The Kingdom of Dreams and Madness

David Markey's documentary of life on the road with Sonic Youth and Nirvana during their tour of Europe in late 1991. Also featuring live performances by Dinosaur Jr, Babes in Toyland, The Ramones and Gumball.

Julian has agreed to help Henry make his first film--but, on the day of shooting, Julian shows up having taken four tabs of LSD. Across the streets of Toronto, the two friends battle for control of the frame and struggle towards the meanings of art and communication.

A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.

How Not to Be Seen: A Fucking Didactic Educational .MOV File (2013) mocks an instructional film on the idea of becoming invisible in the digital world.

“A Two Hearted Tale” is a heartfelt look at the history of the iconic trout label adorning Bell’s Two Hearted Ale, the Michigan-born beer that is the most popular IPA beer in America, and the label’s eccentric artist, Ladislav Hanka.

Described in Art Review as the world’s most influential and expensive living artist, the German painter Gerhard Richter was enjoying enormous success in London with his retrospective show at Tate Modern entitled Panorama in 2011. This particular film was made some years ago at the time of his equally successful American retrospective at MOMA entitled “40 Years of Painting” and charts his entire artistic career. Born in Dresden in 1932, the year before Hitler came to power, Richter later grew up in communist East Germany, before escaping to the West just before the Wall went up in Berlin. Since then he has produced a large diverse body of work from his blurred photobased paintings to his gigantic abstractions, from his Baader Meinhof pictures to his perceptual installations using sheets of glass. Gerald Fox’s film caught up with the artist at his home in Cologne where he was undergoing a period of quiet reflection and preparation before beginning a new series of paintings.

The Los Angeles-based Marat Daukayev School of Ballet gathers the resources, volunteers, and cast to put on The Nutcracker.

h)ac(k)tivist-noun: a person who uses technology to bring about social change. The Hacker Wars - a film about the targeting of (h)ac(k)tivists, activists and journalists by the US government. There is a war going on- the war for our minds. The Hacker Wars.

A documentary exploring two student artists and their unfinished projects, discussing why certain projects are abandoned and the personal connections that the creator may have to them.

The Philippine Football team Azkals miraculous winnings in Asia started a wave for the country that we too can eye for the most coveted World Cup. For the first time in history, The Philippine Football Federation (PFF) has launched a search for the next Philippine Azkals who will undergo training for the 2019 World Cup qualifier. More than 1000 boys from Luzon, Visayas, and Mindanao tried their lucks. Only 22 are selected. This documentary film is a story of dreams.

Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual pieces. Performed by the artist herself, Ono sits motionless on the stage after inviting the audience to come up and cut away her clothing in a denouement of the reciprocity between victim and assailant.

A behind-the scenes featurette documenting the making of Pedro Almodóvar’s The Skin I Live In.

Encounter Point is an 85-minute feature documentary film that follows a former Israeli settler, a Palestinian ex-prisoner, a bereaved Israeli mother and a wounded Palestinian bereaved brother who risk their lives and public standing to promote a nonviolent end to the conflict. Their journeys lead them to the unlikeliest places to confront hatred within their communities.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

"Michael Moore doesn't like documentaries. That's why he doesn't make them." A documentary that looks to distinguish what's fact, fiction, legend, and otherwise as a camera crew trails Michael Moore as he tours with his film, Fahrenheit 9/11.

The Characters of Star Wars is a Video Documentary included in the 2004 DVD release of the Star Wars Original Trilogy. It explained the Mythos of many of the "Star Wars" Characters.

Six women have entered a male world - the orchestra conductors. The doubtfulness against female conductors and musicians in the world of classical music becomes clear during a visit to the Vienna Philharmonic. Conductors Sixten Ehrling and Jorge Mester comment on the prevailing conservative attitudes among colleagues.

The trio of actresses have ostensibly gathered to pay tribute to Mai Zetterling, but also reminisce about their own careers and the illustrious figures, including Ingmar Bergman, they have worked with.

This documentary short is the first film made by an all-Aboriginal film crew, training under the NFB's Challenge for Change Program. It was shot at Akwesasne (St. Regis Reserve). Two spokesmen explain historical and other aspects of Longhouse religion, culture, and government and reflect on the impact of the white man's arrival on the Indian way of life.

An examination of the relationship between the life and art of Maria Martins, now recognized as one of the greatest Brazilian sculptors, in addition to her engravings and texts. The film reveals the greatness of her work and her boldness when dealing directly with the feminine perspective of sexuality, a transgression that led to attacks by Brazilian critics. In parallel, her life as the wife of an important diplomat and her connection to Marcel Duchamp, in a relationship of mutual collaboration between the two artists.