40 Watts from Nowhere

In 1966 a group of determined young men defied the New Zealand government and launched a pirate radio station aboard a ship in the Hauraki Gulf.

Salhia Brakhlia has filmed the set and behind the scenes of Franceinfo's breakfast show during a year. How to inform at the time of social media and fake news ? How careful are journalist with those news ? How do they connect to politicians during an presidential election campaign ? This unique immersion gives us a part of the answer.

Directors Hetherington and Junger spend a year with the 2nd Battalion of the United States Army located in one of Afghanistan's most dangerous valleys. The documentary provides insight and empathy on how to win the battle through hard work, deadly gunfights and mutual friendships while the unit must push back the Taliban.

Století rádia

The history and enduring legacy of one of the world's biggest and most influential radio stations.

Les Voix du Large

Pirate radio stations are unprecedentedly popular, even in the age of the internet and Spotify. What does this music say about identity, about our desire for stability in a changing world?

A dramatization to promote the Territorial Army.

"A l likeness is a gift... it avoids... or confuses time if your prefer." said John Berger. Following this premise, 81.92 is a structuralist inquiry into the notion of presence and absence as it reveals archival radio broadcasts from former Montreal radio host Mike Wolkow. The former (the audible) is left invisible while the later (the visible) seeks to find the missing elements that trace the passage of this vocal presence. Past and present interplay in this piece that shifts between epochs, thus mimicking a radio signal that is being tuned in.

Baseball, Dennis & the French tells the true story of Paul Croshaw, longtime liberal activist and connoisseur of French films, who amazed his family, friends and himself by becoming a churchgoing, conservative Christian after years of listening to nationally syndicated radio host Dennis Prager.

In 1976, radio station CFNY 102.1FM went on the air, broadcast live from a modest suburban house just north of Toronto, and went on to become one of the most influential punk, new wave and alternative radio stations in the world. This is the story of their mission to bring the most exciting music in the world to the masses. It's also a story of the personalities, lawsuits, bankruptcies, concerts, and listener protests that went along with it.

Supernana, David Grossexe, Simone Cuisse d'Acier, Jean-Yves Lafesse occupy during three nights of summer 82, with their guests, Radio Carbone locals, one of those numerous « free radio » created in France at this period.

An information film educating and encouraging aspiring radio CB'ers to get into ham radio.

Familiar radio voice Ben Grauer leads the viewer on a behind the scenes tour of the National Broadcasting Company studios -- both radio and television -- in Rockefeller Center and Hollywood. The original 25-minute film previewed by network execs and affiliates in the fall of 1948 was cut down to 20 minutes before its first broadcast, reportedly to excise high-profile stars and programs such as Amos 'n' Andy, Jack Benny, and Edgar Bergen that had since left NBC for other networks.

They called it young black kids’ punk rock - a genre that radio stations wouldn’t play and records that labels refused to sell. But grime would not be stopped. With machine-gun lyrics that shred the eardrums and syncopated electronics that pound the chest like a sledgehammer, grime was a product of social unrest, urban culture and disenfranchised youth colliding in early 2000s UK. It didn’t just rouse a grassroots audience, however. Today, grime is surging in popularity all over the globe and widely influencing the music charts. This is the story of the genre’s roots.

SEX AND BROADCASTING is a feature length documentary about New Jersey's WFMU, the world's strangest and most unique radio station, and one man's attempt to keep it alive in the face of recession, the persistent threat of commercial media, and the challenges that come with keeping a rebellious group of outsiders together.

"It's like Hands on a Hardbody meets Trekkies!" See what happens when Austin DJ & first time filmmaker Jenn Garrison turns the camera onto the world of radio to learn more about the industry's unique groupies. PrizeWhores is a documentary about a group of people who have formed their own 'community' based upon their extreme hobby of attending radio-station remotes, movie premiers and rock concerts. They coordinate their lives based upon these events. They are actually called 'prizewhores' by the staff of the radio stations, music venues and movie houses they frequent. As you will learn, winning is fun. But, it aint the only thing.

Rapper Rodney P. presents the story of Britain's second wave of pirate radio DJs. In the 1980s a new generation of pirate radio stations appeared broadcasting from London tower blocks.

The Mayan doomsday prophecy looms over a dark night in Poland. A late-night radio host takes in calls from citizens expressing their concerns, predictions and speculations on what may happen when—or even if—the sun comes up. Simultaneously, a crisis centre dispatcher fields panicked calls from people experiencing real-life traumatic situations in need of immediate attention. The voices of these callers are interwoven with an intimate therapy session and a wandering taxicab to build a profile of a place where citizens want to be heard. Never showing the callers on the other end of the line, the film creates an aural overview of a darkened city. As the night progresses, the calls continue coming in, revealing the various struggles people are experiencing in dealing with conceptual fears and current woes—all in a world that soon may be over.

A loving portrait of a pirate radio stations, which is run by the rural population with plenty of passion and talent in the face of opposition from the authorities.