Song of Radauti

In 1944 Poland, a Jewish shop keeper named Jakob is summoned to ghetto headquarters after being caught out after curfew. While waiting for the German Kommondant, Jakob overhears a German radio broadcast about Russian troop movements. Returned to the ghetto, the shopkeeper shares his information with a friend and then rumors fly that there is a secret radio within the ghetto.

The film's protagonists are the orphaned children taken into custody by the state and institutionalized at Children's House no. 6 from Bucharest. For Mészáros, the concern for the situation of children left orphaned during the Second World War is autobiographical: the director directly experienced the absence of parents in her own childhood.

No Jewish divorce is complete without the man literally giving the woman her freedom back. With Israel having neither civil marriage nor divorce, women can get trapped. The film follows several such "chained" women together with Batya, a religious lawyer, who embarks on a struggle against the rabbinical courts.

At the beginning of the 70s, Sahia Studio produced a number of social investigations commissioned by the Central Committee of the Romanian Communist Party, intended to expose the so-called "social parasitism". The decision was taken after the theses of July 1971, which provide that "one of the main objectives of political work, especially among the youth, is the firm fight against the tendencies of parasitism, of an easy life, without work, the cultivation of responsibility and the duty to work , in the service of the country, the people, the socialist society". The most famous films, made with the competition of the Ministry of the Interior and the Ministry of Justice, are Să treacă vara and Iarna unor pierde vară

During the anti-communist uprisings of the late 1950s, a writer of comedic poems against socialism was constantly pursued by Securitate troops.

On June 29, 1941 thousands of Jews were herded into a courtyard in Iasi, Romania and were massacred by German and Romanian soldiers. Many of the Jacobovicis of Romania died that day. Canadian filmmaker Simcha Jacobovici goes back to the land of his forebears and explores issues of memory - his and Romania's. Charging the Rhino is a documentary about the Romanian Holocaust. Romanian fascists shot filmmaker Simcha Jacobovici’s father, Joseph, during WWII. Romanian communists shot his cousin, Sasha, during the Cold War. Through their stories the film explores the devastating history of fascism and communism in Romania and the life-altering affect it had on the psyche of those who endured Romania’s unimaginable.

Set in the dense forests of 1940s Eastern Europe, this story reveals the supernatural encounters that challenge three soldiers' understanding of life and death.

The days around New Year's Eve of a Nepali immigrant worker in Romania.

A documentary portrait of legendary Perfect Ten gymnast Nadia Comaneci after becoming an icon in the 1976 Olympics, during her Romanian period, and her challenging years under the dictatorship of Nicolae Ceausescu.

A documentary-essay which shows Costică Axinte's stunning collection of pictures depicting a Romanian small town in the thirties and forties. The narration, composed mostly from excerpts taken from the diary of a Jewish doctor from the same era, tells the rising of the antisemitism and eventually a harrowing depiction of the Romanian Holocaust.

The fate of a Hungarian Jewish family throughout the 20th century.

The history of the Warsaw Ghetto (1940-43) as seen from both sides of the wall, its legacy and its memory: new light on a tragic era of division, destruction and mass murder thanks to the testimony of survivors and the discovery of a ten-minute film shot by Polish amateur filmmaker Alfons Ziółkowski in 1941.

Recorded over 10 years, România Sălbatică shows the colorful beauty of Romanian nature accompanied with wildlife.

1968, The Socialist Republic of Romania. Women catch up on the latest tendencies in beachwear, the young hippies of Hamburg are harshly criticized by Romanian students, while Nicolae Ceaușescu reads the famous defiance speech against the intervention of the Warsaw Pact troops in Czechoslovakia. Floating solemnly over all this is The Internationale, sung on a stadium by a crowd of pioneers dressed in white shirts and red ties. A certainty for each probability: the documentary is at the same time a history lesson and an ideological warning sign, the director’s endeavour permanently draws our attention to the functions of the propaganda film, yet without tarnishing the fascination that dwells in the core of the images, that of the figures that wave at us from a past buried in commonplaces and political parti pris.

Tucson, Arizona, September 1996. At the request of his son Martin, George Goldsmith tells him of his past in Nazi Germany as a member of a family of Jewish musicians and the strange history of the Jüdischer Kulturbund, a Jewish organization sponsored by Reichsminister Joseph Goebbels.

Citizen Film partnered with SFJFF, the first and largest Jewish film festival in the world, to create their festival trailers.

Elena Stoica, a resident doctor at a hospital, faces a silent enemy: tuberculosis. With the healthcare system in ruins and no real hope for treatment, Elena devises a dangerous lie, a fictitious trip to a medical congress in Paris.

An offbeat, irreverent musical documentary that tells the story of a group of Jewish songwriters, including Irving Berlin, Mel Tormé, Jay Livingston, Ray Evans, Gloria Shayne Baker and Johnny Marks, who wrote the soundtrack to Christianity’s most musical holiday. It’s an amazing tale of immigrant outsiders who became irreplaceable players in pop culture’s mainstream – a generation of songwriters who found in Christmas the perfect holiday in which to imagine a better world, and for at least one day a year, make us believe.

This mountain region that reaches across several countries in Eastern Europe is the home to gold diggers, wizards, cow herders and old Hassids.

In Cold War-era Romania, two Securitate officers intercept a letter from Richard Nixon to Nicolae Ceausescu. With 48 hours to prepare for the arrival of CIA operatives, the two agents race to determine the hidden agenda of the visit.