Laurent Ruquier, on ne demande qu'à le connaître

Les grands comiques du petit écran

When Ines died, she left a very particular legacy, 10 books that read 'For my children'; it was the story of her life. Marked by a youth idyllic love, Ines was forced to marry a violent and womanizer man with whom she had 20 children. In the 50s, she managed to get divorce and 20 years after her death, Luisa, great-granddaughter of INES, reads, rescues and makes visible her history.

Patrick, who has had diabetes for 25 years and is treated with insulin, is gradually losing his sight. He has agreed to laser treatment as the only alternative to total blindness, a treatment that destroys almost the entire retina, leaving only central vision. For three years, the director followed him in his daily life, walking towards darkness, where he learns day by day to touch, listen, guess, feel, and resist. The camera narrows its field of view over time to "see" as Patrick does.

Zina left Algeria to fulfill her childhood dream of driving trucks. At every turn, her cabin becomes a space of freedom and the highway a battlefield.

Stimming

À ton tour Mireille

Eric Escoffier, la Fureur de Vivre

A woman with a deep love of the land, Yolande Simard Perrault sees her life as having been shaped by a planetary upheaval in Charlevoix, Quebec, millions of years ago. As enduring as the Canadian Shield, she’s a woman of strength and spirit, a child of the crater left by the meteor’s impact. This documentary portrays a determined woman who’s the reflection of a land created on an immense scale. She was the creative and life partner of filmmaker Pierre Perrault, who gave up everything to be by her side. The film charts the influence of her unquenchable dreams and her contribution to the building of a people’s collective memory. In a stream of images and words, Simard Perrault recounts the splendours of the landscape and the people who shaped it. Generous and boundless, she embarks on a quest for identity that nurtures and perpetuates the oeuvre of the man who breathed new life into Quebec cinema.

In an attempt to represent reality, the boundary between life and art blurs between fragmentary images of someone and the praxis of an essay film.

Jasmin is joy, living in the moment. A 15-year-old boy described as "non-verbal autistic." He communicates through his eyes. He makes sounds, says a word. He constantly sings the rhythm of a song whose lyrics only he knows. A bubble of sweetness and love.

Tove Ditlevsen – jeg har altid villet alting

In this intimate portrait addressed directly to Hélène Hazera, filmmaker Judith Abitbol revisits a key figure of France’s countercultures from the late 1960s to the 1990s. A member of the Gazolines and the FHAR (Homosexual Front for Revolutionary Action), Hazera was a tireless LGBTQ activist who founded Act Up’s Trans and AIDS commissions—one of her proudest achievements. Her true victory, however, was becoming the first transgender journalist at a major national newspaper (Libération), and later a producer at Radio France and France TV. Through her story, Abitbol reconnects with the insurrectionary spirit and creative chaos of those decades—an era when French culture was shaken by radical imagination, humor, and defiance. The film celebrates these modern Antigones who dared to live their desires beyond the reach of any law.

Le Dernier Voyage de Patrick Edlinger

Sylvie Vartan has had an extraordinary life: a Bulgarian child forced into exile, who became the icon of a youth in the midst of revolution in France. After a career spanning 64 years, with nearly 50 albums recorded and 40 million records sold, she has decided to bow out. During her farewell tour, the singer chose to open up to Augustin Trapenard.

Fifty years after her first recording in Nashville, Sylvie Vartan decided to record the album she sings on to mark this anniversary there. In one of the songs, she says: I have forged my own path, without turning back. Leaving my mistakes behind me. I ventured into unknown territory, avoiding pitfalls, and I came back. It is on this "road," both public and personal, starting from her native Bulgaria to Paris, passing through a thousand places around the world, traversing fashions and overcoming the trials of an extraordinary life, that this film sets out to illuminate the trajectory of a shy young girl who became an international icon and a resolutely free woman.

Tracing the careers of these two cinema enthusiasts, this documentary reveals the secrets behind the work of Ethan and Joel Coen, screenwriters and directors who are interchangeable within the same two-headed entity. It features fascinating, previously unseen interviews with some of the most iconic actors from their filmography.

Il mio nome è Battaglia

This documentary looks back on a career of a woman who, very early on, refused to accept the roles assigned to her. In the 1980s, while others were trying to please, she wrote "Les hommes préfèrent les grosses" (Men Prefer Fat Women), a manifesto ahead of its time, funny, feminist, and blunt. Later, with "Gazon maudit" (Damned Grass), she tackled homosexuality with a freedom that is still shocking today.

Loïc Léry, du flingue au stylo

In turn, the medical community has been affected by the post #metoo movement denouncing sexual violence against women. It was about time. Assaults and rapes perpetrated behind closed doors in doctors' offices have gone unpunished for too long. For a victim, reporting them is almost as difficult as recounting incidents of incest. And the medical councils, which are mainly made up of men, have long turned a deaf ear to patients' complaints. When cases are brought before the courts, the justice system also struggles to prosecute these rapists. Recently, practices and names have been made public, complaints are multiplying, and women are daring to speak out. Could this be the end of complacency towards these criminals in white coats?