À ciel ouvert

An overview of high-rise construction activity in London. From the crane operators who build the new sky-scrapers to the tenants who live in the penthouses, this newsreel provides a colorful birds-eye view of London Town.

Cranes and Voices explores the evocative power of sound through the experiences of people who hear voices and a collective of sound investigators, tenants documenting their neighborhood. By bringing together listening experiences, housing, and creative practices, the film approaches sound as an ambivalent force, questioning our ability to listen—to the city, to others, and to ourselves.

It does not happen every day that a gigantic stadium is built on a greenfield: In October of 2001, the citizens of Munich voted with a clear yes for a new soccer stadium in the north of the city. 66,000 soccer fans of FC Bayern and 1860 Munich will find a new common home in the futuristic looking structure. But before that stand four years of work on a construction site of superlatives. The director Wolfgang Ettlich and his cameraman Hans-Albrecht Lusznat followed the construction of the new Munich soccer arena since the first groundbreaking. They have recorded several phases of the construction and did thereby get to know the microcosm of a large construction site from the inside: The logistics, with which hundreds of construction workers have to be coordinated, and the steady growth of the stadium all the way to the perfectly conceptualized illuminated structure, with VIP-boxes, mass restaurants, and Europe’s largest parking garage.

13 August 1961: the GDR closes the sector borders in Berlin. The city is divided overnight. Escape to the West becomes more dangerous every day. But on September 14, 1962, exactly one year, one month and one day after the Wall was built, a group of 29 people from the GDR managed to escape spectacularly through a 135-meter tunnel to the West. For more than 4 months, students from West Berlin, including 2 Italians, dug this tunnel. When the tunnel builders ran out of money after only a few meters of digging, they came up with the idea of marketing the escape tunnel. They sell the film rights to the story exclusively to NBC, an American television station.

Secrets of the Empire State Building

"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.

Every city has its secrets, but it is probably inside houses, behind their silent walls, where they are most intense and human. The Alabado House was built in 1671 as part of Quito’s colonial Old City, surviving centuries of earthquakes, poverty and decay. Over the past five years, dozens of manual laborers have been working to restore it. But its miraculous beauty conceals a long and tragic history. For it was the oppressed indigenous masses who built the Old City, the largest in Latin America.

Robert van Gulik (1910-1967) is one of the world’s most read authors from the Netherlands. This diplomat, Sinologist and scholar is mainly known for his detective novels, starring 'Judge Dee'. Filmmaker Rob Rombout follows in his footsteps to discover the author’s legacy - via his diaries, the people he inspired and those who witnessed his extraordinary life.

In the 1960s, the suburbs were meant to be modern havens for newcomers from rural France, Portugal, Spain, North Africa, and Africa, helping rebuild post-war France. Large housing complexes symbolized this ideal, offering comfort, heating, and electricity. But by the 1980s, disillusionment set in as economic crisis, unemployment, poverty, crime, racism, and police violence took hold. Mohamed Bouhafsi tells the story of a dream that didn’t last.

Jonathan Stavleu explores, in a stream-of-consciousness video essay, the relationship people have with water and what happens when access to it is taken away. For this work, he examines anecdotal histories he has heard from Estonians, as well as stories from his own family history in the Netherlands, weaving them together into a journal-like narrative.

Les templiers, la démesure des Batisseurs

A journey into the intricacies of mixed-race Japanese and their multicultural experiences in modern day Japan. For some hafus, Japan is the only home they know, for some living in Japan is an entirely new experience, and the others are caught somewhere between two different worlds.

Városlakók

Eiffel, les derniers secrets

Anne Marie Nakagawa's documentary examines what it means to have a background of mixed ancestries that cannot be easily categorized. By focusing on 7 Canadians who have one parent from a European background and one of a visible minority, she attempts to get at the root of what it means to be multi-ethnic in a world that wants each person to fit into a single category.

The Hilton Hotel rises from the ashes, surrounded by derelict houses and bomb damaged streets.

Archival footage, photos, news clips, and interviews combine to offer a comprehensive overview of the clean-cut, buttoned-down singing youth group that attempted to change the world in the riotous 1960s. A true cultural phenomenon, Up with People performed in 47 languages to a global audience that included popes and kings; they even performed at the Super Bowl half-time show. As former members offer heartfelt reflections on their time with Up with People and what the group really mean to them personally, the viewer is presented with a thought-provoking glimpse into the cultural underbelly of politics, cults, and money.

After 11 strangers unite to help a gay youth escape life-threatening violence in Uganda, the unexpected pandemic and conflicting opinions over his best interests test the limits of their commitment and jeopardize his fresh start in Canada.

A local construction worker and a Chinese engineer are assigned to build a bank in Bangui, the capital of the Central African Republic, one of the poorest countries in the world. But time is short and resources are scarce, and there are rumours in the countryside that a new civil war is brewing. And as if all this wasn’t bad enough, their relationships to their wives are falling apart. ‘Eat Bitter’ mirrors the existential and mundane problems of the two men, while an unlikely friendship and mutual trust blossoms between them. However, the chaotic microcosm of the construction site also mirrors China’s contradictory role in 21st century Africa, with the bank itself as the ultimate symbol of money, power and illusion. Director duo Pascale Appora-Gnekindy and Ningyi Sun themselves represent each of the two cultures, and their film has a unique eye for the human fallibility and irony of it all, but also for how we can reach each other despite all our many differences.

Rare archive footage reveals what Singapore was like dating back to 1900, showing coolies sharing lunch, rickshaw pullers, a grand Peranakan funeral, and more.