Afghanistan: The Battle for Helmand

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What blood calls a man to war? BLOOD TYPE is a reflective documentary about professional Estonian soldiers in the Afghan war. The deeply personal revelations of the warriors are woven in with footage of their daily dangers, forming an intimate portrait of the soldiers' day-to-day struggles. Their stressful job and haunting fear to lose their legs echo the destiny of Andrei, who lost his leg in the Afghan war two years ago. Having returned to homeland, Andrei gives his all to reunite with his blood brothers on the battle field despite his disability. What is the spiritual journey of a soldier? What kind of responsibility does he have to his brothers in arms, his family, and the locals? By showing the cooperation between Estonians and Afghans, the film is looking for the imprint that might be left behind once the international forces have been withdrawn from the distant Afghanistan.

Key decision makers reveal the inside story of how the West was drawn ever deeper into the Afghan war. Reporter John Ware charts the history of a decade of fighting and looks at when the conflict may end.

During the 1980s, Russia fought a disastrous war in Afghanistan. Shot by a Western crew, the 40 minute film includes footage of combat missions with the Spetsnaz elite units, helicopter gunship pilots from a Kabul-based Air Assault Unit flying missions, the patrolling of the Salang mountain pass and the military hospital in Kabul. Soviet General Lev Serebrov referred to the making of the film as "An experiment in glasnost".

An in-depth look at the torture practices of the United States in Afghanistan, Iraq and Guantanamo Bay, focusing on an innocent taxi driver in Afghanistan who was tortured and killed in 2002.

A portrait of an unforgettable transgender schoolteacher in Herat, Afghanistan, who shines even with the prospect of the Taliban’s return.

Armed only with their cameras, Peabody and Emmy Award-winning conflict Journalist Mike Boettcher, and his son, Carlos, provide unprecedented access into the longest war in U.S. history.

This documentary on the effect the talent competition "Afghan Star" has on the incredibly diverse inhabitants of Afghanistan affords a glimpse into a country rarely seen. Contestants risk their lives to appear on the television show that is a raging success with the public and also monitored closely by the government.

Haji Omar and his three sons belong to the Lakankhel, a Pashtoon tribal group in northeastern Afghanistan. The film focuses on his family: Haji Omar, the patriarch; Anwar, the eldest, his father's favorite, a pastoralist and expert horseman; Jannat Gul, cultivator and ambitious rebel; and Ismail, the youngest, attending school with a view to a job as a government official.

CITIZEN SOLDIER is a dramatic feature film, told from the point of view of a group of Soldiers in the Oklahoma Army National Guard's 45th Infantry Brigade Combat Team, known since World War II as the "Thunderbirds.” Set in one of the most dangerous parts of Afghanistan at the height of the surge, it is a heart-pounding, heartfelt grunts' eye-view of the war. A modern day Band of Brothers, Citizen Soldier tells the true story of a group of young Soldiers and their life-changing tour of duty in Afghanistan, offering an excruciatingly personal look into modern warfare, brotherhood, and patriotism. Using real footage from multiple cameras, including helmet cams, these Citizen Soldiers give the audience an intimate view into the chaos and horrors of combat and, in the process, display their bravery and valor under the most hellish of conditions.

La vie devant elle is the diary of the exile of Elaha, a 14 year old Afghan girl, who films herself with a small camera to tell her story. Through her story, the film portrays the reality of children growing up on the road, tossed from place to place to flee conflicts in the hope of finding a normal life.

16 Days in Afghanistan is a documentary that documents the state of Afghan people after the fall of the Taliban.

The friendship between Christophe de Ponfilly and Commander Massoud, a legendary figure of the Afghan resistance against the Soviet invader, goes back to the filmmaker's first film, "A Valley Against an Empire", made in 1981. Fifteen years later, weakened, isolated, betrayed by many of his own, the "Lion of Panshir" has not surrendered to his new and implacable enemies, the Taliban. While preparing his next offensive, he evokes his commitment and his fights, and bears witness to a history in which he has been one of the main actors for twenty years. At the same time, the director questions the role and power of the media, as well as his own approach as a filmmaker. Commander Massoud was killed in an attack in September 2001.

Afghanistan, immediately post-9/11: Small teams of Green Berets arrive on a series of secret missions to overthrow the Taliban. What happens next is equal parts war origin story and cautionary tale, illuminating the nature and impact of 15 years of constant combat, with unprecedented access to U.S. Special Forces.

Korengal picks up where Restrepo left off; the same men, the same valley, the same commanders, but a very different look at the experience of war.

A unique documentary about troops' experiences in Iraq and Afghanistan, based on writings by soldiers, Marines, and air men.

The mission: Capture US and NATO forces on camera giving food, water, clothing, blankets, and medical supplies to widows and orphans in refugee camps and villages of Afghanistan.

An intimate and uncompromising portrayal, filmed over a year, of the day to day struggles of a new generation of children addicted to heroin, trying to find their way in the new Afghanistan.

Jung is a narrative documentary that follows the human and professional adventure of its protagonists, the Afghan people in the midst of civil war.

Marzia, My Friend is the story of an Afghan woman in her twenties, who like all young people dreams of love, freedom and an interesting job. She dreams of peace and independence, but because she lives in Afghanistan, her dreams are revolutionary. Ultimately Marzia’s story becomes a symbol of the wider struggle of Afghan women: it is about the right to make decisions about your own life. The film follows Marzia’s life from spring 2011 to the end of 2014, when international troops were due to leave Afghanistan.