I Believe the Portrait Saved Me

A Bold Advance is set in the rugged regions of Albania, Kosovo and Montenegro among people deeply wounded by war and brutal dictatorships. Yet here in this scarred land are those who have been changed inside-out by the power of Christ. Their faces and stories declare that the message of the Cross crushes all barriers—even those raised by mosques and minefields. Hike the mountain trails with pioneer men and women who are reaching the hard-to-reach people and loving them into the Kingdom. From Albania’s lawless frontier to Montenegro’s “Mountains of the Damned” to the killing fields of Kosovo, Dispatches from the Front: A Bold Advance is another Macedonian call to action and a reminder that the Gospel still shakes the gates of Hell.

A documentary unraveling the untold stories and brutal experiences of the Kosovo War in the late 1990s.

"The Actors of Cannes" is a documentary film project that showcases a painful part of Kosovo’s history – the spring 1990 school poising of 8400 students by the Serbian government. The mass poisoning of Albanian Kosovars targeted students, teachers, citizens, even young children in preschools.

Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.

The Unidentified is a feature-length documentary which reveals who were the commanders responsible for some of the most brutal attacks of the Kosovo war. The result of a two-year-long investigation, the documentary names the officers who ordered attacks on villages in the area around the town of Pec during the 1999 war and those who were involved in the removal of victims’ bodies to mass graves at the Batajnica police centre near Belgrade in Serbia. Sixteen years after they committed the crimes, they live peacefully in the Serbian capital, and despite the evidence that exists, they have not been prosecuted.

Draussen bleiben

Blending archival footage, haunting melodies, and digital reconstructions, Hyjnesha në Fron traces the echo of loss across Kosovo's turbulent history. A musical, visual essay shaped by absence, which resurrects physical memory through 3D reconstruction, showing how history persists even when its material proof has vanished.

The extraordinary story of Swiss rapper Besijan Kacorraj, whose biggest problem is not having a Swiss passport. Besijan is deported to Kosovo after several armed robberies, although he has grown up in Zurich since the age of one.

The journey of A SINGLE FRAME weaves an exploration of the impact of photography from both sides of the shutter. The fascinating post-war culture of Kosovo serves as backdrop.

In the Kosovo War, human dignity was shattered by the terrors of the Serbian government and the Albanian liberation army. Truths about the victims’ fates faded away, which is why a Finnish forensic research group led by Helena Ranta got a mission to act as an unbiased agent and investigate the real course of events.

Story about the suffering of the Serbian people on Kosovo and Metohija based on Metropolitan Amfilohio's book "The Chronicle of the New Kosovo Crucifixion".

Stolen Kosovo is a Czech language documentary by director Václav Dvořák (b. 1948), about the Serbian–Albanian conflict in Kosovo. The documentary describes the situation, first in a short overview of the history of the area, followed by the 1990s conflicts and bombing of Serbia by NATO forces in 1999 and ending with the situation after the Kosovo War. The documentary focuses on the 1990s in the time of Slobodan Milošević's rule as well as on numerous interviews of Serbian civilians and, less, of Albanian insurgents against the Milošević regime.

A documentary exploring sexism and patriarchy in Kosova.

Gorani people live in Gora, in the south of Kosovo. They are Muslims who speak a Slavic language. Throughout the years they were always used for political games of power between the surrounding nations (Serbs, Macedonians, Bulgarians, Albanians, Bosnians...). This is the first film that deals with the way these people are, not who they are or who they belong to. The film observes their everyday life, diverse culture, rich herds of cows, sheep and shepherd dogs. They work, talk, dance, play music, discuss, preach, pray, walk and sing as the mountains above remind them how ephemeral their existence is.

Giorgio Mattia describes his experiences during the second attack on the Italian Army in Nasiriya, Iraq 2006.

When this film’s director was still a boy, he stood in front of “Flotel Europa“ and was hugely excited about the prospect of this gigantic ship moored in the port of Copenhagen becoming a new home for him, his mother and his older brother. Together with about 1000 other refugees from the former Yugoslavia, they started life anew on the ship.

Found footage recorded on March 12, 1998, in Germany, documenting Agron and Fitnete as they receive their marriage papers. Surrounded by family, they record heartfelt congratulations and greetings intended for loved ones back in Kosovo. What begins as a celebratory message, slowly shifts into a moment marked by uncertainty and concern about Kosovo.

In rural Kosovo, identical houses are built for family members working abroad, in the hope that they will one day return to settle in their old homeland.

For 18-year-old Finnish–Kosovan Fatu, a simple visit to the grocery store feels as nerve-racking as a lunar expedition: for the first time in his life, he’s wearing makeup in public. Luckily his best friend Rai, a young woman on the spectrum of autism, is there to ferociously support him through the voyage.

There will be no 2018 World Cup in Russia for the new small nation of Kosovo. Only three goals scored, one point earned and last place in their qualifying group. In Kosovo, there is talk of crisis and disaster. But in Sweden, life goes on as usual for the NT stars Arber Zeneli and Albert Bunjaku.