INFRASTRATA

A cinematic and conceptually inventive film that explores the haunting memories of Asia’s late 20th-century modernization through the large-scale export of wigs during the Cold War. Yet, in every wig resides a ghost from the imperial past.

For most of America's history, sacred buildings represented our greatest feats of innovative engineering and artistic design. Unlock the elements of design that make these structures so fascinating and unveil the meaning in religious architecture, ranging from grand cathedrals and simple country churches to synagogues and mosques.

Arles, au cœur de la cité antique

Holmes and Watson board a passenger train bound from London to Edinburgh, to guard the Star of Rhodesia, an enormous diamond worth a fortune belonging to an elderly woman of wealth; but within the first hour of the trip, the woman's son is murdered and the diamond stolen and any of the passengers in their car could be the killer thief.

A convicted thief in Dartmoor prison hides the location of the stolen Bank of England printing plates inside three music boxes. When the innocent purchasers of the boxes start to be murdered, Holmes and Watson investigate.

Chewy Thanksgiving

The work of taxonomists hides more secrets than can be perceived.

After Luke's sister goes missing, he begins having dreams of a strange house. Unbeknownst to him, that house is owned by Alan Roscoe Jr., passed down to him after the recent death of his father. But something about this house isn't quite right, and Alan seems to tend to it in strange and disturbing ways.

When a disease turns all of humanity into the living dead, the last man on earth becomes a reluctant vampire hunter.

A film essay investigating the question of what “the West” means beyond the cardinal direction: a model of society inscribed itself in the Federal Republic of Germany’s postwar history and architecture. The narrator shifts among reflections on modern architecture and property relations, detailed scenes from childhood, and a passed-down memory of a “hemmed-in West Germany,” recalling the years of her parents’ membership in a 1970s communist splinter group.

Stephen Neale is released into WWII England after two years in an asylum, but it doesn't seem so sane outside either. On his way back to London to rejoin civilization, he stumbles across a murderous spy ring and doesn't quite know to whom to turn.

Four friends leave Seattle for a weekend in a remote, rain-soaked corner of Washington State's rustic Skagit Valley. The foreboding October landscape begins to warp their minds, plunging each of them into alternate realities where they must grapple with personal demons, sexual tensions, and a sinister natural world as they claw their way back to sanity.

The artistry and architecture of Bruce Goff reflects his innate ability to transform simple shapes and materials into imaginative, embellished artworks that convey texture, color and depth. His architectural style is free from predetermined form and begins with a feeling that grows out of function, much like a painting develops from inspirations. This artistic video, presented by Joe D. Price, is the winner of the 1962 Cannes Film Festival President's Award, Non-Theatrical Division.

A countess from Transylvania seeks a psychiatrist’s help to cure her vampiric cravings.

"In the final format for MAGELLAN, Frampton had planned to disassemble these two films into twenty-four 'encounters with death' that were to be shown in five-minute segments twice a month. In their present state, seen together and roughly the length of an average feature film, the two parts of MAGELLAN: AT THE GATES OF DEATH constitute perhaps the most gripping, monumental, and wrenching work ever executed on film...Frampton in 1971 began his filming of cedavers at the Gross Anatomy Lab at the University of Pittsburgh. He returned to the lab four times over the course of the next two years and then spent nine months assembling his 'forbidden imagery' into an extraordinary meditation upon death."–Bruce Jenkins

After a road accident in Hungary, the American honeymooners Joan and Peter and the enigmatic Dr. Werdegast find refuge in the house of the famed architect Hjalmar Poelzig, who shares a dark past with the doctor.

Julião is a young farm worker who, one day, contracts leprosy. Overnight, the good mountaineers that were so friendly with him refuse to see him again, and he must be by himself in the far woods. Bathing in olive oil, as suggested by an old woman, proves ineffective. Now, he becomes violent, expressing his anguish against those who expelled him from the village. Production date is 1975. Had its first major public release in 2009, at MotelX, Lisbon's International Horror Film Festival in the section "Lost Room". The movie was suggested to the MotelX production by the portuguese director António Macedo who knew about the existence of this and other portuguese movies about popular legends and myths of the portuguese imaginary. The movie was archived and conserved by the portuguese Cinematheque.

Set in New Jersey in 1938, "Drop Dead, Gorgeous" follows the stories of high-society woman Irene Moretti and private investigator Miles Marshall. After Irene's husband, mob boss Luca Moretti, is murdered, Irene hires Marshall to help her flee the country. Meanwhile, her husband's mob connections double-hire Marshall to track down the killer, creating problems for themselves, Irene, and ultimately for Marshall himself. This twenty-minute short film takes inspiration from the classic noir tradition.

1982. 15'50". A French black and white experimental film. Bloody, violent, and disturbing. Full production credits unconfirmed.

A boy left alone on Halloween befriends an introverted girl to go trick or treating with.