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THE VISIT is an intimate stop-motion short film about a young girl’s growing-up years and her relationship with her incarcerated father.

While we watch the ‘cat fail’ of the day in cheerful safety, all that remains invisible in this neoliberal nightmare catches up with us. The cat’s body is consumed, exploited and controlled. The fear of pain is greater than the will for freedom. Objects are fetishized and subjects are made into things – quantifiable and ready for use. They are the natural commodity for a luxury they are not even aware of. We are here, because you were there – and waste is disposed of in the sea. In the end, the bodies reveal the causes and effects of power, lust and hate.

Odd is terrified of his head, until one day he falls in love with Gunn who is both fearless and happy in life. Odd's life is turned upside down and he is freed from his worries in the most unexpected way.

Carla believes her missing daughter is attempting to make contact through mysterious means, her husband Brian pushed aside, Carla is on a path of discovery, but may be one that is best left alone.

8-year-old Vicky has a mysterious gift: she can recreate any scent she comes across, even that of her beloved mother Joanne. When her estranged aunt Julia suddenly returns to town, the invocation of her fragrance plunges the young girl back in time to unravel a past replete with family secrets.

In this story the hero is haunted by a beautiful young woman who tries to stab him to death with a knife. This fantasy recurs on each of his birthdays, becoming more and more real as the years go on. He leaves home to secure a place as groom, but arrives at his destination too late. Forced to retrace his steps, he seeks shelter in a little inn, forgetting that the hour of his birth is approaching. In the middle of the night he awakens, terrified with fright… Based on Wilkie Collins' novel “The Dream Woman”.

Sometime in the near future, paraplegic prison inmate Matt Mills meets "The Board" of Satoshi-Telefair Industries, who thank him for joining the Program. Under pressure and with a promise to make him walk again, Mills agrees to volunteer. He is injected with a synthetic nanomaterial and suffocated, only to wake up with restored use of his legs, yet alone in a steel cell in the first spoke of an experimental apparatus - The Wheel. A series of assailants inflict a multitude of damage to Mills' body and torment his mind, yet the synthetic nanomaterial not only restores his damaged organs, it re-engineers his strength. The experiment might be designed to kill, but Mills is determined to survive - and get back to his daughter before The Board finds her first.

Desperate to do right by his children, a debt-ridden taxi driver has just one night left to deliver on a lucrative, yet sinister promise.

A strange woman arrives from the North to a prehistoric village bringing some bad news...

MARJORAM is a psychological suspense drama about a mother-daughter relationship in which love and abuse seem go hand in hand. Anna (11) is a smart and talented kid. Mary, her mother, actively supports Anna so that she can get the best out of her talents. However, suddenly Anna starts behaving in strange ways, putting herself in danger. When asked what is happening, Anna claims that she is just fine. Her weird behavior however continues, driving Mary to her limits. Why a child, who seems happy on the surface, is acting so unpredictably? Why a mother, who loves her child so much, is having no clue of what is going on?

A film about uncanny valleys and the space between. Painted 16mm film undergoes a monstrous transformation becoming neither analog nor digital.

A hunter on horseback accidentally discovers a portal to another world in this fantastical true Tsilhqot'in story.

Set in the 22nd century, The Matrix tells the story of a computer hacker who joins a group of underground insurgents fighting the vast and powerful computers who now rule the earth.

The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.

"I wanted badly to make an animated short and had no camera available. I did have some old, unused film stock and several roles of 16mm sound tape. So I used that- plus a variety of of discarded surgical instruments and the sharp edge of a screwdriver- by cutting, etching, and painting directly on both film and tape."

The Doctor, Steven and Dodo land on an alien world in this animated reconstruction of a lost 1966 Doctor Who adventure. There, they meet two peoples: the cutthroat Savages and civilised Elders, who claim to know all about the Doctor and his travels. Is all as it seems, and will the TARDIS crew come out in one piece if it isn't?

A wealthy man is found bludgeoned to death near a railway. The question is, who killed him and why?

The Resistance builds in numbers as humans are freed from the Matrix and brought to the city of Zion. Neo discovers his superpowers, including the ability to see the code inside the Matrix. With machine sentinels digging to Zion in 72 hours, Neo, Morpheus and Trinity must find the Keymaker to ultimately reach the Source.

Swollen Stigma nourishes the fantasy of its protagonist’s inner life and proposes a lesbian imaginary which takes leap into risk and displacement. The film opens with an entranced seated woman working her fingers through a single strand of hair and proceeds to explore her lived imaginary in which desire and fear interlace. She re-visions different moments in time which are haunted by an absent lover. Like a playful fairy princess, this lover appears upside down in an armchair, hanging legs-down from the ceiling, playing dead on the floor, or eating roses; her body continuously permeates the woman’s reality. The film’s shifting points of view jump between the protagonist, fantasy spaces and her lover, making an internal world leak into what is external with the fluidity of blood into water.

Ritualised through performance to camera, Stages of Mourning is Pucill’s journey of bereavement. In as much as this is a meditation on coming to terms with loss, the film is an exploration of how our relationship with the dead is made different through film. The artist orders image fragments of her late lover and collaborator, Sandra Lahire. By trying to physically immerse herself into photographs and film footage or by restaging these, Pucill forms a continuous stream of a life of two lovers. Through this doubling and layering, illusions accumulate as if these were a product of a machine that didn’t stop.