Binge!

An executive recalls how he may have ended up going from his golf game to an autopsy room.

A young woman buys a secondhand film camera with leftover film inside. She and her boyfriend take it out to shoot photos at an abandoned building. When they develop the film, they notice mysterious traces appearing in their photos.

"The acid soil of New England, its wide stretches of hardwoods, its numerous sugar maples, its rolling or mountainous character, the sunshine of its autumn weather, all these contribute to the glory of this annual display. The birches of Maine the aspens of the White Mountains, the sugar Maples of Vermont, the long rainbow of the Connecticut River Valley cutting from top to bottom through New England, the Berkshires - mention these to anyone who has traveled widely through a New England fall and you will evoke instant memories of superlative beauty." -Edwin Way Teale, Autumn across America, 1956

A young mariachi faces his first performance alone but discovers his brother has always been by his side.

Somewhere between the mountains and valleys a small autumn flower bloomed.

The sun rises over the tide pools of coastal Maine.

A broadcaster goes on the air for one last time.

Set in an alternate, post-apocalyptic 1976, a filmmaker follows a worn and disillusioned photographer who, despite the circumstances, continues to make pictures.

In a darkened booth high above the audience, a lone projectionist threads reels of 35mm film through a machine older than many who come to watch. The Man in the Upper Room is a one-day documentary that captures the sacred solitude of one of cinema’s last keepers. Shot in a single 24-hour period, the film is both a portrait and a meditation: on ritual, on the fragility of tradition, and on the quiet hands that keep the magic alive. As theaters shutter and celluloid vanishes, this intimate story asks a simple question: why does it still matter to gather in the dark and let light tell us who we are?

Short film of a general landscape about the saturation of the city. 35mm.

Cette histoire existe

A coming-of-age story about the first time you act against your true nature. Inspired by the old wives tale - eating the bread crusts makes your hair go curly - Paris explores and her relationship with her crusts, her best friend, and her hair.

White’s camera offers several 360-degree pans of views of the fairground, then amazes by tilting up and down the Eiffel Tower, and concludes with a stunning tracking shot to the highest point above Paris. Exhibitors freely grouped films into nascent narratives such as those displayed here. - Bruce Posner

Two people attempt to connect over a great distance.

In 1967, Beulah struck Reynosa. Family survives through images from memory circling the wreck. Rituals of celebration and violence like hurricane, shift between dancing, cyanotypes, blue fire and lost family archive. We have come to see the damage that was done and the treasures that prevail. Thus invent colors that burn the eyelid like 火藥.

A wordless vacation on a catamaran between a Father and his Son, where the Captain sails the boat while they both relax.

Made primarily using 35mm black & white stills film, which was developed and scanned at home, the film explores themes of memories, nostalgia, and our relationship to still and moving image and how those two mediums differ in regards to how we process the passing of time.

A lensless exploration of hair on 35mm film.

Celebrations at Cousiño Park

Los Funerales del Presidente Montt