Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.
Gnomofobia
Documentary about the later works of director Lucio Fulci with special focus on "A Cat in the Brain".
Jean Marais par Jean Marais
An interview with Dr. Axel Stoll with comments from various experts.
Director Clint Alberta takes us on a hilarious and bittersweet journey into the hearts and minds of some very ordinary, extraordinary young Canadians. Clint, taking on the role of Clint Star, seeks out his far-flung buddies, young Natives like himself. They talk about sex and life... love and abuse... 500 years of oppression--with humour, grace and courage. Deep Inside Clint Star explores issues of identity, sexuality and intimacy, while retaining the creative and playful style of a director who is not afraid of turning the camera on himself. This engaging documentary will draw you out of yourself and deep inside Clint Star.
Tells the story of Tucson and the legendary movies that were shot there.
Interview with critic Molly Haskell about Hawks and Red River
Interview with filmmaker Peter Bogdanovich about Red River and the two versions of the film.
Frasier Crane visits his therapist and reminisces over the events of the past 11 years since his move from Boston to Seattle, in a clip show designed to commemorate the event of the last ever episode of "Frasier" TV series (1993).
Film director Hitchcock discusses his life and career in long talks with Pia Lindstrom (newscaster and daughter of Hitchcock star Ingrid Berman) and with film historian William Everson. Excerpts from several films illustrate these interviews. Discussion topics include: what is fear?, method acting vs. film acting, the difference between the usual "Who Done It" mystery and what he considers to be real suspense. His choice of leading ladies and why (Bergman, Baxter, Kelly, Marie Saint, Leigh, etc.).
Eight hundred German filmmakers (cast and crew) fled the Nazis in the 1930s. The film uses voice-overs, archival footage, and film clips to examine Berlin's vital filmmaking in the 1920s; then it follows a producer, directors, composers, editors, writers, and actors to Hollywood: some succeeded and many found no work. Among those profiled are Erich Pommer, Joseph May, Ernst Lubitsch, Fritz Lang, Billy Wilder, and Peter Lorre. Once in Hollywood, these exiles helped each other, housed new arrivals, and raised money so others could escape. Some worked on anti-Nazi films, like Casablanca. The themes and lighting of German Expressionism gave rise in Hollywood to film noir.
Diving Deep: The Life and Times of Mike deGruy, tells the story of Mike deGruy, an irrepressibly curious and enthusiastic underwater filmmaker who died suddenly in 2012. DeGruy filmed the oceans for more than three decades becoming as famous for his on camera storytelling as for his glorious, intimate visions of the sea and the creatures who live in it. Inspired to share his legacy as a filmmaker and storyteller, and to spread his mission for protecting the ocean, his wife and filmmaking partner Mimi deGruy returned to the edit room to produce Diving Deep: The Life and Times of Mike deGruy.
A portrait of the internationally acclaimed Spanish film director Isabel Coixet and an analysis of her particular world and her sensibility as a creator: her fictional universe, her career and her life through the words of actors, technicians, family, friends, journalists, specialized critics and those filmmakers who have been inspired by her work.
Director Curtis Hanson and star Eminem talk about their ideas and views on the film 8 Mile (2002). Only a very limited amount of details are revealed to us throughout this ten minute making-of, which is a small promotion for the film.
Werner Herzog interviews guests on the art of filmmaking.
In the sixth installment of the Criterion Channel's Meet the Filmmakers series, director Alex Ross Perry (Her Smell, Listen Up Philip) visits the ever-iconoclastic auteur Paul Schrader during the making of his 2017 masterpiece First Reformed. On set and at home- where, for his own pleasure, he continues to work and rework his previous films- Schrader reflects on the highs and lows of his legendary career, the challenges and rewards of slow cinema, and the influences and experiences that continue to shape his approach to filmmaking. With this insightful portrait of one of his filmmaking heroes, Perry captures an artist who is continually at play, intentionally provocative, and never less than vital.
Richly illustrated with film clips and interviews, OUR TIME, OUR STORY tells the still-evolving story of the Taiwanese "new wave," from its rise in the early 1980s, as the island was democratizing after decades under martial law, through growing international recognition and domestic debate in the 1990s. Spearheaded in its early years by such filmmakers as Edward Yang, Ko I-cheng, Hou Hsiao-hsien and Wan Jen, the movement revitalized Taiwan cinema through low-budget experiments that emphasized personal stories, political reflection and stylistic invention. Said filmmakers, writers and actors like Wu Nien-jen and Sylvia Chang, even "second wave" directors Tsai Ming-liang and Lin Cheng-sheng provide fond reminiscences and retrospective insights in this compelling account of one of the most distinctive national cinemas of the last quarter-century.
A documentary about the making of Evil Dead 2.
Twenty years later, the producers of "Heavy Metal Parking Lot" track down and interview some of the heavy-metal fans originally featured in the 1986 cult classic.