LineOut

Australian riders Clint Allan, Mitch Allan and Nick Gregory make a once-in-a-lifetime journey to ride untouched awe-inspiring mountains, and experience the rich culture, in one of the most remote and dangerous parts of the world.

"No Book This Year" tells the story of Yalda, a former staff member of Afghanistan's booth at the Frankfurt Book Fair. Years after the booth's closure, Yalda takes it upon herself to independently relaunch Afghanistan's presence at the fair. Despite numerous challenges and obstacles, her unwavering determination to showcase Afghan literature and culture shines through, illustrating the resilience of the human spirit in preserving cultural heritage.

Key decision makers reveal the inside story of how the West was drawn ever deeper into the Afghan war. Reporter John Ware charts the history of a decade of fighting and looks at when the conflict may end.

Mark Urban tells the inside story of Britain's fight for Helmand, told with unique access to the generals and frontline troops who were there.

A short anecdotal documentary about the nature of destruction, a debilitating deadlock of humanity.

The Kabul National Museum, once known as the "face of Afghanistan," was destroyed in 1993. We filmed the most important cultural treasures of the still-intact museum in 1988: ancient Greco-Roman art and antiquitied of Hellenistic civilization, as well as Buddhist sculpture that was said to have mythology--the art of Gandhara, Bamiyan, and Shotorak among them. After the fall of the Democratic Republic of Afghanistan in 1992, some seventy percent of the contents of the museum was destroyed, stolen, or smuggled overseas to Japan and other countries. The movement to return these items is also touched upon. The footage in this video represents that only film documentation of the Kabul Museum ever made.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

One filmmaker's exploration of natural light in California and its influence on people's lives.

O Refúgio

In August 2021, U.S. forces withdrew from Afghanistan and the Taliban were back in power. One group answered the call of duty and volunteered to save our allies. Their effort to rescue one interpreter turned into an evacuation saving thousands of lives.

A poignant story about overcoming our demons and finding hope through darkness. Haunted by the affects of PTSD induced by fighting a war, the physical injuries that led to copious amounts of opiates, the emotional strain of his squad leader committing suicide, losing his best friend from overdosing on heroin, all combined with his drug addiction ultimately left Shawn losing all hope in life.

A powerful depiction of war in infamous global conflict zones. Directed by Oscar/Emmy documentary makers Buddy Squires and Graeme Scott (know for Sam Smith), this film provides a rare and powerful insight into humanity and hope in the depth of war and the greatest global humanitarian crisis of the last several decades.

Journey with us to Athens, where the same Gospel that Paul preached here in the first century is still mighty to save. The Athens of Paul’s day was a city full of idols and empty philosophies. In our day—beyond the postcard scenes of the ancient Acropolis—Athens is a city roiled with a flood of desperately needy refugees, street violence, and trafficking in human misery. Into this maw of need, God has sent His people to serve with compassion and to speak the Gospel with clarity and courage—whether in a mosque or a crack house. “Radical Rescue Work” opens a window into the lives of these faithful servants of the Risen Christ as they run to—not from—the cries in the darkness.

The story of Shaista, a young man who—newly married to Benazir and living in a camp for displaced persons in Kabul—struggles to balance his dreams of being the first from his tribe to join the Afghan National Army with the responsibilities of starting a family. Even as Shaista’s love for Benazir is palpable, the choices he must make to build a life with her have profound consequences.

Poignant postwar appeal for Britain’s Jewry to support orphaned Jewish children rescued from Europe.

What is the Art of Living ? A few weeks ago, I asked myself this question, as silly in its formality as it is complicated in its complexity. In this video, I'll try to give you my definition and my vision of what the art of living is !

Avant-Drag! paints portraits of ten drag artists of varying gender expressions and sexualities who take to the streets of Athens to query, problematise and (yes, please!) undermine social strictures. Employing wildly imagined personas – like riot housewives and Albanian turbo-folk girls – who perform acts as revolutionary as praising abortion and as charming as drawing childish pictures, these artists call for social justice by taking aim at conservatism, patriarchy, patriotism, racism and sexism.

Amir, shot during the height of the Afghan civil war in the 1980s, investigates and portrays the life of Afghan refugees living in and around the city of Peshawar in northern Pakistan through the experiences of the musician Amir. The aspirations of Afghan refugees are expressed through their political songs dealing with the civil war in Afghanistan, with exile, with Afghan nationalism and with the Islamic revolution. In highly charged and tragic circumstances, music can be used in very direct ways, both to promote solidarity and as an agent of catharsis.

The friendship between Christophe de Ponfilly and Commander Massoud, a legendary figure of the Afghan resistance against the Soviet invader, goes back to the filmmaker's first film, "A Valley Against an Empire", made in 1981. Fifteen years later, weakened, isolated, betrayed by many of his own, the "Lion of Panshir" has not surrendered to his new and implacable enemies, the Taliban. While preparing his next offensive, he evokes his commitment and his fights, and bears witness to a history in which he has been one of the main actors for twenty years. At the same time, the director questions the role and power of the media, as well as his own approach as a filmmaker. Commander Massoud was killed in an attack in September 2001.

Here in Toronto, four young Somali refugees are finishing high school. What did they bring with them? What did they find in Canada? Their testimonies, about us and about themselves, interspersed with newsreel footage and sequences of a theatrical creation in which they put all their soul, make them immediately endearing and overturn many prejudices held against refugees. A film that makes you want to get to know them better.