A Portuguese Film

Woody Allen's interview with France Roche.

A hundred letters written by Portuguese women during the Salazar dictatorship were found by chance in a second-hand bookshop. By confronting today the women who wrote these letters with the ghosts of the past, and revealing important archive material, Letters to a Dictatorship takes us on an in-depth journey through the obscurantism that dominated Portugal for more than 50 years.

Bradley Eros is at the forefront of the NYC underground and experimental cinema movement, blending the boundaries of experimental film, expanded cinema, and performance art. Whether it be by himself or through one of his many collaborative groups, Eros reutilizes the visual language we all know in a sensory engaging and thought provoking way. Experience Eros and the Optipus Group collaborate on a piece that celebrates the life and death of celluloid.

Directed by Hugo Conim and Miguel Newton, "Enterrado na Loucura – Punk em Portugal 78-88 - A 2ª Vaga" (“Buried in Insanity – Punk in Portugal 78-88 – The second wave”), continues a history that started to be told in “A Um passo da Loucura - A 1ª Vaga" (“One Step from Insanity – The first wave”) a documentary first screened in 2015. The two documentaries are a faithful and realistic portrait of the first decade of Punk in Portugal. This second documentary starts in 1982 with the birth of a second wave – more combative and involved with the punk scene - of Portuguese punk bands like ‘Crise Total’, ‘Grito Final’, ‘Kú-de-Judas’, Mata-Ratos or Peste & Sida and ends around 1988. The history is told not only by the musicians but also by anonymous punk’s or even concerned parents. It’s an interesting narration that evolves around music but also around aesthetical, political, educational, legal and ethical dimensions of Punk.

Hollywood film music has its roots in Europe. Three composers who fled war and National Socialism to the USA created the sound that still shapes film music today: Erich Wolfgang Korngold, Max Steiner and Franz Waxman. In the early 20th century, these classically trained composers transformed the methods acquired in Vienna and Berlin into a new American art form: film music. They balanced the relationship between image and sound and developed techniques and dramaturgical tricks to achieve the greatest possible effect on the viewer. Their influence is visible in the work of contemporary US composers such as John Williams and Jerry Goldsmith. Today, Oscar winner Hans Zimmer, Ramin Djawadi and Harold Faltermeyer continue this tradition. Their melodies are part of humanity's collective memory and reflect the combined traditions of European and American musical history. The documentary accompanies composers in their work and explores the European roots of Hollywood.

Tribute to actor and director John Cassavetes who died in February 1989. Friends, associates and fellow directors remember the man and his work.

Joe Kenda's investigation into the brutal rape and murder of 24 year old wife and mother Mary Lynn Vialpando goes cold until DNA technology leads cold-case detectives to the most unlikely of killers 30 years later.

A retrospective on the life and work of Portuguese director António-Pedro Vasconcelos.

The untold history of Portuguese Heavy Metal with: Moonspell, Tarantula, Thormenthor, Ramp, Sacred Sin, Arte & Ofício, NZZN, Braindead, Bizarra Locomotiva, Heavenwood, Procyon, and many more.

For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.

For over 60 years, Studs Terkel elevated the voices and experiences of everyday Americans through his skillful interviews on radio, in books and on TV. This documentary takes a fond and illuminating look back at one of America's most influential authors and media personalities whose curiosity about people never dimmed over the course of a long and brilliant career.

Piaf intime

Using engaging interviews and arresting visuals, this documentary investigates the case for milk as a nutritious food. Is milk good for us or not?

Tokio - Die Stadtkultur von morgen

Documentarians Andre Heller and Othmar Schmiderer turn their camera on 81-year-old Traudl Junge, who served as Adolf Hitler's secretary from 1942 to 1945, and allow her to speak about her experiences. Junge sheds light on life in the Third Reich and the days leading up to Hitler's death in the famed bunker, where Junge recorded Hitler's last will and testament. Her gripping account is nothing short of mesmerizing.

Shark expert Neil Hammerschlag and a crew of researchers search for an elusive hammerhead shark.

In his film "Far From Heaven", Todd Haynes refers very respectfully to Douglas Sirk's "All that Heaven Allows". Fassbinder was also strongly influenced by Sirk's work. Haynes now explains this double fascination.

In celebration of its 10th anniversary, Geoff Keighley sits down with Creative Director Ken Levine and Director Shawn Robertson for a feature-length retrospective discussion about the origins of Bioshock.

13 Faces du Valais

Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.