Royal Philharmonic Orchestra: The First 50 Years

Imagine a window into the past. Imagine finally connecting singers' bodies to the voices you have always treasured on record, watching footage of performances from another era. All of singers featured here have something in common (with one exception, Sutherland): they sang and performed on stage before the advent of filmed opera. . And it shows, for the first time, a few tantalizing minutes of recently recovered footage from Callas' legendary Lisbon Traviata, featuring Addio dal Passato and Parigi oh cara with Alfredo Kraus. This DVD will leave you asking for more.

J. S. Bach: Světské a duchovní kantáty

Concentus Moraviae 2010

In this short, Johnny Green leads the MGM Symphony Orchestra in a performance of the overture to Rossini's "La Gazza Ladra".

Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.

New Year's concert 2025 of Vienna Philharmonic with Riccardo Muti.

Winter Allegro portrays the fierce competition between two violin prodigies to win the solo part of an abusive conductor's new rendition of Vivaldi's Four Seasons. Camille, first chair violinist, faces Anya, a younger American virtuoso.

An enterprising producer believes he has hit upon a winning concept: a program of original animated shorts set to classical music. Undeterred by warnings that this has already been done by an American named 'Prisney,' he rallies an orchestra of geriatric women, a bullish conductor, and an animator that he keeps locked in the dungeon. What could go wrong?

70 Years Young is André Rieu’s ultimate concert featuring musical highlights chosen by the maestro himself from his illustrious career so far. This unique commemorative celebration will take you on an unbelievable journey around the world to André Rieu’s most amazing concert locations, including Schönbrunn Vienna, Radio City Music Hall New York and the Coronation Concert in Amsterdam.

Conductivity is a film about creative leadership told through the story of three young conductors at the prestigious Sibelius Academy in Helsinki, Finland; I-Han Fu (Taiwan), Emilia Hoving (Finland) and James Kahane (France). When stepping on the podium, they are put under a magnifying glass. Conductor training, in essence, is leadership training. The film gives a unique viewpoint to follow the students, as this is the first film about conductor training at the Sibelius Academy.

The audience is invited into Violetta’s privacy to have a close look at the fire to which she abandons herself among the guests of this musical and phantasmagorical celebration that blends theatre and opera, voices that speak and sing, and where the distinction between the instrumentalists and the singers becomes blurred, where Charles Baudelaire is seated next to Christophe Tarkos, and where the phantoms of this Paris in full industrial boom whose future we are living at present, sing and die.

Repertoire Modest Mussorgsky: Night on Bald Mountain; Antonín Dvořák: Song to the Moon from “Rusalka”, Op. 114; Aram Chatschaturjan: Adagio from “Spartacus”; Richard Strauss: Final Scene from “Capriccio”, Op. 85; Richard Wagner: Overture to “Rienzi, der Letzte der Tribunen”; E. W. Korngold: Mariettas Lied from “Die tote Stadt”; Richard Strauss: Zueignung, Op. 10 No. 1; Sir Edward Elgar: Salut d’amour; Giacomo Puccini: Donde lieta uscì from “La bohème”; Tu che di gel sei cinta from “Turandot”; Ruggero Leoncavallo: Musette svaria sulla bocca viva from “La bohème”; Mimì Pinson, la biondinetta from “La bohème”; Piotr Tchaikovsky: “Romeo and Juliet” (Fantasy Overture)

The Waldbühne in Berlin, one of the most appealing outdoor amphitheatres on the European continent, is the home of the Berliner Philharmoniker’s summer concerts. With audiences of more than 20,000, these are some of the most popular classical music concerts in the world. Riccardo Chailly is famous for having one of the broadest and most eclectic repertoires. Here, under his baton, the orchestra presents perennial favourites by Shostakovich, Rota and Respighi. Live recording from the Waldbühne, Berlin, 23 August 2011, directed by Kasten Henning, produced by Jan Bremme. TV Producer: Dorothea Diekmann, RBB. Repertoire Dmitry Shostakovich: Suite No. 2 for Jazz Orchestra (Suite for Variety Orchestra), Lady Macbeth of Mtsensk Suite – Allegretto; Nino Rota: ‘La Strada’ Ballet Suite; Ottorino Respighi: Fountains of Rome • Pines of Rome • Danza gueresca ‘Belkis’; Paul Lincke: Berliner Luft

Every year, the Berliner Philharmoniker hold a kind of classical-music fête with a bright, cheerful concert to end the season. In 2009 about 22,000 people had come together at the Berlin Waldbühne to enjoy the traditional summer picnic concert. The theme of the evening was “Russian rhythms”, and star conductor Sir Simon Rattle, the Berliner Philharmoniker and Yefim Bronfman, one of the most famous pianists in the world today, presented a superb selection of Russian music. Repertoire Tchaikovsky: The Nutcracker, op. 71, Overture, The Christmas Tree, March, Pas de deux (Intrada) Rachmaninoff: Piano Concerto No.3 in D minor, op. 30 Stravinsky: Le Sacre du printemps Lincke: Berliner Luft

Take a seat with us at FIRE’s first-ever classical music concert in support of free expression: “Outspoken: Music for Free Speech.” At the podium is conductor Rebecca Bryant Novak, a former doctoral student at the University of Rochester’s Eastman School of Music. Taking the stage for the first time since she was expelled without due process after speaking out about alleged harassment, Rebecca leads an all-volunteer orchestra in an unforgettable evening of music. Internationally acclaimed musicians, violinist Lara St. John and oboist Katherine Needleman, bring the stage to life with works by composers who themselves faced censorship, from Mozart to Shostakovich. Between performances, FIRE staff and special guests reflect on why free expression is essential for artists, and for all of us. The arts cannot thrive without free expression. Thank you to everyone who made this night possible!

Beethoven · Missa Solemnis (Staatskapelle Dresden, Christian Thielemann)

Beethoven · Missa Solemnis (Berliner Philharmoniker, Herbert von Karajan)

Sir Simon Rattle, the Berliner Philharmoniker and the Rundfunkchor Berlin give an impeccable performance of the powerful biblical oratorio “The Gospel According to the Other Mary” by John Adams, one of the most renowned contemporary composers. The sophisticated score with a libretto by acclaimed theatre director Peter Sellars comes to life thanks to the Berliner Philharmoniker, whose intimate knowledge of Adams’s music stems from the composer himself: He attended the orchestra’s rehearsals. In the role of the Evangelist, Bubeck, Cummings and Medley lead through the narrative. A stunning highlight is Lazarus’s aria, sung by tenor Peter Hoare. But at the heart of the piece are Mary Magdalene and her sister Martha during the last days before Jesus’s death, impressively performed by mezzo-sopranos Kelley O’Connor and Tamara Mumford.

After constantly moving, two students finally find the opportunity to start a family by adopting a stray dog.

Documentary about Soviet-born pianist Vladimir Ashkenazy.