The River's Divide

An ethnographic film that documents the efforts of four !Kung men (also known as Ju/'hoansi or Bushmen) to hunt a giraffe in the Kalahari Desert of Namibia. The footage was shot by John Marshall during a Smithsonian-Harvard Peabody sponsored expedition in 1952–53. In addition to the giraffe hunt, the film shows other aspects of !Kung life at that time, including family relationships, socializing and storytelling, and the hard work of gathering plant foods and hunting for small game.

An NFB crew filmed a group of three families, Cree hunters from Mistassini. Since times predating agriculture, this First Nations people have gone to the bush of the James Bay and Ungava Bay area to hunt. We see the building of the winter camp, the hunting and the rhythms of Cree family life.

A group of outdoorsmen demonstrate duck hunting as a preliminary to traveling the various hunting and fishing centers of the world. They begin their journey with a trip to the Rocky Mountains to hunt elk and mountain lions and to fish in the freshwater lakes. They travel to Lac la Ronge in Saskatchewan and to Anchorage and the Katmai Peninsula in Alaska to fish for trout, salmon, and grayling and hunt moose and bear. In the Arctic, the hunters go with a group of Eskimos for their biggest catch, the polar bear. The hunters travel south by plane, to the Fishing Club of Panama to fish for marlin, tuna, shark, and dolphin in the Gulf of Panama. In South Africa and the Zambesi River basin, they often hunt with only a camera. Accompanied by native beaters, they hunt elephants, antelope, buffalo, crocodiles, and hippopotami. As conservationists they capture some almost extinct white rhinoceros and take them to a game preserve for protection.

Shark: Beneath the Surface

For the Frigons, hunting is a family affair that forges and solidifies the bonds between generations. For many autumns, Louis-Henri has been tracking moose alongside Sasha, his grandson. On the other hand, at the dawn of his 81st birthday, old age reminds him that his career as a hunter is behind him. This year, Louis-Henri will not go hunting and Sasha will go without him for the first time. Goodbye, Hunter offers an intimate look at the moment of the passing of a long family tradition.

My Deer Hunter is the meeting of Alain, man of the nature and passionate of hunting with the deer, at the moment where the nervousness of the first days of hunting settles down. It's a family reunion, a return to the source in the lands of Témiscouata.

Semi-documentary exposé of scandalous hunting practices in the Sologne, a wooded area south of Orléans where he shared a house at the time. The film, part tribute to Jean Renoir's The Rules of the Game (1939) and its celebrated hunting scene, is notable for its cinematography by Polish director Walerian Borowczyk.

Recorded by pioneers as far back as 1805, the Tasmanian tiger has become an intensely mystifying Australian icon, whose entire existence has become the stuff of both fable and legend. This program investigates a chequered past and puts the speculation into perspective, taking into account the tragic culling and ‘bounty era’ where the carnivorous creatures were thought to be solely responsible for a considerable loss of farmers’ livestock. Balancing the facts with personal reflections from Tasmanian locals, scientists and other informed practitioners, The Tasmanian Tiger is a thought-provoking and revealing look at the extraordinary life and death of one of Australia’s most mysterious marsupials.

Mr. Burbridge's party slew three giant gorillas, one weighing something like 450 pounds. Two of these were sent to the Belgian Government and one to the Smithsonian Institution. The explorer also brought away with him three young gorillas, one of which weighed 125 pounds and put up a good battle before he surrendered. Mr. Burbridge shows some amusing scenes with these animals, one of them being that of a young gorilla who insists on getting tangled up in a drum of film. (cont. http://www.nytimes.com/movie/review?res=9B04E5D7143CEE3ABC4C52DFB467838D639EDE)

In this feature-length documentary, three generations of the Caribou Inuit family come together to tell the story of their journey as Canada's last nomads. From the independent life of hunting on the Keewatin tundra to taking the reins of the new territory of Nunavut on April 1, 1999, we see it all. The film is the result of a close collaboration between Ole Gjerstad, a southern Canadian, and Martin Kreelak, an Inuk. It's Martin's family that we follow, as the story is told through his own voice, through those of the Elders, and through those of the teens and young adults who were born in the settlements and form the first generation of those growing up with satellite TV and a permanent home.

This grisly documentary presents horrifying journalistic footage of suicides, assassinations, bombings, mob hits, decapitations, and more in bloody detail. Not for the faint of heart.

Prey

Learn and experience the excitement of one of the most challenging of all outdoor sports, hunting deer with a bow and arrow.

This short film showcases the skills of Howard Hill, known as the "World's Greatest Archer".

Etnographic documentary about lion hunting in Africa.

In the Faroe Islands, hundreds of pilot whales are slaughtered each year in a hunt known as the “Grind.” This gruesome tradition has drawn outrage from activists, most notably the international conservation group Sea Shepherd, who routinely sail to the islands to try to block whaling boats. Yet the Faroese are equally determined to maintain their tradition, defending the practice as more sustainable and less cruel than getting meat from slaughterhouses. Director Vincent Kelner spends time with both Faroese hunters and Sea Shepherd crusaders, building to a nuanced look at a disturbing event with much larger implications for the way humans relate to other creatures.

Human beings are the kings of all animals, at least if you ask us humans. Our vanity is given something to mirror itself in, but does not escape without a scratch or two in this documentary, which observes a taxidermist, a deer farmer and a museum curator at work. Three jobs that have one thing in common: turning animals into aesthetic objects, alive as well as dead. When the work is done properly, it is impossible to tell the difference. Dead pets are mummified. At the zoological museum, the animals' glassy eyes stare back at us from the showcases. Even a plastic alligator has its natural place in the human master plan.

Two big game hunters are on safari in the jungle with their African guide. They observe zebras, ostrich and a hippopotamus, and catch a small monkey for a pet. During the night they are awakened by a lion which kills a small goat and then the hunters' horse. The hunters shoot the lion as it stands by the water on a beach. They discover another lion and shoot it also. The lions are gutted and skinned. The happy hunters sit and smoke cigarettes afterward.

Every single day in South Africa at least two to three captive bred or tame lions are being killed in canned hunts. And hundreds more are slaughtered annually for the lion bone trade. The Blood Lions story is a compelling call to action to have these practices stopped.

This in-depth look into the powerhouse industries of big-game hunting, breeding and wildlife conservation in the U.S. and Africa unravels the complex consequences of treating animals as commodities.