L'instruction

Stories of 12 gay and lesbian survivors of Nazism and the Holocaust.

A profile on Moses Pendleton, the founder of the Pilobolus Dance Theater and MOMIX.

Vernichtung durch Arbeit - KZ-Häftlinge: Sklaven für die deutsche Industrie

“This film is part of a series of films on gay men who survived the Nazi era. I met Walter Schwarze when he was already in his eighties. My camera recorded his first public account of his five-year incarceration as a homosexual at Sachsenhausen concentration camp. He was in his fifties when he met Ali in his hometown of Leipzig; the two men became partners and remained close until his demise. And yet, Walter told me, he felt he had lived in vain because he had not had the good fortune of today's gays, who are able to grow up in freedom. Walter Schwarze died of cancer on May 10, 1998.” Rosa von Praunheim

During his thirty-year career, Walter Hus, a Belgian composer and pianist, has taken a thousand musical faces. While he wanted to compose a new work, a crisis blocked his creation. During an exchange with his therapist, he comes to an existential question: "Who am I musically? » Through the portrait of this composer, as abundant as it is fascinating, the film aims to give access to his creative process and thus to the endurance and beauty of creation.

When Jacques d'Amboise took a group of dancers and members of his teaching staff to China, they worked with acclaimed dancer Dou Dou Huang and more than a hundred Chinese children. Their goal: to create a special performance using a variety of dance styles - including hip-hop, freestyle jazz and traditional Chinese folk dance - that would premiere at the Shanghai Grand Theatre in honor of the 2007 Shanghai Special Olympics World Games. Part of a month-long cultural exchange between d'Amboise's National Dance Institute and several Chinese troupes, featuring some of that country's most talented young dancers, the collaboration underscored the power of dance to transcend obstacles of culture and language.

Charlotte Salomon died in the Auschwitz concentration camp in 1943. The pictures she painted while on the run in unoccupied France have survived - a cycle in which Charlotte Salomon tells the story of her life like a diary.

Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.

An analysis of The Kindly Ones, Jonathan Littell's controversial novel, published in 2006, which dissects the ruthless mechanisms of the Shoah from the detached point of view of Maximilian Aue, a high-ranking Nazi officer.

The story of the Holocaust survivors in Poland (1946-1949). Based on the films of Nathan Gross and Shaul Goskind: Akhar alpaim shana.

Prima ballerina Darcey Bussell talks about her life at the top. From tears at ballet school and forgetting the steps, to becoming the Royal Ballet's youngest-ever principal and her favourite roles, Darcey recalls her performing career from its earliest days.

Bal Romantique à Montmartre

La Coronela (1940). Punto de partida

This Emmy Award-winning documentary traces the rise of Nazism in general and the career of Adolf Eichmann in particular by documenting the small incremental steps the Nazis took to introduce their ideology of anti-semitism in Germany and Nazi-occupied Europe during World War II.

Serge Toubiana, director of the Cinémathèque française, sat down with director Claude Lanzmann in his office in Paris in January 2013 to discuss the making of his epic work. Their conversation, presented here, was recorded exclusively for the Criterion Collection.

A document of Tatsumi Hijikata's Butoh dance with Kazuo Ohno as the guest dancer shot in Hijikata's early period when he was emerging as the originator of Butoh. All of the male dancers are dressed up with evening suits and move gracefully, yet an intruder breaks up the whole scene abruptly. The film is worth seeing, even if just to see a memorable gay duet of Hijikata and Ohno. Overexposed, washed out images are sandwiched among normal ones.

French documentary that explores how the third generation deals with the memory of the Holocaust. It follows grandchildren of survivors—Camille, Frankie, Théo, and Mathis—as they inherit family secrets and the responsibility of bearing witness to this trauma

Innovative dance guru Gabrielle Roth is the instructor (and who better?) of her own brainchild -- a workout program that uses physical movement as a way to achieve spiritual awareness. "The Inner Wave," the third installment of Roth's Ecstatic Dance collection, focuses specifically on trance movements that induce meditation and inner stillness. You'll feel the stress lift off you in no time via this wonderful regimen.

Maurice Hines -- actor, director, singer, and choreographer -- navigates the complications of show business while grieving the loss of his more famous, often estranged younger brother, tap dance legend Gregory Hines.

A documentary about America's knowledge of the Holocaust during the Second World War dares to ask, ""Could the Jews of Europe have been saved?"