Röbi geht

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

Until now, they have stood on the sidelines. They have not appeared before the cameras. They have not taken part in public discussion. It is mainly to them that the documentary film by the well-known journalist Ewa Ewart was devoted. It shows the face of the Smolensk catastrophe through the eyes of the victims' families. April 10, 2010 went down in the memory of Poles as a day of national drama. But for the characters in the film, it was the day of their greatest personal drama. Along with the presidential couple, their loved ones passed away in shocking circumstances. For most, the time passing since the Smolensk catastrophe does not bring relief. Ewa Ewart and her film crew accompany the families at various stages of their struggle with difficult emotions. The film is in the process of being made and will include sequences and stills that have not been used anywhere before.

Efrain, known as the Reaper, has worked at a slaughterhouse for 25 years. We will discover his deep relationship with death and his struggle to live.

During the Feria of Nîmes, a bullfight is filmed from the perspective of the animal, relegating the matador and public to off-screen spectators. A ritual at the frontiers of mysticism, carried by the sacrificial figure of the bull, revealer of our humanity.

A short film depicting the universality of life, growth, and how beautiful life is to simply exist. The film shows how beautiful it can be when we show tenderness & love for one another, through the narration & home movies of four sisters & their mother from when they were born up to the present. The film was made over 18 years on The Australian Coast.

Hosted by Damon Fox, this documentary takes us on a grim dive into the world of the coroner and what they see in their line of work.

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

Ida is cleaning out the house that her grandfather, an artist, used to live in. She wades through a studio overflowing with artefacts, oddities and lost history. Similarly to S P A C E S, Štrbová treats the theme of memory and loss, combining fiction and documentary, letting the images of nostalgic childhood and the suffocating past flow associatively. To the sound of Francesco Geminiani's Concerto grosso no. 12, subtitled Madness, the fragile physicality of both dead and living relics stands out. The head of a dead parrot, a cast of her grandmother's breasts or a moss-covered real estate agent represent the discoveries of a personal archaeological site and exhibits of an introspective museum of family history.

In Bergen, we find one of Norway's largest harbor communities. The residents live close to the water, and even closer to one another.

A young filmmaker explores the roots of religion in family dynamics and what happens to those bonds when faith is lost.

A village in Brittany. During the ten days leading up to All Souls Day, we can see it in its entirety "inhabiting" the cemetery, going from gravestone to gravestone for the rituals of cleaning, flowering and praying. Telling its story through its faces, its voices and its ambulations.

"The Karma Killings," is a modern-day crime thriller mixed in with Indian mythology and class warfare. The documentary delves into India's most infamous serial killings and its impact on a nation. Told through the people directly involved, the film unravels the complexities of the case and goes beyond the sensational headlines to present a suspenseful and scary mystery. And has a huge twist - one of the killers maybe innocent?

Traces the lives of the Hartings, a blind Montreal family of three who make their living singing in the city's subway stations. The Hartings lost their only sighted child Hassan in a tragic drowning accident, and have since turned to the teachings of Russian mystic Grigori Grabovoi, hoping to resurrect their son. Resurrecting Hassan is an exploration of this family's legacy of grief, tragedy and abuse; the film will follow them on their path to redemption.

69, année pandémique

After learning to 'write what you know,' in film school, Half-Filipino and Half-White aspiring filmmaker Andrew Orticio travels back to his father's village in the Philippines to understand his mixed identity.

ROGER, MY BROTHER immerses us in the moving story of Christiane, who is devoted to caring for her brother Roger, who has Alzheimer's disease. Her tireless commitment allows Roger to avoid being placed in a nursing home despite the challenges. At the heart of this sibling relationship lies an unbreakable bond of love, demonstrating human resilience and the strength of family ties. This film celebrates the dignity, compassion, and determination that drive the bond between brother and sister, offering a profound reflection on love's ability to overcome the most insurmountable obstacles.

An ocean stood between Baba and her grandson, so she did the only thing she could: she became a whale and swam to him.

In the streets of Huentitán el Bajo, the horn of Chapo's car blares. He's a man who transformed his life, marked by violence, gangs, and addiction, into a story of redemption through art. After surviving a near-fatal ordeal, he found in sign painting and murals a way to heal and restore identity to his community. With his chopper bike, his music, and his wooden cart full of paint, Chapo travels the neighborhood, filling the walls with color and hope. Beyond his tough exterior, he reveals himself as a loving father, a committed artist, and a symbol of change in an environment still battling violence.

An animation about the uncertainties in human connections over time, portrayed in an affectionate relationship between a granddaughter and her grandfather with dementia as they grow old together.

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