Blood of 1000 Virgins

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

A documentary that examines whether a charity organized by Pat Robertson to aid Rwandan genocide refugees was a front for diamond mining.

A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.

They are the first and the last, those who imagine stories and give voice to the characters who live them. However, they never speak. But now, they emerge from the shadows of a poorly lit room and tell their secrets, their tricks, their influences; they tell their own story, that of those who face the blank page, the absolute nothingness; that of those who are the true authors, those who create and destroy entire universes. They are the screenwriters.

The extraordinary life story of science fiction and fantasy writer Ursula K. Le Guin (1929-2018) who, in spite of remaining for many years on the sidelines of the mainstream literature, managed to be recognized as one of the most remarkable US writers of all time, due to the relevance of her work and her commitment to the human condition.

A recreation of the interview with Stanley Kubrick that Playboy magazine published in its September 1968 issue and that has become essential when approaching the reflections and theories that led the director to shoot one of his masterpieces.

Four lives that could not be more different and a single passion that unites them: the unconditional love for their cinemas, somewhere at the end of the world. Comrades in Dreams brings together six cinema makers from North Korea, America, India and Africa and follows their efforts to make their audiences dream every night.

The premiere of The Dark Knight Rises was the big event in Aurora, Colorado. So popular with young cinema-goers, the city's theatre complex put on an extra showing. But minutes into the film, lone gunman James Holmes, dressed as the Joker, entered the room and started firing indiscriminately. Twelve people died, many more were injured. This documentary tells the life story of Holmes, of his victims and speaks to survivors.

The 1950s were a time marked by an idealistic feeling. The atomic age, with its promise to save humanity, revolutionized the world, technologically, socially and politically. All these factors gave birth to one of the most prolific film genres in the history of cinema: science fiction, which delighted the audience. Only a few years later, these same spectators saw on their television screens how the Russians launched the Sputnik into space.

Highlighting one of the most innovative American directors, this film reveals the path traveled by the auteur from his small-town Texas roots to his warm reception on the awards circuit. Long before he directed Boyhood, Richard Linklater’s intense desire to create fueled his work outside the Hollywood system. Rather than leave Texas, he chose to collaborate with like-minded artists crafting modest, low-budget films in a DIY style. His ability to showcase realistic characters and tell honest stories was evident from his films, and others soon took notice of his raw talent.

A documentary that highlights the deadly combination of sleep deprivation and long days of work, focusing on the American film industry.

An exploration of the movie "The strange case of Angelica" and an understanding Manoel de Oliveira's cinema.

A French documentary on how Covid-19 affected Hollywood and the cinema industry in the United States.

In a dark, ambiguous environment, minuscule particles drift slowly before the lens. The image focuses to reveal spruce trees and tall pines, while Innu voices tell us the story of this territory, this flooded forest. Muffled percussive sounds gradually become louder, suggesting the presence of a hydroelectric dam. The submerged trees gradually transform into firebrands as whispers bring back the stories of this forest.

Hilariously bogus "documentary on the film capital of the world" inspired by the Italian mondo movie genre. A look at adult book stores, grindhouses, strip joints, "Figure Model Photography Studios" and midnight pool parties. This is more cynical sexploitation from director Lee Frost and producer Bob Cresse, the loveable hucksters.

Tito del Amo, a passionate 72-year-old researcher, takes the final step to unravel the enigma about the alleged Spanish origin of the American cartoonist Walt Disney, making the same journey that his supposed mother made to give him up for adoption in Chicago. A journey that begins in Mojácar, Almería, Spain, and ends in New York. An exciting adventure, like Alicia's through the looking glass, to discover what is truth and what is not, with an unexpected result.

An hour-long discussion between Fritz Lang and Jean-Luc Godard in which they discuss a variety of art forms, the role of the cinema, their collaboration together, and much more. (Filmed in 1964 but released for TV in 1967.)

The 70th anniversary of the “Fotogramas” magazine comes in the shape of a sentimental voyage through the history of Spanish cinema thanks to a mosaic of voices represented by people who make films, those who write them and those who consume them. The documentary pays tribute to the readers of “Fotogramas” helped by the leading figures of Spanish cinema, who will read to the camera the most representative letters received at its offices in the history of the magazine.

Piirainen's documentary on the last years of Peter von Bagh.

A pseudo-documentary, “Samarang” tells the story of lowly Ahmang (Captain A.V. Cockle) and his socially superior love, Sai-Yu (Theresa Seth). Both live in the village of Samarang in the Indian Ocean. Because Sai-Yu is the daughter of a chief and Ahmang is but a poor fisherman, he needs to increase his wealth before asking for her hand. Thus he accepts the perilous offer of the wily Chang-Fu, who seeks pearl divers. Ahmang must brave the treacherous waters of the Forbidden Lagoon of Sakai, home to bloodthirsty cannibals, killer sharks, and a monstrous grasping octopus. Sai-Yu and Ahmang’s younger brother Ko-Hai come along for kicks, too. Ahmang finds his pearl, but he and Sai-Yu are stranded on the island, where they befriend a local orangutan. When they return to the boat, a shark kills Ko-Hai, and Ahmang must get revenge.