Three Friends in Substructure

Piel dolor (Skin Pain) explains how power is structurally sustained in violence. Its nature and the relationships it establishes in society are based more on the imposition and use of force than on building consensus, dialogue, and respect for diversity. In that sense, power is a behavior that seeks dominance through force and man as a gender, becomes an instrument of violence that is exercised against the weakest. Extinguishing the socially constructed violence means eliminating the current power and its historical sustenance, questioning the source of origin, religion, ideology, the system and its values. Is that utopia possible?

An exploration of the 'respectable' and 'immoral' stereotypes of women in Indian society told from the point of view of two striptease dancers in a Bombay cabaret.

Africa, Europe - Europe and Africa: Surfers live differently on each continent and Africa marks a special place - as surfing is in many places at its very beginnings. 'Beyond - An African Surf Documentary' follows locals along the coast of Morocco, Western Sahara, Mauritania, Senegal and Gambia into their homes, visits their home surf spots and takes a look into their surfing lives. Three months of shooting culminated in a 111 minute long episodic journey on a continent, that has the potential to be the next big thing in surfing.

Ten French job seekers show up for a two-day recruitment session knowing only that they’re vying for a sales position in the insurance field. Their prospective employer remains a mystery. With limited information, they’re launched into a hiring process that more closely resembles a reality TV challenge than a traditional interview.This brutal examination of entry-level recruitment sheds light on the stigma of being unemployed, the power dynamics of interviewing and the roles people play in their quest to earn a minimum wage.

Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.

Long massacred by whaling ships, sperm whales were almost driven to extinction. Saved when whale hunting ceased in the 1980s, the largest predators on the planet had, until then, always been studied from the surface, allowing their life beneath the seas to remain a mystery. For the first time, a team of scientific divers has literally become immersed in the day to day life of a clan.

Seven women and one non binary person share their personal experiences with masturbation through short anecdotes and a revolutionary washing machine.

Mercenary Racier Panazio kills everyone standing in his way as he tried to find the murderer who killed his wife at the International Agricultural Show.

A funny story about a middle-aged man who ran into a store, bought two pies and ate them while standing in line. When it was his turn to pay, he got into trouble - no one had seen how many pies he had eaten. The head of the section invites the customer to go to the head of the department, and the latter, in turn, addresses the store director. The director suggests that the customer wait until the store closes, when the goods will be removed.

Since his wife's death, Andrew Blake is depressed. In an ultimate impetus, he leaves London to go back to France, in the house he met her. This journey through happy days memories won't go as planned.

A disk jockey goes to Vietnam to work for the Armed Forces Radio Service. While he becomes popular among the troops, his superiors disapprove of his humor.

In 1946, a former resistance fighter starts working as a forester in a small town in Masuria. The local people don't trust him, robberies are common and his old flame is married to another man.

Humbert Humbert is a middle-aged British novelist who is both appalled by and attracted to the vulgarity of American culture. When he comes to stay at the boarding house run by Charlotte Haze, he soon becomes obsessed with Lolita, the woman's teenaged daughter.

Two years into the pandemic, a group of friends throw an online party with a night of games, drinking and drugs. After taking an ecstasy pill, things go terribly wrong and the safety of their home becomes more terrifying than the raging chaos outside.

Gobang finds his older sibling wounded when he returns to his village. Dying, the sibling reveals that Naning and his henchman, Jupri, are the culprits. To protect himself, Naning, hires mercenaries. Gobang asks his teacher at another village for advice. He is advised not to take revenge, especially since his lover, Jamilla, is Jupri’s daughter. After spending sometime with his adopted sibling, Nio, Gobang returns. He does not know that the mercenaries have murdered Nio’s father. The situation in the village deteriorates. A Dutch landlord, Van Hallen, murders his best friend. Naning’s mercenary kidnaps Jamilla. And libel is spread that Gobang is the kidnapper, leading to his arrest. Nio comes to avenge his father’s death and frees Gobang from jail. But Nio is killed by Jupri, who in turn, is killed by Gobang. Then Van Hallen is killed. Watched by Jamilla, Gobang takes Nio’s body away.

A debt-ridden woman is being pursued by a loan shark and seeks the help of a retired killer, who now lives peacefully as a barber.

It ain't easy bein' green -- especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot -- a wisecracking donkey.

Happily ever after never seemed so far far away when a trip to meet the in-laws turns into a hilariously twisted adventure for Shrek and Fiona. With the help of his faithful Donkey, Shrek takes on a potion-brewing Fairy Godmother, the pompous Prince Charming, and the ogre-killer, Puss In Boots.

Set during the era when Korea was under Japanese occupation. Shin-Deuk (Jin Ji-Hee) is the daughter of a poor noble family. She married Jong-Suk (Oh Seung-Hoon) at a young age. Her in-laws, who are pro-Japanese, are rich. Her marriage life doesn't go well. Jong-Suk does not like his wife at all. In order to make Jong-Suk like her, Shin-Deuk decides to attend school. There, she falls in love with Woo-Jin (Yun Ji-On). He is a teacher at the school. Shin-Deuk is in love for the first time in her life, but she has a rival. Her rival is her servant Young Yi (Kim Si-Eun).