Floating Vessel (源氏物語 浮舟 , Ukifune) is a 1957 color Japanese film directed by Teinosuke Kinugasa. Drawn from parts of the famous Genji monogatari by Lady Murasaki.
Dobu, an Edo samurai, is tasked with investigating a string of noble murders in Kyoto, disrupting his routine in Shimotani.
In Edo's autumn, a wave of murders hits, targeting those linked to an old case. A young man, Utaro, takes charge, but Dobu's love interest is involved.
After two thugs are killed, Dobu and his crew have three days to catch the murderers. Dobu suspects a hidden mastermind influencing the magistrate.
A spree of murders in the city targets peddlers and komuso monks, all killed in the same method. Dobu investigates after a ronin's death with a unique clue.
Mori Kojiro, a member of the Akō Ronin, fails to identify Kira Kozukenosuke before their attack and is publicly banished by Ōishi Kuranosuke. Ōishi later apologizes privately, revealing that Kira has a decoy and assigning Mori a secret mission to kill the real Kira if necessary. Devastated, Mori finds solace with Okame, a local bar owner. After the ronin avenge their master, Mori, believing their mission complete, plans to leave his samurai life for Okame. However, Terazaka Kichiemon reveals that Kira was not killed but fled, and the decapitated man was a decoy. Mori decides to complete his mission and hunt down the real Kira.
After the fall of the Tokugawa Shogunate, there was a series of battles fought while the former supporters of the Tokugawa shogunate retreated to the north where they actually started a sovereign nation that was recognized by more than one European country. Survivors of the Shinsengumi were among the followers of Enomoto Takeaki who took them to the northernmost island of Ezo where they fought their final battle at the star shaped fort, Goryokaku. The Japanese Civil Wars fought in the name of the emperor signaled the complete end of the feudal system and Japan’s entry into the modern world as those brave samurai tried to halt progress and learned that the age of modern warfare and weaponry had passed them by. Swords were no match for rifles and cannons, nor was any man a match for the power of the imperial flag. Japanese loyalty to the emperor has long defined the nation and culture despite the changing times.
The Color Print of Edo is a 1939 black and white Japanese silent film with benshi accompaniment directed by Kazuo Mori. It is a cheerful period drama, sprinkled with comical scenes and tells the story of a loyal and handsome Edo period servant who fights to help his older brother marry the woman he loves. The star of this film Utaemono Ichikawa gained enormous popularity for his portrayal of a cheerful and chivalrous man.
Yagyu Jubei, the finest swordsman in the land, is called upon to bare his blade to help Iemitsu keep his post. Meanwhile a fishmonger named Isshin Tasuke who bears an amazing resemblance to Shogun Iemitsu may be called upon to put his life on the line by acting as the Shogun's double. At the same time, the tragic story of Banzuiin Chobei and Mizuno Jurozaemon is unfolding.
A chance encounter on the road leads to the unusual need for a female bodyguard to protect the granddaughter of an old friend of Akiyama Kohei, a wealthy merchant who plans to bypass his son-in-law as head of the company. When Daijiro’s wife Mifuyu takes on the job strange things start to happen, including the brutal slaughter of company employees. With the backing of Lord Tanuma, a chief elder on the ruling council, Kohei, Daijiro, and Mifuyu form a plan to foil the kidnappers plot and save the girl from certain death.
Edo is rocked by the news that a duel to the death is to be held at Takadanobaba, the famed site of a bloody revenge fought by Nakayama Yasubei, who late married into the Ako clan where he was one of the 47 ronin who took vengeance against the vile Lord Kira. This hallowed spot is to host a match between two of the finest swordsmen in Edo. Each is backed by a high ranking direct vassal of the shogun, who had bet their family heirlooms on the outcome. The loser was to commit seppuku and have his clan disbanded. Meanwhile a band of brigands are placing their bets on the fencer who had earlier killed their leader. Can retired master swordsman Akiyama Kohei keep this from becoming a major disaster?
The conclusion of the story of famed swordsman, Sasaki Kojiro. After surviving a series of daring adventures, Kojiro seems to have finally discovered the ultimate happiness in life when he is reunited with Tone, the love of his life. However, his days of happiness are overshadowed by an upcoming duel with his fateful enemy Miyamoto Musashi.
Thieves broke into Yamashiroya, a drug wholesaler, and stole 780 ryo. In the storehouse, there was a sticker with a picture of an umbrella, the signature of Yahei Kasayama, a great thief who once ransacked the entire Kanto region. Heizo Hasegawa (Kichiemon Nakamura), the director of the reform of the thieves, learns that the theft was the work of Yahei's son Yataro (Somegoro Ichikawa [now Koshiro Matsumoto]) and his gang, thanks to the help of a spy named Isaji (Koichi Miura). He learns that Yataro is in the process of marrying Oito (Tomoka Kurokawa), the daughter of Shigezo of Narumi, a great thief from Owari. Heizo learns the true identity of the thread and the evil plans of the second generation Narumi Shigezo (Fuse Hiroshi), and he meets Nagashima no Kugoro (Matsudaira Ken), a former thief who is trying to arrange a marriage deal to return the favor to the previous generation Kasayama and the previous generation Narumi. ) while hiding his identity...
Genichiro Okugawa is appointed as the head of accounting in a feudal domain and travels with his servant Gonsuke to the country from Edo. Along the way, they are attacked by masked samurai on a mountain road. Genichiro is saved by Sukezaemon Tsuda, the supervisor of public works who was out hunting. Upon arriving in the domain, Genichiro is given a warm welcome by the vassals, who force him to drink heavily and find his subordinates to be rebellious. His proposed fiscal reforms are met with resistance, except by Tsuda who understands Genichiro's intentions. Genichiro marries Matsuo, the daughter of a senior councilor, but soon faces accusations of corruption.
Master director Sadao Nakajima brings to life the adventures of Shohachi, a ronin (masterless samurai) searching for his father's enemy. O-Tama, the star of a light acrobatics hut in the back mountains of Asakusa, falls in love at first sight with a ronin named Shohachi who appears out of nowhere and, impressed by his skills, asks him to become the troupe's bodyguard. Shohachi, who is searching for his father's enemy Hyoto, follows the troupe on their provincial tour and finally finds him. But it seems that his enemy is quite skilled.
In the 14th year of the Genroku period, Asano, the head carpenter of Edo Castle, attacked Kira, the master of ceremonies, with a sword, leading to Asano's forced suicide and Kira's punishment being overlooked. Over a year later in Edo city, Shimohashi Hyogo, a carefree ronin and the nephew of Yagyu Yoshitaka, is ordered by his uncle to investigate the activities of the Ako Ronin, a group sympathetic to Asano's cause. However, Hyogo, who sympathizes with the Ronin's plight, helps out in times of need, rescuing Oishi Kuranosuke and Horibe Yahei from danger. He also teams up with Yaenosuke, a newspaper publisher, and Otaki, a geisha, to plan an attack on Kira's estate.
When his mother's untimely death quickly follows his father's, a doctor begins to believe a killer may be targeting him and his amnesiac wife.
Kondo Isami, the “Devil” commander of the Shinsengumi was one of Japan’s greatest national heroes and a peerless swordsman who devoted his life to protecting the shogun and fighting on the side of the Tokugawa. This tells the story of the Shinsengumi starting at the moment of their greatest triumph through the final battles as the Tokugawa shogunate was brought down.
Set during Japan's Shogun era, this film looks at life in a samurai compound where young warriors are trained in swordfighting. A number of interpersonal conflicts are brewing in the training room, all centering around a handsome young samurai named Sozaburo Kano. The school's stern master can choose to intervene, or to let Kano decide his own path.
Set in 19th Century Japan a young samurai who finds himself in love with a farm girl leaves his home to begin a new life. He has to take stock of his new life when he is put to the test and ordered to kill a traitor who just happens to be his dearest friend.