Photographic Valarie

A musical horror story about two young women who are stalked through a shopping mall by a cannibal. He follows them home, and here the victims become the aggressors.

An autobiographical video diary log recorded by Jillian Mayer for her unborn grandchildren.

A photographer during the Soviet-Afghan war becomes obsessed with a mysterious figure that appears in his images every time the person photographed dies.

On an isolated farm, a woman finds an injured and frightened woman in her old chicken coop. Moved by an inexplicable instinct, she decides to help her, without imagining that this silent encounter will awaken buried secrets. When tension finally gives way to trust, something dark approaches, bringing a truth that no one could have foreseen.

Based off the poem by H.P Lovecraft, it tells the tale of a dying man who slowly enters a strange dream world where he fades into oblivion.

Cinema of Transgression pioneers and participants (Lydia Lunch, Lung Leg, Nick Zedd, etc.) perform a series of acts as they submit to director Richard Kern's camera. Originally created for DTNY acid parties; Submit to Me was eventually edited down to 10 minutes and given an accompanying score.

Season 2 - Episode 201 in the found footage anthology horror series “The Ominous Project Universe Presents” 1 year after the horrific events of “The Ominous Project Universe Presents: ISOLATION”, the American Disease Center & The Health & Safety Department of of America, announces that quarantine and all previous safety precautions have been lifted which causes 3 young adults to take a risky vacation to Florida. However, on their way for fun in the sun; what they encoutered on the countryside of southern Georgia is something only found in nightmares.

An Assassin is cursed by the souls of the people he killed in the past. Now, he is a Grim Reaper, a demon who receives constant punishment for his sins. Consequently, on a journey to hell, an Entity confronts the Assassin in a philosophical-moral debate about the meaning of forgiveness, the imprisonment of guilt, and the existence of redemption.

LIMINAL

An elusive graphic designer, who steals and retouches photos for his website, finds himself in another dimension after updating his website’s content.

A man is forced to take part in a bizarre and punishing experiment inside an abandoned warehouse, where a simple instruction; 'answer the telephone' - becomes an ever-shifting psychological trap.

A Man Walking Backwards and Forwards

How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.

After a female art student purchases a life-size wooden sculpture of a crucifixion from an abandoned church, she has a vision of herself being nailed to a cross and soon becomes sexually tormented by the sculpture when it comes to life.

A cinematic and conceptually inventive film that explores the haunting memories of Asia’s late 20th-century modernization through the large-scale export of wigs during the Cold War. Yet, in every wig resides a ghost from the imperial past.

Three artists across three generations are haunted by the demon Mephistopheles in an absurdist reconstruction of the Faustian legend.

This is a story about a man who believes that he has two “selves” - external and internal. That is, an organism is a certain conglomerate of cells, each of which is a separate individual. This hybrid creature has a certain common personal “I” that uses the entire organism, and is the organism itself, which has its own will. According to the character, one can communicate with him, which is what he is trying to do. He wants to reach him and comes up with different ways of communication: injecting substances under the skin or intravenously, tattooing texts on the body, swallowing objects. The answer would come in the form of a rash or other physical manifestation that had to be interpreted. As a result, communication is carried out and the second “I” agrees to die.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

a trio of wordless vignettes from the in-between.

A man works in a dystopian office. He copes by thinking about beautiful paintings during breaktime. Ants crawling out of his skin and a strange coworker interrupt his peace of mind but they remind him of his past as an artist.