"A l likeness is a gift... it avoids... or confuses time if your prefer." said John Berger. Following this premise, 81.92 is a structuralist inquiry into the notion of presence and absence as it reveals archival radio broadcasts from former Montreal radio host Mike Wolkow. The former (the audible) is left invisible while the later (the visible) seeks to find the missing elements that trace the passage of this vocal presence. Past and present interplay in this piece that shifts between epochs, thus mimicking a radio signal that is being tuned in.
Titled after the first-ever song to play on their airwaves, Kick Out the Jams follows the development of XFM from its rebellious pirate radio roots in the early 90’s, through to its official FM radio launch in 1997 as a major platform for launching alternative talent into the mainstream. The doc deep-dives into the struggles and influence of the station which gave rise to the likes of Ricky Gervais and Stephen Merchant, whose global hits The Office and The Ricky Gervais Show were originally developed while working at the radio station.
An information film educating and encouraging aspiring radio CB'ers to get into ham radio.
In 1976, CFNY launched in a small suburban house just north of Toronto and went on to become one of the most influential punk, new wave and alternative radio stations in the world. This is the story of their mission to bring the most exciting music in the world to the masses. It's also a story of the personalities, lawsuits, bankruptcies, concerts, and listener protests that went along with it.
In 1966 a group of determined young men defied the New Zealand government and launched a pirate radio station aboard a ship in the Hauraki Gulf.
Directors Hetherington and Junger spend a year with the 2nd Battalion of the United States Army located in one of Afghanistan's most dangerous valleys. The documentary provides insight and empathy on how to win the battle through hard work, deadly gunfights and mutual friendships while the unit must push back the Taliban.
Baseball, Dennis & the French tells the true story of Paul Croshaw, longtime liberal activist and connoisseur of French films, who amazed his family, friends and himself by becoming a churchgoing, conservative Christian after years of listening to nationally syndicated radio host Dennis Prager.
Salhia Brakhlia has filmed the set and behind the scenes of Franceinfo's breakfast show during a year. How to inform at the time of social media and fake news ? How careful are journalist with those news ? How do they connect to politicians during an presidential election campaign ? This unique immersion gives us a part of the answer.
Familiar radio voice Ben Grauer leads the viewer on a behind the scenes tour of the National Broadcasting Company studios -- both radio and television -- in Rockefeller Center and Hollywood. The original 25-minute film previewed by network execs and affiliates in the fall of 1948 was cut down to 20 minutes before its first broadcast, reportedly to excise high-profile stars and programs such as Amos 'n' Andy, Jack Benny, and Edgar Bergen that had since left NBC for other networks.
Les Voix du Large
Století rádia
SEX AND BROADCASTING is a feature length documentary about New Jersey's WFMU, the world's strangest and most unique radio station, and one man's attempt to keep it alive in the face of recession, the persistent threat of commercial media, and the challenges that come with keeping a rebellious group of outsiders together.
Libre antenne
Radio Gwendalyn is facing a crucial challenge: professionalization. It is the first community radio station in the Italian-speaking part of Switzerland to obtain the status of a complementary non-profit radio station. Through this story, the documentary explores the broader context in which the station operates: a network of often invisible yet deeply interconnected realities. It is also a journey into the lives of the people who keep the radio alive, their stories, daily challenges, and the motivations that drive them forward. The film follows the Radio Gwen community through a year of transformation: from the complete renovation of the studios in Chiasso to a new internal organization and the launch of a renewed programming schedule. This recognition defines the station’s mission: to fill the gaps left by commercial and public broadcasters, offering an authentic service rooted in the local community.
Documentary about the production of a radio in the Saba factories.
A dramatization to promote the Territorial Army.
Pirate radio stations are unprecedentedly popular, even in the age of the internet and Spotify. What does this music say about identity, about our desire for stability in a changing world?
The history and enduring legacy of one of the world's biggest and most influential radio stations.
Supernana, David Grossexe, Simone Cuisse d'Acier, Jean-Yves Lafesse occupy during three nights of summer 82, with their guests, Radio Carbone locals, one of those numerous « free radio » created in France at this period.
They called it young black kids’ punk rock - a genre that radio stations wouldn’t play and records that labels refused to sell. But grime would not be stopped. With machine-gun lyrics that shred the eardrums and syncopated electronics that pound the chest like a sledgehammer, grime was a product of social unrest, urban culture and disenfranchised youth colliding in early 2000s UK. It didn’t just rouse a grassroots audience, however. Today, grime is surging in popularity all over the globe and widely influencing the music charts. This is the story of the genre’s roots.