A Place We Call West

Martin Ward is a cove fisherman, without a boat. His brother Steven has repurposed their father’s vessel as a tourist tripper, driving a wedge between the brothers. With their childhood home now a getaway for London money, Martin is displaced to the estate above the picturesque harbour. As his struggle to restore the family to their traditional place creates increasing friction with tourists and locals alike, a tragedy at the heart of the family changes his world.

A high school student girl named Duru gets ready for the Turkish university exam, but things don't go as planned as she gets forced to deal with a sad reality.

A girl named Ana (Jaime Passier-Armstrong) asks about a photo in a family album and gets an awkward brush off from her mum. When the family receives news of a tragic death, it's time for truth, and secrets from the past are revealed.

As they penetrate deeper into the darkness of the forrest, a group of hunters guided by a wolf is getting closer and closer to the source of the original sin.

In Cold War-era Romania, two Securitate officers intercept a letter from Richard Nixon to Nicolae Ceausescu. With 48 hours to prepare for the arrival of CIA operatives, the two agents race to determine the hidden agenda of the visit.

Vincent has recently become a father and is preparing the house for his newborn daughter's homecoming. His joy and excitement, however, turn into something darker when one of his neighbours (a sad, drunken man whose own children have recently thrown him out of the house) suggests a sordid future for both Vincent and his child. Something inside him snaps and he embarks on a pyschotic mission of 'close cleansing'. -Peter Mullan, Director "Close" is a short film on the darker side of fatherhood, of paternal love swerving dangerously down the wrong path. The mood is disturbing, violent and darkly comic.

When technology exceeds humanity...

Slightly bored, two young Chinese people circle around each other in modern Shanghai. She works in a trance club, he is a DJ. In the daytime they are at home together, but their relationship seems to have reached a stalemate. They hardly communicate and have arguments about nothing. A meeting with her ex in the street sets the young woman thinking. She started dressing differently and took a new hairstyle, but has she really changed?

One incident occurs, two families tangle. There’s nothing new under the sun.

After the death of their child, Thomas, Louis and Anna try to overcome this tragic event. While one of his father's friend try to help him, Louis begin to fall in madness by following instructions coming from a mysterious creature in his dream.

In rural 1950s Ireland, Emer's only daughter is rushed away to hospital after being badly beaten by her teacher. In defiance of her husband, she marches down to the headmaster's office. Faced with systemic abuse, Emer decides to take matters into her own hands.

A woman imagines the revenge of a gypsy that she sent away. This piece is told in multiple scenes, in an increasingly artificial world, as the venue shifts from a realistic courtyard to a wild, stagebound prison in which various stage monsters appear.

Griffith intercuts between the lives of two couples married on the same day. One couple is rich, the other poor. Time passes, and in desperation over joblessness, the poor husband attempts to burgle a home, only to be captured at gunpoint by the mistress of the house. It is the home of the rich couple. While holding the poor intruder at gunpoint, the rich wife accidentally discovers evidence implicating her own husband in a bribery scheme.

A mother (Renee Carl) goes to see a palm reader who informs her that a loved one is about to die. The woman doesn't know if it's her son or her husband (Rene Navarre) but history buffs will know who it is as it's April 10, 1912 and the husband is about to board the Titanic.

One of the last films Georges Méliès made. By now, he was under contract for his former rival Pathé, where he made a few of his most lavish productions, including this one. Here, Méliès performed in front of the camera as the Devil […]. His incarnation of Satan this time is a sprightly antagonist who kidnaps a princess by locking her in a cage and taking off through the sky in a dragon-pulled carriage. […]

Billy witnesses two tramps accidentally kill someone during a robbery. The tramps lock him up and decide that he must be killed, too.

A young inventor is kidnapped to force him to tell the secret of his invention, but he foils his captors thanks to a pen with invisible ink.

A filmmaker explores the 24 hours following his father's death, presenting visualisations of his emotions in film form.

Alice, having trouble with her self image, tries to hide her weight and eating disorder from her school and parents.

Following an accident, Meral returns to live with her traditional parents where she is confined to her bed while recuperating. Nobody confronts her condition except herself. Her little sister Asiye is her biggest supporter.