A stage director is driven to madness during a regional production of Julius Caesar.
An evocative and imaginative exploration of the racial tensions in Othello and how the themes in Shakespeare's play still resonate today.
Scotland, 11th century. Driven by the twisted prophecy of three witches and the ruthless ambition of his wife, warlord Macbeth, bold and brave, but also weak and hesitant, betrays his good king and his brothers in arms and sinks into the bloody mud of a path with no return, sown with crime and suspicion.
Spurred by the devious Iago and believing that his beloved Desdemona has betrayed him, Othello destroys his own happy world. Accomplished film, television, and stage actor Patrick Stewart plays Othello joined by a Black cast, including Franchelle Stewart Dorn as Emilia. This bold, new look at the play highlights one of its major themes of “otherness.”
Macbeth, the Thane of Glamis, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth commits a treasonous act and takes the throne for himself.
Noble Moroccan Othello finds his life with beautiful, fiercely loyal Desdemona thrown tragically out of balance when secretly jealous, scheming confidante Iago begins an insidious campaign of lies and treachery.
An art dealer is seduced by a wealthy art collector to steal a pair of prestigious paintings. She enlists the help of her ex-lover and curator to accomplish the task. Deception and betrayal ensues.
At an elite, old-fashioned boarding school in New England, a passionate English teacher inspires his students to rebel against convention and seize the potential of every day, courting the disdain of the stern headmaster.
Ophelia comes of age as lady-in-waiting for Queen Gertrude, and her singular spirit captures Hamlet's affections. As lust and betrayal threaten the kingdom, Ophelia finds herself trapped between true love and controlling her own destiny.
Filmed version of the 2019 Stratford Festival production.
Half-caste bandit Omkara Shukla abducts his lady love, Dolly Mishra, from her family. Thanks to his cleverness, he gets away with the kidnapping. A conspiracy, however, forms against him when he denies his right-hand man, Langda Tyagi, a promotion. Ultimately, this plot threatens not only his relationship with Dolly, but their lives and those of their associates as well.
In the Huasteca of Tamaulipas during the most important dance festival of the region, Julia, Huapango national champion, announces her marriage to the distinguished and wealthy rancher Otilio, while Santiago, her dance partner, driven by jealousy and spite, decides to take revenge on the newlyweds.
The evil Iago pretends to be friend of Othello in order to manipulate him to serve his own end in the film version of this Shakespeare classic.
While enjoying his relationship with Cleopatra, Antony neglects his Roman responsibilities, angering Octavian Caesar. Cleopatra rejoices when Antony's wife dies, but Antony's desire for political advancement leads him to marry Caesar's sister. The fragile peace that emerges is short-lived, as Antony returns to Egypt, leading to full-scale war.
Hamlet, Prince of Denmark, returns home to find his father murdered and his mother remarrying the murderer, his uncle.
Manipulated by his jealous ensign Iago, the Moorish general Othello is driven to believe that his new wife Desdemona is unfaithful, setting in motion a chain of deception, jealousy, and violence that leads to tragedy.
The Moorish general Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his lieutenant Michael Cassio when in reality it is all part of the scheme of a bitter ensign named Iago.
The Angelic Conversation is a lyrical, haunting film about a young man’s search for love in a dreamlike landscape. Its tone is set by the juxtaposition of slow moving homo-erotic images and opaque landscapes through which two men take a journey into their own desires. Offscreen, Dame Judi Dench recites a sequence of Shakespeare's sonnets that counterpoint the action. Jarman called it, “My most austere work, but also the closest to my heart.”
Young Richard of Gloucester uses the chaos of the Wars of the Roses to begin his unscrupulous climb to power in this classic Shakespearean history of a king in the throes of jealousy and murder. Despite being manifestly unfit to govern, he overcomes each obstacle in his way to seize the crown, as King Richard III. But as those around him turn against him, and as his plans begin to unravel, where else can he turn as the Lancastrian opposition returns to drag the country into battle once more and put an end to Richard’s tyrannical rule. Richard III is a savagely comic analysis of the exercise of power, reminding us of the dangers of tyranny and our duty not to let it go unchecked.
A tale of revenge that has stood the test of time, Shakespeare’s classic tragedy is reimagined for the modern day as a gripping psychological thriller! Transcending the confines of the stage, the film utilises nearly every room of the Theatre Royal Windsor to transform it into the immortal Elsinore Castle, from basement dungeon to roof-top battlement.