Acclaimed director Francis Ford Coppola, with the help of a passionate team of film students with a shared dream for the artistic potential of live digital cinema, work towards realising the director's 'Distant Visions' live-cinema experiment.
A new documentary on the Criterion Collection edition of Roman Polanski's 1971 adaptation of Macbeth featuring interviews with the director, producer Andrew Braunsberg, assistant executive producer Victor Lownes, and actors Francesca Annis and Martin Shaw.
Dan Aykroyd, John Candy, Gilda Radner and Cheech and Chong present this compilation of classic bad films from the 50's, 60's and 70's. Special features on gorilla pictures, anti-marijuana films and a special tribute to the worst film maker of all-time, Ed Wood.
Documentary about the making of Ordet, from the perspective of cinematographer Henning Bendtsen.
A documentary following Terry Gilliam through the creation of "Twelve Monkeys."
Tom Savini is one of the greatest special effects legends in the history of cinema, but little is known about his personal life until now. For the first time ever a feature length film has covered not only Tom's amazing career spanning over four decades, but his personal life as well.
Additional materials for "Major Grom: Plague Doctor" (2021).
The extraordinary life of Orson Welles (1915-85), an enigma of Hollywood, an irreducible independent creator: a musical prodigy, an excellent painter, a master of theater and radio, a modern Shakespeare, a magician who was always searching for a new trick to surprise his audience, a romantic and legendary figure who lived only for cinema.
Explores the life and death of one of the first onscreen flappers. By the time she appeared in The Flapper, she had completed more than seventeen films, but beneath the glitter of success Olive had her share of tragedy. Her death under mysterious circumstances just before her 26th birthday shocked the world.
The Irreversible Odyssey is a retrospective documentary featuring interviews with Gaspar Noé, actors Monica Bellucci, Vincent Cassel and Albert Dupontel.
Orson Welles presents a proposed film project to prospective investors in Spain. Speaking to an audience of wealthy arts patrons, Welles outlines his vision for an improvised, documentary-style fiction set in the world of bullfighting, centered on a solitary, existential matador who stands apart from his peers. As he expounds on cinema, performance, and the ritualized spectacle of death, the film captures a project that would ultimately remain unrealized.
This movie is about an Iranian filmmaker called Davood Roostayi, whose all movies ( more than 100 movies ) have been banned both before and after the Islamic revolution of Iran and none of his movies have been screened.
Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.
Retrospective documentary on the making of the 70's women-in-prison exploitation cult favorites "The Big Doll House" and "The Big Bird Cage".
When Arthur Freed brought Alan Jay Lerner to Hollywood to compose a new Fred Astaire musical (based on Fred's life,) little did he know he would have to recast it's leading lady not once, but twice.
Forty years after the release of Claude Lanzmann’s monumental film Shoah, Guillaume Ribot reveals the director’s relentless pursuit to tell the untold, using only Lanzmann’s words and unseen footage from the masterpiece.
The greatness, fall and renaissance of Hammer, the flagship company of British popular cinema, mainly from 1955 to 1968. Tortured women and sadistic monsters populated oppressive scenarios in provocative productions that shocked censorship and disgusted critics but fascinated the public. Movies in which horror was shown in offensive colors: dreadful stories, told without prejudices, that offered fear, blood, sex and stunning performances.
In 1978, two South Korean filmmakers--Director Shin Sang-ok and his star actress and ex-wife, Choi Eun-hee--were abducted and smuggled into North Korea in order to revolutionize the country's dying film industry.
Roundtable discussion of the films of Quentin Tarantino with four film critics.
A brand new feature-length documentary featuring new interviews with the cast and crew of Anna and the Apocalypse, produced exclusively by Second SIght Films for their 2-disc Blu-ray release of the movie.