all named after her favorite Swedish Eurovision popstars. Her brother is a crossdressing guy self-titled "Candy Darling". Mona works in a retirement home for disabled people, where she is responsible for taking care of a young man named David who suffers a movement-restricting disease forcing him into a wheelchair. David's parents have abandoned him, as they wanted a normal child. Mona holds a big place in David's heart, and vica versa. David's goal is to get his parents to come and visit him, and he wants to show them that he is a great person, despite his handicap. Therefore he works with music on his computer, and his goal is to create a song, send it to "The Cardigans", a famous Swedish band and have them play the song and credit him, hoping his parents would spot it and want to visit him.

Follows a group of female escorts who are living life as best they can.

An empty, undefined world. Gabriela (70) is seriously ill. By all means she tries to keep alive, to escape from her own death. In her suppressed and rising fear of death she refuses any moral argument. Gabriela becomes an animal.

Firaaq is an Urdu word that means both separation and quest. The film is a work of fiction, based on a thousand stories. The story is set over a 24-hour period, one month after a campaign that took place in Gujarat, India, in 2002. It traces the emotional journey of ordinary people- some who were victims, some perpetrators and some who choose to watch silently.

Roy and Bo leave their small town the weekend after graduation for a short road trip to LA. Soon, they find themselves lashing out and leaving a trail of bodies behind them. The violence escalates throughout.

Visa Vuorio, a 35-year old team leader at the Helsinki city gardening department, is suffering from a terminal neurological disease and only has a few months to live. Because of this, he is a member of a therapeutical support group for people suffering from terminal diseases. Visa's life changes when a young female reporter, Hanna Manninen arrives at the support group offering to write a series of articles about Visa's life story.

An American-born Jewish adolescent, Hannah Stern, is uninterested in the culture, faith and customs of her relatives. However, she begins to revaluate her heritage when she has a supernatural experience that transports her back to a Nazi death camp in 1941. There she meets a young girl named Rivkah, a fellow captive in the camp. As Rivkah and Hannah struggle to survive in the face of daily atrocities, they form an unbreakable bond.

Agnes is not satisfied with her life. She wants a change, but her relationship with her single parent father and dominant girlfriend inhibit her to do something about it. When the father introduces his new wife, Annalyn, everything changes. The same-aged Filipino stepmother helps Agnes see a new path. Soon emerges something that no one could have foreseen.

The semi-biographical The Extremists' Opera follows the everyday and inner struggles of a women-only alternative theater group delivering explosive and politically controversial explosive stage performances under the control of tough mannered director Naoko.

"Taking its title from John Keats’s early 19th-century poem, this highly personal melodrama finds Dulac interrogating the archetype of the femme fatale. La belle dame sans merci follows a famous actress who was once seduced and abandoned by a rich man and subsequently resolved to become a “merciless woman,” forever scheming to hurt others (men in particular) in a ruthless yet captivating manner. Dulac challenges the Romantic archetype embodied in Keats’s poem by way of symbolist mise en scène, self-reflexive narration, and her typically associative approach to editing, locating a modern ambiguity within the stereotypical figures of 19th-century art." - Film Society of Lincoln Center