The Lost Children

‘Tuire Kayapó’ (First Contact) is a moving portrait of the most important female chief of the Kayapó people, known for her environmental activism in the Brazilian Amazon since the late 1980s. In her first interview ever, which took place on January 13th, 2017 in her village in Kaprankrere, Tuire speaks about the issues of the Kayapó people such as deforestation, expansion of the cities towards the Indigenous territories, demarcation, discrimination, national agricultural policies, public administration, corruption and infectious diseases as a result of all this.

The film follows Postcommodity, an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martinez and Kade L. Twist, who put land art in a tribal context. The group bring together a community to construct the Repellent Fence, a two-mile long ephemeral monument “stitching” together the US and Mexico.

After a deadly plane crash strands four young siblings deep within the Colombian rainforest, a dramatic rescue mission unfolds, uniting Indigenous trackers and the military in a race against time. For the first time ever, this documentay offers the exclusive account of this incredible true story directly from the children themselves and the rescuers who scoured the Amazon rainforest for a grueling 40 days and nights to find them.

The imagination of history in Ecuador never thought that oil, “its redeeming hope”, discovered in the Lago Agrio No. 1 well, was going to mean the beginning of the worst environmental catastrophe on the planet. Thirty years of operation and exploitation of the Texaco company, forever transformed the rivers and estuaries, the forests and the life of the indigenous communities in the northern Amazon of Ecuador.

In powerful images, alternating between documentary observation and staged sequences, and dense soundscapes, Luiz Bolognesi documents the Indigenous community of the Yanomami and depicts their threatened natural environment in the Amazon rainforest.

Where did everyone go who had something to say? Alongside Serge Fiori, eleven indigenous artists cover the iconic song in their own language and prepare to perform it live.

The world knows the image of the good Canadian. But what if there was a dark secret behind a national identity? THE GOOD CANADIAN exposes the truth behind the idea of a True North strong and free. In this unflinching and eye-opening documentary, directors Leena Minifie and David Paperny move us through the corridors of systemic inequity, from the Indian Act to residential schools, to modern-day family separation. Fusing shocking footage with detailed interviews with experts, advocates, whistleblowers and politicians, THE GOOD CANADIAN challenges national myth-making, while offering Canadians the chance to forge a new identity from the truth.

Don Emilio is a humble, 63-year-old man who lives in the Amazon rainforest, seven miles from the city of Iquitos, Peru. For all of his adult life he has worked as a curandero and vegetalista, a traditional healer. He estimates that in his career he has treated more than 2,500 clients. Through the camera lens of anthropologist Luis Eduardo Luna, Don Emilio tells us about his practice, his beliefs, his community, and his life. He shows us how he prepares ayahuasca and other herbal medicines. Finally, we see Don Emilio treat a man who has come to him for help, and hear from a poor woman who has brought her infant son for medical care.

At the core of these memories is Kcey, a spirited young woman of Puerto Rican and African American heritage. Her infectious spirit and uniquely endearing laugh became her signature, filling every room with infectious energy and joy. As a child, Kcey's spirited antics foreshadowed her future strength; she later emerged as a formidable member of the Air Force. Recollections from her mother, father, sister, childhood friend, and a battle buddy capture the essence of Kcey, from her infectious laughter to her cherished moments under the Afghan sunsets. Each memory serves as a testament to a life lived passionately. However, heartbreak strikes when, amid war, a plane crashes, claiming Kcey's life. As they grapple with this devastating loss, her loved ones oscillate between despair and denial, occasionally seeking refuge in work or the numbing embrace of alcohol. Yet, as they collectively mourn, they discover solace in their shared memories of Kcey's radiant spirit.

A botanical expedition in Ecuador's Amazon becomes a medium for an indigenous Huaorani community to remember the genocidal colonization it suffered in the 1960s. Meanwhile, a group of ecologists from the capital tries to stop oil exploitation in the last remaining forests where the isolated Huaoranis still live, who to this day refuse to come into contact with civilization.

Presents the history of the conflict between the Canadian government and the Kwakiutl Indians of the Northwest Pacific over the ritual of the Potlatch. Archival photographs and films, wax roll sound recordings, police reports, the original potlatch files, and correspondence of agents form the basis of the reconstruction of period events, while the film centres on a Potlatch given today by the Cranmer family of Alert Bay.

Documentário Brasil Tupinambá

A documentary film about Comanche activist LaDonna Harris, who led an extensive life of Native political and social activism, and is now passing on her traditional cultural and leadership values to a new generation of emerging Indigenous leaders.

Follows Martin Strel as he attempts to cover 3,375 miles of the Amazon River in what is being billed as the world's longest swim.

James, giving himself 12 months before he has "a license to kill himself," sets off to the Amazon rainforest with hopes of finding a shaman who can save his life.

An Aboriginal Australian and Native American documentary narrated by award-winning actor Jack Thompson, One Heart-One Spirit tells the story of Kenneth Little Hawk, an elder Micmac/Mohawk performing artist, meeting the oldest surviving culture on the planet: the 40,000 year old Yolngu nation located in northern Australia.

A woman with indiginous roots in her 40s goes on a trip into her past: When she was four years old she had been taken away from her mother by the canadian authorities, like many others. This is her very sad story as an example for many others.

An NFB crew filmed a group of three families, Cree hunters from Mistassini. Since times predating agriculture, this First Nations people have gone to the bush of the James Bay and Ungava Bay area to hunt. We see the building of the winter camp, the hunting and the rhythms of Cree family life.

Colebrook Blackwood Reconciliation Park is where the Colebrook Training Home once stood. It is now a permanent memorial for the Aboriginal children of the “Stolen Generation” and their families.

Explore an extraordinary region where water and land life intermingle six months out of the year.