Watering Hole

"Protected by the mountains that surround the neighbourhood, on the outskirts of the city of Sabará, Brazil, a group of young people are having fun on their motorcycles on a dead-end viaduct known by the residents of the region as ramal ferroviário".

Between her job, her boyfriend and fellow Japanese house, Julie moves decisively in life without seeing Sebastien, who nevertheless tries to seduce her with his shyness and awkwardness.

After witnessing a strange explosion, Shinnosuke Tomari is later visited by a young man claiming to be his son Eiji Tomari from the year 2035. Eiji warns Shinnosuke that a year from now, Mr. Belt's AI will go berserk and lead to the Roidmudes overtaking humanity. However, Shinnosuke cannot immediately deal with this new information when the evil Kamen Rider Dark Drive also comes from the future, causing enough mayhem that leads to Shinnosuke being framed for it and becoming the public's most wanted.

When he was a kid, Yukiteru (Tomoyuki Ishida) lit candles and stared at the candlelights, but the candles fell down. A fire broke out and the whole house burned into ashes. Since that time, he has lived at the home of childhood friend Yuno (Yurina Yanagi). Yukiteru and Yuno are a couple known to everybody. Rena (Nami Motoyama) is a new transfer student in Yuno's class. She becomes interested in Yukiteru. One day, Yukiteru and Rena have an intimate encounter. This changes Yukiteru.

Three adolescent boys become captivated by the queer nightlife over summer break, but a missing person pulls them back into the reality they tried to leave behind.

The stage of this work is Saitama, a suburb of Tokyo in the early Heisei period. Immediately after the bubble burst gangster countermeasures law, there were gangsters who defended the last territory and young people who freely controlled the city. The youth conflict escalated day by day and became a force that surpassed the yakuza, and the runaways were sent to juvenile prisons one after another, where exclusive rules awaited.

Sixteen-year-old Diane exists exclusively through her mother's gaze. But this intensely close bond between Diane and her mother, Sophie, is becoming increasingly problematic for the teenager. At high school, she would like to be loved like she is at home and expresses it in an awkward way like when she exchanges a favor for a look, in the toilets. A loudmouth, provocative, and seeking attention, Diane tries to stand apart from her mother and wishes, during a weekend, to live like an adult.

A 23-year-old revisits the family car he grew up with to experience the thrill of childhood again...

It’s a new school year and at Rosenholm High School there are many initiation rituals that the new first-year students must go through, which are of great importance for their future life in high school, not least for their personal life. Best friends and freshmen Frida and Selma quickly become friends with another first-year student Nadja. When Frida catches feelings for Nadja’s older boyfriend Emil and is invited to the ritual party for first-year students but Selma is not, their friendship starts to fall apart.

Yeon Woo lives in a grey world as a Mono—until meeting Yoo Han triggers his first Color Rush. Afraid of obsession, Yeon Woo resists, but Yoo Han won’t let go.

School girl Miyuri Obara is bullied mercilessly but finds relief in an unexpected friendship with Tsumugi. Yet even as Miyuri's life turns around there's a lingering suggestion that something is not quite right.

Bain de jouvence

Wild Youth is an ode to being young. A sensitive and intimate story of the first experiences of losing one's childlike innocence, questioning the imposed "masculinity" and (re)discovering yourself in the function of others.

Inspired by true experiences of grief, girlhood, and growing up, Jessie Barr’s SOPHIE JONES provides a stirring portrait of a sixteen-year-old. Stunned by the untimely death of her mother and struggling with the myriad challenges of teendom, Sophie (played with striking immediacy by the director’s cousin Jessica Barr) tries everything she can to feel something again, while holding herself together, in this sensitive, acutely realized, and utterly relatable coming-of-age story.

Thrown together under incredible circumstances, two strangers must discover courage and strength when they begin a journey across the treacherous African desert! Equipped only with their wits and the expertise of a native bushman who befriends them, they are determined to triumph over impossible odds and reach their destination. But along the way, the trio face a primitive desert wilderness.

When Amalia breaks a friendship spell, her best friend Daniela disappears from her life and memories. Now, Amalia must redo it before it's too late.

Even in Japan, the ancient lifestyle of Uchi Deshi training is all but forgotten. However, a teenager from Tokyo discovers that it's alive and well in the American Deep South.

Sofia was forced to leave her home and is now homeless. The young woman spends her days wandering the alleys of the University of São Paulo campus, where she offers her services as a tattoo artist. One ethereal night, her wanderings mingle with memories of an unfulfilled love. Wrapped in a dark, melancholy atmosphere, the film contemplates the fragility of a youth left behind. In a story that transcends borders, the life of an impenetrable fictional Sofia is imbued with the experiences of the actress of the same name who plays her. As enigmatic as an oracle, the original Portuguese title evokes the impermanence and ambiguity that haunt Sofia. She is carried away by perpetual motion, her future forever unknown.

Gita, a distraught teenager forced to be a badminton player by her authoritarian father, finds a way out through a strange request she proposed to her boyfriend.

Kaori is a new director at a TV station and is assigned to work on her first documentary project, “Kimi ga Seishun no Toki” (When You Were Young), a documentary on modern youth and the Harajuku tribe. However, she gets too involved and ends up hurting her documentary subjects.