Cygnus-X

A presentation of an expanding formation of "Elements of Nothing". The systematic harsh noise shaped by water and trees gives birth to a storm of novel imagination in the viewer's emotions.

Short film by Takashi Makino

Europe, 2028. A humanlike creature washes ashore, carrying with him a motionless body he calls his mother. He is on a mission of some kind, reporting on the dwindling human activity in an increasingly automated world.

A railway crossing guard and his wife live in a routine of total isolation and uneventfulness.

Zhang Xianchi is a man thrown into the Cultural Revolution and its afterimage, plunged into the ideological deadlocks of the era and suffering its consequences beyond it. Born into a family that supports the nationalist Kuomintang, Zhang eventually became a leftist and joined the Communist Party. But his family’s background eventually catches up with him, and in a series of bureaucratic measures, he is labelled as a Rightist, leading to a slew of irrational yet life-affecting consequences. His story is told through an exhilarating hybrid of forms, blending documentary-styled interviews and spectral theatrical displays within an ever-mutating studio-space. Hypnagogic in its imagery and ironic in attitude, Mr. Zhang Believes is a tour-de-force treatise of a man caught within dogmatic political maneuverings, which it critiques indirectly with creative and stoic fervour.

At dusk, an observer captures an absurd phenomenon.

Utilizing potent TV interviews and many forgotten performances from his 30-year career, we are immersed into Frank Zappa’s world while experiencing two distinct facets of his complex character. At once Zappa was both a charismatic composer who reveled in the joy of performing and, in the next moment, a fiercely intelligent and brutally honest interviewee whose convictions only got stronger as his career ascended.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

The winner of the Miss World Virginity contest marries, escapes from her masochistic husband and ends up involved in a world of debauchery.

An electoral campaign is underway in an imaginary country. Two leaders fight over the voters, who cry in exasperation. The first leader is fat and whiny, the second smiling and aloof. A man with a laptop computer and a teenager with a stony face and muscular body look on as the political battle unfolds. An aggressive woman removes herself from the melancholy scene. After the victory of democratic optimism, the two observers kill the leader, who dies with a smile on his lips. Civil war breaks out.

A mother feeds her son to the point of possessing him.

FLYIN' CUT SLEEVES, completed in 1993, portrays street gang presidents in the Bronx. Their world was the streets, set against a backdrop of uprooted families, cultural alienation, drugs and violence. Neighborhood teenagers responded by organizing into street groups known to the members as "families", but labeled in the most alarming terms as violent gangs by the press. The documentation of these lives over a twenty-year period offers a remarkable perspective on life in the ghetto (spanning four generations), and the means that people devise to cope from the time that they are children to when they serve as parents and role models for a new generation.

Black people, red dwarfs, idols on bronze steeds, shadow of geniuses and heroes. This is not story about Hades from an ancient history textbook. This is Sankt-Petersburg In mystical literary tradition such as he is. A pomposity, an open space and - deathness. There is no gleam in the sky, Neva looked like poured by a lead, a crude air presses and can not pass through lungs, which are already struck by bacillus Kochii, and there are around ominous frights, threatening to punish for an unknown offence. And even white nights are bad. It looks as if you can meet phantom of a Poet which was tortured at thirtieth years of any of the last centuries. Be careful with monuments. They fond of walk along town quays (as told us Poushkin - he brings luck!). And do not trust this Neva prospectus. City - phantom, evolved from a bog which is refuge of evil spirits. Brilliant St.-Petersburg.

A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.

In 1958, graduates of the Film School in Łódź – director Mieczysław Waśkowski and camera operator Adam Nurzyński – produced in cooperation with Tadeusz Kantor the short film Somnambulists. The colourful, painting-like moving image was an attempt at transferring the informel onto film stock.

Saw and imagined in the children's fantasy the story of grandmother of Christ and the Apostles a little girl. Today few people remember that just a few decades ago in the village houses next to the icons you could still see the popular prints on religious themes. They finally disappeared from use only in the 60-ies of the last century. Of course, their creators were not professional painters or connoisseurs of theology. Drew, as best they could, she felt, not knowing neither rules nor laws. Simple uneducated people, nuggets, sought to glorify God with their creativity, that resonates in the hearts of those of peasants or artisans as they are.

Sex as dance and comedy: in Progressive Touch Portnoy studies and expands the relationship between sex, choreography and composing music. He introduces complex compositions from progressive rock and math metal during sex, thereby combating the ostensible simplification of rhythm in human movements and gestures. A group of actors perform the new moves in three slapstick-like scenes. Worth trying at home.

The parents of an adult infant named "Child", played by Todd Haynes, attempt to expel him from their home, by casting magical spell seen in a television documentary about Malaysian rites of passage.

Coming out of an accident with amnesia, Sophie Bauer tries to reshape herself in the eyes of those who knew her best.

A pack of strays – seven dogs and one woman live in the shadows of Moscow. Hidden from the totalitarian authorities, two species share their existence on the verge of disappearance. They are straying in constant restlessness through a savage landscape where the city is cracking. Shot from the animal’s point of view, patterns of mutual dependence and taming begin to blur.