Serrat & Sabina: Two for the Road

Acclaimed Montreal band Thee Silver Mt. Zion Memorial Orchestra is one of a growing number of rock groups to have accepted an infant into their touring tribe. Touring with children is both costly and complicated, yet SMZ are determined to combine family life and being on the road with the band's deep political commitment.

Lake Patzcuaro, located 230 miles west of Mexico City, is one of the highest and most picturesque bodies of water in Mexico. The heritage of the indigenous peoples of the area, the Tarascans, still prevails, such as the production of lacquer-ware handicrafts, and the means of hunting and fishing, the latter which uses nets shaped like large butterfly wings. Although most current day Tarascans are Roman Catholic, they have not totally abandoned their indigenous pagan gods. On Janitzio, one of the many islands in the lake, stands a large statue commemorating José María Morelos, a prominent figure in Mexican liberation and a great benefactor to the Tarascans. Janitzio is also the inspiration for many famous paintings. The town of Tzintzuntzan just inland from the lake's shore acts as the regional center for the market and for festivals.

This Traveltalk series short showcases the Mexico City police department's various units as they participate in a yearly festival. Included are a marching band, a parade of patrol cars, the motorcycle unit, equestrian unit, and the department's pistol team.

This Traveltalk short visits southern Mexico.

This Traveltalk series short chronicles the sights and sounds on a train ride from Veracruz to Mexico City.

This Traveltalk series short visits two of the most important cities on Mexico's Yucatán Peninsula.

Migranta tells the stories of Vicky, Betty and Lety, (three mothers who have come to Canada from Mexico as part of the federal government’s Seasonal Agricultural Worker Program) as they face calculated risks, difficult choices and harsh realities while navigating, work and life in Canada while being separated from families and communities they support.

The spotlight's on Parchís, a record company-created Spanish boy/girl band that had unprecedented success with Top 10 songs and hit films in the '80s.

The interview, held on January 4, 2001, was the last given by Professor Milton Santos, who died from cancer on June 24 of the same year. The geographer is gone, but his thoughts remains. Its political and cultural ideals inspire the debate on Brazilian society and the construction of a new world. His statement is a true testimony, a lesson that the world can be better. Based on geography, Milton Santos performs a reading of the contemporary world that reveals the different faces of the phenomenon of globalization. It is in the evidence of contradictions and paradoxes that constitute everyday life that Milton Santos sees the possibilities of building another reality. He innovates when, instead of standing against globalization, proposes and points out ways for another globalization.

Rosa is a Mexican woman who, at the age of 17, migrated illegally to Austin, Texas. Some years later, she was jailed under suspicion of murder and then taken to trial. This film demonstrates how the judicial process, the verdict, the separation from her family, and the helplessness of being imprisoned in a foreign country make Rosa’s story an example of the hard life of Mexican migrants in the United States.

Examines the life, work, and cultural significance of Gloria Anzaldúa, poet and visual artist, and those she inspired in women's Chicano art. The work highlights the struggle for women's and gay rights.

Following the release of their fifth studio album ‘LM5’, Perrie Edwards, Jesy Nelson, Leigh-Anne Pinnock and Jade Thirlwall embarked on ‘LM5 The Tour’ in 2019, taking in 40 arenas across Europe, including Spain, Italy, Germany, Netherlands, Belgium, France, UK and Ireland. They sold over 400,000 tickets including an almighty 5 sold out shows at the 02 London. This film was recorded at the final show of the tour at London’s iconic 02 arena. In a career spanning set of nineteen songs the group perform hits such as ‘Shout Out to My Ex’, ‘Woman Like Me’, ‘Wings’ and ‘Touch’ to a crowd of over 15,000.

Takeda is a film about the universality of the human being seen thru the eyes of a Japanese painter that has adopted the Mexican culture.

For more than forty years, Argentinean sportsman Guillermo Vilas, a tennis legend, has tirelessly demanded that the official rankings (1973-78) be revised in order to finally be recognized as the best player in the world. Eduardo Puppo, a sports journalist, making Vilas' demand his own, fought for more than ten years against a powerful sports corporation to prove that Vilas was indeed unfairly displaced from the top of world tennis.

A portrait of singer-songwriter Shawn Mendes' life, chronicling the past few years of his rise and journey.

As was common in Diaz's Mexico, a young hacienda worker finds his betrothed imprisoned and his life threatened by his master for confronting a hacienda guest for raping the girl. This film is the first of several attempts to make a feature-length motion picture out of the 200,000-plus feet of film shot by Sergei Eisenstein, on photographic expedition in Mexico during 1931-32 for Upton Sinclair and a cadre of private American producer-investors. Silent with music and English intertitles.

Barry White gave the world some of its most joyous music, and that voice mesmerised women everywhere, but his death was isolated and painful. Culminating in his sad death as remembered by one of his sons and one of his daughters, the film looks at Barry's childhood, his time in prison, and his decision to go into music and thereby change his life. From producer/composer to his decision to sing his own material, from his formation of Love Unlimited (featuring his wife, who contributes along with her sister - also in the group), the film examines the life in detail until his untimely end. The film is narrated "from the grave" by Barry himself.

Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.

A compilation of interviews, rehearsals and backstage footage of Michael Jackson as he prepared for his series of sold-out shows in London.

The construction of the Obelisco in Buenos Aires, Argentina.