Ogees

A pizza delivery man is constantly late for work. His boss gives him one last chance to keep his job. When he arrives at the delivery address, he meets his ultimate idol, the rock star Charly Dopamine and his girlfriend Lucy.

"Encouraged by a special encounter between myself and an animal, my research into the “humanimal” began. This is a performative exploration reflecting on the place of animals and humans in their changing relationships throughout time. The research spans from topics like the cohabitation of different human species, the prehuman, the posthuman, to domestication and the numerous animal watching webcams found in zoos and online. Missing Link reflects on the intimacy between the species and how it can be expressed through movement here and now. "

A mockumentary about a boy band that tries to stay relevant in a world they are too old to be a part of.

The short film for Kelsea Ballerini's Grammy nominated album Rolling Up the Welcome Mat.

The Yacht Club Boys sing at a private party for George Mellon and his daughter. There are four of them, one of whom plays the piano, two play the guitar, and fourth plays the violin.

A radio salesman gets knocked out by a golf ball and dreams he's in the desert where he sells radios to sheiks.

Twice Debut Showcase "Touchdown In Japan" is Twice's first debut showcase concert in Japan. It took place in Tokyo Metropolitan Gymnasium in Japan and 2 shows had took place in 1 day.

L'Incoronazione di Poppea by Monteverdi is the last Opera of the Monteverdi trilogy filmed by the Italian label and producer Dynamic at the Teatro Real, Madrid, May 2010.

This is not just a “folkumentary”, but an invitation to reflect on the future of humanity on a planet where tradition and technology coexist, and where the unknown reminds us that there are still unanswered questions.

Le monde moderne

A film about peace, love and war. Dedicated to the 100th anniversary of the end of the Civil War in Russia. The film takes place at the end of the summer of 1917, when Russia and the whole world were at a crossroads between two eras. None of the people could even imagine how much his life would change in the very near future. In a strange way, the atmosphere of the film echoes our current reality and what is happening in Russia today. According to the form of visualization, the film belongs to experimental mockumentary cinema. To give greater authenticity to what is happening on the screen, the shooting was carried out on black-and-white negatives of 16 and 35 mm, hand-operated cameras were used and the material was developed in manual spiral tanks. The documentary chronicle of the Kolchak army of 1919 and the White army in the Far East of 1922 is embedded in the finale of the film.

Captured in High-Definition and Mixed in 5.1 Surround Sound. Join Sheryl Crow as she leads her longtime band through some of her biggest hits in this one-night-only Soundstage performance, which also includes a rare cover of the Nick Lowe classic "(What's So Funny `Bout) Peace, Love and Understanding." Features: My Favorite Mistake, You're An Original, The First Cut Is The Deepest, Leaving Las Vegas, Strong Enough, Redemption Day, Sweet Rosalyn, If It Makes You Happy, Home, All I Wanna Do, Soak Up The Sun, Everyday Is A Winding Road, (What's So Funny `Bout) Peace, Love and Understanding, Let's Get Free, Safe and Sound, I Shall Believe, Steve McQueen.

A film that places the bright and dark sides of life close together. From an understatement beginning, the movie drives up to an ecstatic highlight with a love act between two young people. The orgasm becomes an enormous image flow into the crematorium's death machine.

In 1973, a precocious 15-year-old aspiring rock journalist lands a dream assignment from Rolling Stone to tour with a rising rock band, embarking on a coming-of-age journey as he discovers the exhilarating and heartbreaking realities behind rock stardom.

One closet, two friends, three destinies at stake. Setting the rhythm, the sound of 150 BPM Brazilian funk.

One of three films made as part of the multi-media project ‘Doem, Dood & Verderf’ (2017) by Mees Joachim, chronicling the most traumatic moments from three of their prior long-term relationships. This multi-media project took the form of twelve 100x65cm illustrations, 4 per relationship, an EP released as Pink Boah (Zalmroze in collaboration with Jerboah) and three experimental films backed by the three title tracks from the Pink Boah EP. Each of the three films is a self-projected character study, with the three relationships being depicted and acted out, by the artist and a placeholder model, through physical performance and touch. Visually it is most in line with the artist’s photographic series "The Gaze Upon The Male Gaze”, made for Sauce Magazine, with both the films and that photo series being highly sexploitative in nature.

One of three films made as part of the multi-media project ‘Doem, Dood & Verderf’ (2017) by Mees Joachim, chronicling the most traumatic moments from three of their prior long-term relationships. This multi-media project took the form of twelve 100x65cm illustrations, 4 per relationship, an EP released as Pink Boah (Zalmroze in collaboration with Jerboah) and three experimental films backed by the three title tracks from the Pink Boah EP. Each of the three films is a self-projected character study, with the three relationships being depicted and acted out, by the artist and a placeholder model, through physical performance and touch. Visually it is most in line with the artist’s photographic series "The Gaze Upon The Male Gaze”, made for Sauce Magazine, with both the films and that photo series being highly sexploitative in nature.

One of three films made as part of the multi-media project ‘Doem, Dood & Verderf’ (2017) by Mees Joachim, chronicling the most traumatic moments from three of their prior long-term relationships. This multi-media project took the form of twelve 100x65cm illustrations, 4 per relationship, an EP released as Pink Boah (Zalmroze in collaboration with Jerboah) and three experimental films backed by the three title tracks from the Pink Boah EP. Each of the three films is a self-projected character study, with the three relationships being depicted and acted out, by the artist and a placeholder model, through physical performance and touch. Visually it is most in line with the artist’s photographic series "The Gaze Upon The Male Gaze”, made for Sauce Magazine, with both the films and that photo series being highly sexploitative in nature.

A social-media based film intervention, made up of 6 short videos, meant to be looped to infinity.

Comic stories for adults about the problems of family life.