A documentary about sex based on the world of funk, the most powerful and popular musical genre in Brazil. Without moralizing, the film reveals how, through the body, dance, lyrics, and experiences of its artists, funk expresses resistance, desire, pleasure, and personal affirmation. Combining footage of dances, bodies in motion, key figures from this universe, everyday scenes, and a beat that makes everyone move, the film celebrates funk as a vital and cultural force in the Brazilian periphery.
The untold true story: The rise and fall of the greatest funk band ever, Parliament Funkadelic.
Examines the legacy, cultural impact, and body of work of American R&B/funk/jazz/soul/disco band Earth, Wind & Fire, and will feature exclusive access to the band’s archives of visual, audio, and written material, as well as the support of the estate of Maurice White and the band.
"Woodstock - Mais Que Uma Loja" tells the story of the Woodstock Discos store, a stronghold considered ground zero for heavy metal in São Paulo and one of the pioneers of the style in Brazil.
Fora da Caridade Não Há Salvação
In operation to this day, the mansion known as Madame Satan began its activities in 1983, and in the 1980s was the main hub of avant-garde artists of the city, from which came out disparate and essential names for music, performing arts, visual arts, journalism, photo and video of Sao Paulo, as well as mythical characters of the night of São Paulo who made history with their absurd and impactful performances.
A child who just loved to skate from the age of eight, Poppy Starr Olsen became the number one female bowl skater in Australia at 14 and went on to take out bronze at the XGames at 17 - the ultimate competition in the world of skateboarding. The same year, skateboarding was announced as an official additional sport category at the Tokyo 2020 Olympics. Now faced with the opportunity to represent Australia on the world stage Poppy grapples with the transition from skater to athlete and the pressure of competition mounts in a way it has never done before.
To do this documentary, the director Pedro Henrique Fávero featured 42 characters - among MCs, DJs and producers - to make a detailed map of its kind in the country. Without mincing words, they speak openly here about 8 topics proposed by the film and try to understand Hip Hop in Brazil. The result is a collection of stories from a lot of fighting, where there are many eternal start-end-start, overcoming the difficulties of being understood and feeling of belonging to a group and many clichés.
Pé de Pato: As (in)Justiças de um Cidadão Comum
The documentary shows the awakening of the poor youth to social consciousness in the identification of life that imitates art with art that imitates life. It is the São Paulo chapter of the cultural history of national rap in the voice of its main exponents.
An aspiring songwriter from a small steel town, Betty Mabry Davis arrived on the scene to break boundaries for women with her daring personality, iconic fashion style and outrageous funk. She befriended Jimi Hendrix and Sly Stone, wrote songs for the Chambers Brothers and The Commodores and married Miles Davis, turning him from jazz to funk and then went on to ignite stages in the 70s with her sassy sexed up mix of hard rock and bluesy funk, inspiring artists from Prince to Erykah Badu to Karen 0 and Peaches. Then she vanished…
Terror Mandelão addresses sound, technology, and the job market in the universe of baile funk in São Paulo's favelas. The film follows the journey of DJ K, one of the main DJs of Baile do Helipa, the street party of Heliópolis favela, and his friend Zero K, who got his first hit after 10 years as MC. Combining documentary, fictional elements, and visual experimentation, it portrays the ups and downs faced by young artists on the outskirts.
The documentary follows Nicolas Vlavianos (1929-2022), a renowned sculptor, in the final years of his life. It captures the moment — when he is around 90 years old — that he returns to an old drawer, tries to pick up his tools, and realizes he no longer has the strength to hold them. That simple gesture becomes the symbolic trigger: the end of his long creative cycle and the beginning of a farewell to his art. From there, the film documents the dismantling of Vlavianos’s studio and workspace, and the gradual process of his withdrawal from physical creation. It’s not just a retrospective of works: it’s a portrait of decline, memory, mortality, and legacy.
James Brown changed the face of American music forever. Abandoned by his parents at an early age, James Brown was a self-made man who became one of the most influential artists of the 20th century, not just through his music, but also as a social activist. Charting his journey from rhythm and blues to funk, MR. DYNAMITE: THE RISE OF JAMES BROWN features rare and previously unseen footage, photographs and interviews, chronicling the musical ascension of “the hardest working man in show business,” from his first hit, “Please, Please, Please,” in 1956, to his iconic performances at the Apollo Theater, the T.A.M.I. Show, the Paris Olympia and more.
Bruxaria Braba
George Clinton's somewhat absurdist take on Parliament-Funkadelic history. Features never-before-granted access to his archive and spotlights his alter egos and friends
Um Samurai em São Paulo
Montanhão: Raízes da Luta
In early 1960s Toronto, a white, Anglo-centric city, an underground music scene emerged from the Jamaican diaspora, led by newcomers like Jackie Mittoo, Wayne McGhie, and a young Jay Douglas. Battling racism and indifference, they left a lasting but underrecognized mark on Canadian music and culture. Nearly 60 years later, Jay Douglas still champions Jamaican music and is finally receiving long-overdue recognition. Play It Loud is a feature documentary that tells the little-known story of how Jamaican music became a vital, unlikely part of Canadian culture. It traces a cultural migration that made Canada a global hub for Jamaican music - celebrated abroad but overlooked at home. Told through the life and music of beloved singer Jay Douglas, born Clive Pinnock in rural Jamaica, the film follows his journey from teen performer to enduring icon.
In the racially turbulent UK of the early 70s, a group of black musicians came together in South London with a common love of rhythms and a message of peace. Cymande – with the dove as their symbol – combined jazz, funk, soul and Caribbean grooves to form a unique sound. Despite success in the USA they faced indifference in their native Britain, becoming disillusioned and disbanding. But the music lived on, as new generations of artists imbibed and reworked their pioneering sounds in fresh ways. From Soul II Soul to De La Soul, MC Solaar to The Fugees, the Dove had spread Cymande's message far and wide, prompting their return after forty years. This is their story.