"A socially anxious college student reluctantly heads to a party attempting to make new friends. Nande Walters directs “Who Are You Really?”, an experimental portrait of insecurity characterized by a raw, youthful energy. Anya walks into the room and immediately feels like everyone is judging her. Eventually she strikes up a conversation with a young man, but neither really knows what to say and it doesn’t go anywhere. After struggling through the awkward night, she’s surprised to learn that an extroverted friend didn’t fare much better. Walters is only 19 years old, one of the youngest we’ve ever featured on NoBudge, and her film is the work of an artist still learning her craft but she clearly knows the feeling she’s after and captures it with pops of style and a touching closing monologue." -Kentucker Audley
When the others leave for the night, the last mortician begins to fondle the corpses. He quickly moves to the corpse of a young woman who died in a car crash.
Mind you is the fourth theater of the Dutch comedian Hans Teeuwen. He performed the show in 2001. The last show was filmed in 2002 and aired on television, the same year that the show on CD and DVD published. It's Teeuwen's most famous and most frequently quoted show. He takes everything on the heel, including racism, blacks, world religions, AIDS patients, women, Jostiband and the Queen of the Netherlands.
A couple discuss where they want to go to eat for dinner
A middle-aged Tehranian man, Mr. Badii is intent on killing himself and seeks someone to bury him after his demise. Driving around the city, the seemingly well-to-do Badii meets with numerous people, including a Muslim student, asking them to take on the job, but initially he has little luck. Eventually, Badii finds a man who is up for the task because he needs the money, but his new associate soon tries to talk him out of committing suicide.
Al Desnudo
An unexpected meeting on a train leads two travelers to spend an evening wandering through Vienna. As the night unfolds, they share stories and conversations about life and love, exploring new ideas while a quiet intimacy grows between them, knowing it may be their only night together.
Nine years later, Jesse travels across Europe giving readings from a book he wrote about the night he spent in Vienna with Celine. After his reading in Paris, Celine finds him, and they spend part of the day together before Jesse has to again leave for a flight. They are both in relationships now, and Jesse has a son, but as their strong feelings for each other start to return, both confess a longing for more.
The hands of fate, or just a chance at fresh air and quiet, bring two very different people together as they learn and grow through each other.
Reunited at a wedding after many years, former lovers again feel the pull of a mutual attraction neither is willing to admit. Escaping the reception for the privacy of a hotel room, the unnamed pair explore the choices of the past that led them to the present.
On Christmas Eve, Alexandre, a lonely young man burdened by his own emotional defenses, invites Guilherme—a male escort who has just been kicked out of his home—to stay at his house. As the hours pass, the ordinary night transforms into a deep dive into the vulnerabilities, fears, and desires of both, showcasing the hesitant and contradictory construction of an inescapable connection that remains uncertain: whether it is love, friendship, or simply the recognition of two mirrored lonely souls.
Usually a reserved guy, Greg struggles to keep up with young, unpredictable Josh on their first date. But as the night continues, things spiral out of control and the two men must confront the generational divide in this cutting and insightful comedy about what it means to be gay in contemporary America.
The film follows Will Fletcher, a musician, and Eve Fisher, who works in a pub where he is performing, during one night in London. After Will has saved Eve from a drunken customer at closing time, they stay up all night together, meandering through the streets of London and forging a relationship. Next morning, Eve takes him to see her Alzheimer's-suffering grandmother. The film is often compared to Richard Linklater's films "Before Sunrise" and "Before Sunset", as the style is very similar.
On a March night in 1964, 37 neighbors in Queens, New York, witness the brutal murder of Kitty Genovese. None of them takes action or calls the police. 37 tells the story of a few of these people and what led up to the night when they unexplainably remained passive observers. The film is a convincing portrayal of a borough in change and a time characterized by racism, the Civil Rights Movement and political shifts. The actual event that inspired the film’s plot has been called a symbol for the moment when America lost its innocence. The director Puk Grasten skillfully weaves into her feature film debut various fates, dreams and family conflicts by leading us through an apartment building that comes to bear a collective failure.
Failure & success, life & love, poop & barf; all topics in a game of catch-up played by two old friends.
Once upon a time, the world was still a good place, nature was pristine, and Sebaldius played happily with his pacifier. But when he lost this pacifier, everything changed and chaos broke out...
Two middle-aged male friends are travelling together by car and expressing their thoughts and emotions connected with women.
A happy couple celebrates their six-month anniversary, wrapped in the illusion of a perfect love. But as the night unfolds, buried truths resurface, forcing them to confront whether their relationship is built to last or just a beautiful lie.
While preparing for a show, a rock band called Retail breaks into an argument about the importance of art versus the importance of money.
While waiting for a meeting, a tired businessman must decide whether or not to open himself up to an eccentric filmmaker.