Rummage

After consolidating itself as a tourist destination in the mid-1960s, this small coastal village has become the dormitory town for the workers of a Nuclear Power Plant. With the liberal promise of prosperity and socioeconomic wellfare, many workers left their homes to move to the small city and started working at the new Nuclear Power Plant. The collective unrest and the silence, cut off by the great gusts of wind, articulate the landscape of the village that is now under the aid of the Nuclear Power Plant.

A grandmother faintly narrates her quilts, as seen through the warped glass lens of a broken camera, a laptop webcam, and a clunky Xerox scanner.

The Red Tide follows a life changing move to Florida. Exploring a new home located near famous earthworks by Robert Smithson, the enormous art collection-turned-museum of John Ringling, and beaches plagued by a toxic phenomenon called the ‘red tide’. Beginning with a recreation of Nancy Holt and Robert Smithson’s 1969 film, Swamp, the film describes a confusion between multiple anxieties: art’s legacy, climate change, and a longing to stay connected. Taken From Sally Lawton's Website: http://www.sallylawton.net/the-red-tide.html

A snooze alarm clock cannot wake a sleepy person. The bell of the alarm clock hence becomes a hypnotic trigger. Such an ordinary sound is redefined in our drowsy moments, and we are also liberated from the sounds that condition our lives—queue management systems, electric scooters, air raid drills, and public demonstrations. These sounds are released from the soft soil of our consciousness and grow into a new scene. And we sail with those who cannot be awakened on a boat drifting off course into a new realm projected by frequency. This is a film you can watch with your eyes closed.

Fajar Suharno was a theater maestro from the 80's to the 90's. He was imprisoned because his theater activities were considered against the New Order government. At its peak, he made a show entitled "Geger Uwong Ngoyak Macan" about the events of crushing people who were considered thugs/criminals (Petrus). The show was held exactly the day before the massacre took place

Filmmakers Sam and Amy journey into rural Australia to explore how the legacy of an American legend has transmitted and warped itself over time, and across the globe, resulting in the 30th annual Parkes Elvis Festival.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

Filmmaker Theo Anthony offers a far-ranging look at the biases in how people see things, focusing on the recorded image.

The Enigma of Hedonism are profile documentaries that tell the life of Heri Dono. His attitude and view as an artist that transcends canvas and time has had an important impact on artists and artists in other fields in their work. Not only that, his exploration of the various and types of working mediums and the experience of participating in various prestigious exhibitions in the world has made him dubbed as the greatest artist of Indonesia today.

Filmed throughout Ukraine just months before the full-scale Russian invasion, this vérité visual ethnography explores the overlaps of memory, hope, progress, and nostalgia at the scale of everyday life.

Delírio Primaveril

An excerpt about the troubled, passionate and intriguing relationship of an actor with his own life.

Archive footage from 2006 - 2010 of a young girl growing up during the ages of four to eight. Only fragments of what is remembered exists. Words from a transgender man float to the surface as fleeting memories go on.

White Cloud

In the town of Xoco, the spirit of an old villager awakens in search of its lost home. Along its journey, the ghost discovers that the town still celebrates its most important festivities, but also learns that the construction of a new commercial complex called Mítikah will threaten the existence of both the traditions and the town itself.

Roads fall into the sea and a travelogue breaks against the landscape.

Trail traces.

Grandma Kham, an 87 year-old-woman, lives lone and is still strong enough to burn charcoal and weed out grass. But what does she have to go through along the way? And how will she prepare for her own final moment?

Based upon a habitual fidget of the filmmaker involving the tags in his clothing, Reilly Mitchell explores the feelings of his past by removing something that has always stayed so close to him and turning it into something new.

A filmmaker’s meditation on loss and grief. A digital eulogy and swan song to his creative partner and best friend. Mixed media woven into the fading daydream of their time together.