The Man Who Would Not Shake Hands

After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.

A young woman in the Old West sets off on a journey of revenge after her sister is murdered.

Undead dark riders invade a wild west saloon, blasting away everyone in sight - now only a bad-ass Native American warrior can save the town.

In the wilderness, a lone rider agrees to help a stranger search for his lost friend. But as they venture deeper into the forest, doubt creeps in—does this missing man even exist, or is the rider being led astray?

In the tradition of classic westerns, a narrator sets up the story of a lone gunslinger who walks into a saloon. However, the people in this saloon can hear the narrator and the narrator may just be a little bit bloodthirsty.

A group of women band together as they go to war against a pack of men who have done them wrong at every turn.

One-armed war veteran John J. Macreedy steps off a train at the sleepy little town of Black Rock. Once there, he begins to unravel a web of lies, secrecy, and murder.

An old gold digger is disturbed in his routine by a strange man forcing a disturbing interrogation on him.

Dan Evans, a small time farmer, is hired to escort Ben Wade, a dangerous outlaw, to Yuma. As Evans and Wade wait for the 3:10 train to Yuma, Wade's gang is racing to free him.

A butterfly collector unwittingly wanders into an Indian encampment while chasing a butterfly, but the tribe has resolved to kill the first white man who enters their encampment because white oil tycoons are trying to force them from their land.

Will Lockhart arrives in Coronado, an isolated town in New Mexico, in search of someone who sells rifles to the Apache tribe, finding himself unwillingly drawn into the convoluted life of a local ranching family whose members seem to have a lot to hide.

In 1850 Oregon, when a backwoodsman brings a wife home to his farm, his six brothers decide that they want to get married too.

Musical western short

Two road weary travelers experience the supernatural and the refreshing taste of Miller Light.

A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.

During the raid on an emigrant train the girl and her brother, the only survivors, are attacked by the villain who kidnaps the girl and takes her to the camp of Calamity Anne, who takes a liking to the girl and becomes her guardian angel. The girl's brother is killed and a ranger takes the locket containing the girl's picture from his neck and recognizes the girl in Calamity Anne's camp. Later, Calamity Anne holds the villain and his band at bay and the girl and the ranger make their escape. The girl and the ranger come to the spot where the girl's brother is buried and here she asks the ranger if he is going to leave her there alone. His answer is to take her into his arms.

Aftermath was the pilot for an unsold TV series called "The Code of Jonathan West"; it aired as part of The General Electric Theater. The film takes place just after the Civil War, in a small southern town – war-ravaged, impoverished, and seething with hatred and resentment.

The story involves Arbuckle coming to the western town of Mad Dog Gulch after being thrown off a train and chased by Indians. He teams up with gambler/saloon owner Bill Bullhum, in trying to keep the evil Wild Bill Hickup away from Salvation Army girl, Salvation Sue. Fatty and Buster have a series of adventures trying to beat St. John, until they discover his one weakness: his ticklishness.

A mix of guns and mistaken identity leads to chaos in this satirical parody of William S. Hart's melodramatic westerns, finding Buster in the frozen north - "the last stop on the subway".

Iola, the little Indian girl, is held captive by a gang of cutthroats but is soon rescued by Jack Harper, a prospector. She is truly grateful to Jack, and regards him as something different from other white people. Jack's sweetheart and her father are travellers in a wagon-train headed for this place, and, not having much luck so far, he is somewhat gloomy. Iola learns the reason, and promises to help him find gold. "Will you?" he says, "Yes." "Cross your heart?" This cross-your-heart action mystifies Iola. She thinks it is a sort of tribe insignia and tells her people that "Crossheart" people are all right. Iola surely pays her debt of gratitude, not only in finding gold, but in giving her life to protect Jack's sweetheart from her own people.