Marriage Blue

Three distinct tales unfold in the bustling city of Tokyo. Merde, a bizarre sewer-dweller, emerges from a manhole and begins terrorizing pedestrians. After his arrest, he stands trial and lashes out at a hostile courtroom. A man who has resigned himself to a life of solitude reconsiders after meeting a charming pizza delivery woman. And finally, a happy young couple find themselves undergoing a series of frightening metamorphoses.

Hořké pivo, sladký likér

An uproarious version of history that proves nothing is sacred – not even the Roman Empire, the French Revolution and the Spanish Inquisition.

Get ready for a wildly diverse, star-studded trilogy about life in the big city. One of the most-talked about films in years, New York Stories features the creative collaboration of three of America's most popular directors, Martin Scorsese, Francis Coppola, and Woody Allen.

Injustice and the demands of the world can cause stress for many people. Some of them, however, explode. This includes a waitress serving a grouchy loan shark, an altercation between two motorists, an ill-fated wedding reception, and a wealthy businessman who tries to buy his family out of trouble.

Return to Horror Hotel is an anthology feature with 4 segments. One is about giant a bedbugs, one is about a magical charm that turns girls beautiful, one is about a WWII sailor who hasn't aged and one is about a terrorizing severed hand.

An anthology film consisting of three linked stories by different directors, all set on an Okinawan island. The first story, 'Aunt Reiko' concerns an opera singer who travels back to her home island to consult a spiritualist about the loss of her voice. The second story, 'Haruko & Hideyoshi' concerns an outsider to the island who is tricked into marrying an island girl after visiting the island god of fertility with her. The final story, 'Bomb Kids' concerns two kids in a punk band who set out to win (or steal) a large amount of money. Linking these stories is the ongoing search for an unexploded WWII bomb, a large model pineapple, and the possibility of a hotel development coming to the island...

A journalist could marry the daughter of a tycoon, but prefers a relationship with a married woman. An attorney renounces her lover by greed. A soldier tries to approach a widow on a train. A German couple looking for adventure mistakingly aim for the wrong target, yet find love.

Three separate stories all concern the relationships between adult children, their somewhat distant parent (or parents), and each other. Each of the three parts takes place in the present, and each in a different country. Father is set in the Northeast U.S., Mother in Dublin, Ireland, and Sister Brother in Paris, France. The film is a series of character studies, quiet, observational and non-judgmental. A comedy, but interwoven with threads of melancholy.

In three separate segments, set respectively in 1966, 1911, and 2005, three love stories unfold between three sets of characters, under three different periods of Taiwanese history and governance.

A collection of seven vignettes, which each address a question concerning human sexuality. From aphrodisiacs to sexual perversion to the mystery of the male orgasm, characters like a court jester, a doctor, a queen and a journalist adventure through lab experiments and game shows, all seeking answers to common questions that many would never ask.

This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.

‘Her’ features five strong, unrestrained female characters, in a hyperlink narrative that celebrates womanhood in all its myriad forms. The story represents today’s women from varied backgrounds coming out of their comfort zones to live life to the fullest.

“Urban Motives 4.1” is an anthology film consists of 5 short movies by 5 Azerbaijani directors. The first, by Anar Abbasov, is about a relationship between a man and women who live next door; second, by Ru Hasanov, is about a life of a musician who is different from others with his mentality; third, by Teymur Ismayilov, tells a story of a young worker who has his own dreams; fourth, by Jafar Akhundzade, is about traumas caused by war; and the last one, by Vugar Islamzadeh, is a story about a criminal group and an officer who wants to take revenge.

A film of three intersecting love stories.

It's Ted the Bellhop's first night on the job...and the hotel's very unusual guests are about to place him in some outrageous predicaments. It seems that this evening's room service is serving up one unbelievable happening after another.

Following "Paris, Je t'aime" "New York,I Love You" and "Rio, Eu Te Amo" “Tbilisi, I Love You” has become the next film in the “Cities of Love” franchise.

A filmmaker talks about his work and love life with an unseen friend behind the camera. We also watch four of his short films.

Zločin a trik II.

Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.