Marianne

For five years, Stephen McCoy documented street life in Boston. This is what he captured.

Following fateful scientific reports, protestors pose the argument for a better future against the vested interest of industry. Small to large, individual to collective, where do I fit into this?

The city of Mahagonny, founded by three criminals, becomes a place for people looking for their luck or money. One among them is the lumberjack Jim Mahoney. However, he is disappointed by what the city is.

Harry Smith’s final film; an epic four-screen projection. Smith worked on this cinematic transformation of Kurt Weill and Bertolt Brecht’s opera Rise and Fall of the City of Mahagonny (1929) for over ten years and considered it his magnum opus. The film was shot from 1970 to 1972 and edited for the next eight years. The “program” of the film is meticulous, with a complex structure and order. The Weill opera is transformed into a numerological and symbolic system. Images in the film are divided into categories— portraits, animation, symbols and nature— to form the palindrome P.A.S.A.N.A.S.A.P. The film contains invaluable cameos of important avant-garde figures such as Allen Ginsberg, Patti Smith, and Jonas Mekas, intercut with installation pieces from Robert Mapplethorpe’s studio, New York City landmarks of the era, and Smith’s visionary animation.

Inspired by the work of Bertolt Brecht and filmed in Porto's former industrial slaughterhouse, A Santa Joana dos Matadouros is a meta-cinematic essay about the labor market in times of economic crisis in Europe. The film explores the possibilities of cinema in its relationship with theater and brings together a cast of professional actors, amateurs, renowned artists from various disciplines, and a group of unemployed residents of Vale de Campanhã.

The series’ latest Harald Vogl feature (from 1984) completes the filmmaker’s gradual movement away from narrative toward a vérité-style essay film. Gone are the post-punk streets of the East Village, replaced with on-the-ground footage of antiwar protests and visitors to the Vietnam Memorial in Washington DC, and observational scenes of union parades, marching bands, street dancers, and Chinatown residents back in Manhattan.

Hitler's seizure of power in 1933 and his rule in the years that followed are transferred to the North American criminal world of the 1930s in a parable. Gangster boss Ui needs the protection of the ruling class to achieve his goals and offers his help to their representatives. They initially hesitate, but join forces after Ui violently gains their respect. His victory is perfect and the people fall silent before the revolvers of their "protectors". Ui takes the raised hands as a sign of approval... Bertolt Brecht wrote the play in 1941 in a Finnish asylum - the premiere only took place in Stuttgart after his death in November 1958. It has been staged at the Berliner Ensemble since 1959 - Ekkehard Schall has played Ui over 500 times since then. On January 13, 1974, the play was shown for the last time, recorded in color by GDR television.

These days it seems that nothing is as polarizing and controversial as religious belief. Everywhere one goes it seems that people are asking the question: Do we even need religion? Is it limiting our understanding? What kind of world is being produced by these faith systems? Regardless of your answers to these questions, it is hard to deny that worship still plays an important role in many people's lives and many people simply do not understand where others are coming from. Believers is a unique exploration of those questions related to faith by focusing the lens on five of the world's belief systems, Agnosticism, and the new Atheism. The film follows Sacha Sewhdat's personal journey towards understanding as he searches for the value of religion in modern society. With honesty and objectivity Sacha explores what it means to believe in a higher power or what it would mean to let those beliefs go. It will both inform and challenge what you know about religion in the 21st Century.

Four years after Pour la suite du monde (1963), director Pierre Perrault asks Alexis Tremblay if he'll agree to travel with his wife Marie to the country of their ancestors, France. In a montage parallel, we follow them in France and listen to them talking to their friends about it.

The "stone in the mouth" is the scar that the mafia makes on betrayal's corpse. The modern mafia has the historical and sociological roots into the birth of the american capitalism at the time of Roosevelt. The American "Cosa Nostra" applies the similar methods as the sicilian mafia: same apparatus, same "omertà", same power and same terror. Giuseppe Ferrara, journalist and writer, uses fragments footage, film clips, and current news to make this film.

Documentary that explores the life and career of leading man Cary Grant through film clips and interviews. Produced as S18E03 of the long running series American Masters.

Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.

Africa Trek

An ascetic walks through the narrow streets of a village every morning while his family is still asleep. In his semi-somnolent state he dreams about the history of the village mixing up myths, folklore and facts.

Amit Dutta recorded several conversations with Prof. B.N. Goswamy, an important art historian of India, covering his entire body of work. Interspersed with his talks were also some silences. This film draws upon some of those moments of silence and weaves them into a web of ideas and images that fill the art-historian’s mindscape.

A look at the varied new ways Americans are choosing to both find meaning and celebrate life as it comes to an end.

A forensic archaeologist unearths new clues to Hitler's secret extermination camp in Poland, where up to 900,000 Jews were sent to their deaths.

Ella Bella Bingo and Henry are best friends, but one day a new boy moves into the neighbourhood and everything changes.

Life goes on in the tunnel of the two buddies and the badger. A life with song, jam and friendly giggles. But one day they are visited by the strict Conductor who wants to throw them out. Tunnels are for trains, not people.