Amaranta
Through our subject Adam, we reveal the incredible changes and forces that take all humankind from Cradle to Grave.
A film based on one of the world's greatest pioneers Dr. Babasaheb Ambedkar.
During the summer semester at a New York City arts school, boundaries begin to blur between an adjunct professor and the students in her Personal Documentary filmmaking class.
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
Cajun boy Alexander Napoleon Ulysses LaTour lives with his family and his beloved pet raccoon in the Louisiana bayou. When his father allows an oil barge to drill on their land, the boy questions the process and its safety.
A Lebanese immigrant returns to Beirut for the first time in a decade, only to find love and horror by the sea, in the alleyways, and on the elusive rooftops of the city - right before the 2020 Beirut Port Explosion.
"All Five Millions of Us" is a hybrid of documentary and fiction feature film about father absence, based on data released by the National Council of Justice: there are 5.5 million children without paternal recognition in Brazil.
By the end of the weekend, nothing has truly changed. Ekin remains the same, the Anatolian side of Istanbul remains the same. Set in 2020s Istanbul, the film follows Ekin, a young adult living with his mother whose days revolve around searching for a place to live, at least as he tries to believe. As childhood memories, friendships, and new encounters linger in the streets, anxiety quietly grows, and after sleep, life resumes exactly where it left off.
Issa, a footballer from Guinea-Bissau who plays in Portugal, is contacted by two filmmakers who want to know more about his life and make a documentary. Exposing the voices behind the camera, Nha Sunhu is a reflection on the gaze, bias, and representation of the other.
A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.
An Editor recounts the diaries of a failed film production as they attempt to construct a new narrative from the remaining footage.
Aya grows up with her mother on the island of Lahou. Joyful and carefree, she likes to pick coconuts and sleep on the sand. However, her paradise is doomed to disappear under the waters. As the waves threaten her house, Aya makes a choice: the sea can rise, but she will not leave her island.
Autumn 1977: the Bernese officer trainee Flükiger is found dead. Who is to blame for his death? The RAF or the Béliers, was it an accident or intentional? The director goes in search of clues and tries to shed light on the mysterious events surrounding the vote to form the Canton Jura.
Capital is dead labor that, like a vampire, lives only by sucking up living labor; and the longer it lives, the more work it sucks.
In near-future New York, ten years after the “social-democratic war of liberation,” diverse groups of women organize a feminist uprising as equality remains unfulfilled.
A cinematic impression of Vietnam, told through the eyes of Vietnamese immigrants.
Tinskani mourns the death of his friend and mentor, Salvador. His partner, Citlali, urges him to attend the funeral with her, but Tinskani is haunted by the photograph of his friend's corpse. He'd rather wander through the town’s carnival, camera in hand, seeking to replace that ghostly portrait with new ones.
A revealing and devastating portrait of a trio of aspiring real-life Viennese models. Vivian will stop at nothing to be a magazine cover girl. Lisa fills her time with routine plastic surgery and cocaine binges, while innocent Tanja focuses on the mystical through tarot cards, yoga, and raw animal energy.
Rosine