The Orchards

La Malédiction de la Grande Arche

A documentary film depicting five intimate portraits of migrants who fled their country of origin to seek refuge in France and find a space of freedom where they can fully experience their sexuality and their sexual identity: Giovanna, woman transgender of Colombian origin, Roman, Russian transgender man, Cate, Ugandan lesbian mother, Yi Chen, young Chinese gay man…

Jesus 'Chuy' Aceves and a dozen living members of his extended family suffer from the very rare condition of congenital hypertrichosis, meaning they were born with excessive hair on their faces and bodies. Due to their appearance, they suffer from discrimination in all areas of their lives: the children are made fun of at school and abandoned by their 'non-hairy' parents, and the adults cannot find work unless they choose to exhibit themselves as freaks in circuses. This moving and visually arresting documentary is a portrait of Chuy and his family members. It examines their day-to-day lives and their struggle to find love, acceptance and employment.

After her gender identity was denied in her homeland, Lee Li, a transgender asylum seeker, was forced to leave her country, family, and language to embark on a journey toward belonging, freedom, and self-empowerment.

A group of young architects, confined to a forest in Barcelona during the COVID crisis, explore the problems generated by the ambition of wanting to be completely self-sufficient.

A docu-art film about Kyiv and the contemporary problems of the capital. The film raises the issue of the dilapidated state of Kyiv's old buildings and the search for effective mechanisms to preserve the city's architectural heritage.

Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment

The Big One is an investigative documentary from director Michael Moore who goes around the country asking why big American corporations produce their product abroad where labor is cheaper while so many Americans are unemployed, losing their jobs, and would happily be hired by such companies as Nike.

In the heart of Paris, an entire palace has disappeared. It was the very first residence of the kings of France. Long before Versailles, long before the Louvre, the Palais de la Cité stood on the most prestigious island in Paris, the historic cradle of France, facing Notre-Dame. So majestic in the Middle Ages, this palace has become a ghost of history. Over the centuries, this architectural masterpiece has almost completely disappeared. A trio of experts will resurrect it in 3D. Using science and unprecedented excavations, they will track down the pieces of the puzzle to reconstruct it at its peak in the 14th century, and bring back to life those who inhabited it. From the Romans to the Vikings, from Saint Louis to the cursed kings, all have left clues of this 'Versailles of the Middle Ages'.

The autobiographical account of the tormented life of a witness of the century: Louisa Ighilahriz, activist and leading figure in Algerian independence. A student, she joined the independence struggle at the age of 20, joining the ranks of the FLN on the eve of the Battle of Algiers in late 1956 under the name Lila. She took part in the high school students' strike, then fled into the maquis when she was actively sought after. She was part of the French FLN support network of "suitcase carriers" during the Battle of Algiers. Seriously wounded alongside her network leader, Saïd Bakel, during an ambush in 1957, hospitalized and then imprisoned, she suffered numerous tortures in French prisons. She will be saved from certain death by an anonymous person, she will seek, for forty years, to find him just to show him her gratitude... Emblematic of the painful Franco-Algerian history, Louisa's story is poignant and imbued with humanism.

Those who do not know the Sahara think there is only sand in the desert. But in the desert there are children who play and draw and make movies, and who would like to not have to think about the war. In the desert there's a European colony, an occupied country called Western Sahara, where there are thousands of Sahrawi refugees living a hard life in exile. "Little Sahara" tells their story, the story of a supportive, resilient people who try to thrive and grow in the Hamada, where everything has a hard time growing.

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

Throughout the Islamic world, each year hundreds of women are shot, stabbed, strangled or burned to death by male relatives because they are thought to have “dishonoured” their families. They may have lost their virginity, refused an arranged marriage or left an abusive husband. Even if a woman is raped or merely the victim of gossip, she must pay the price. Crimes of Honour documents the terrible reality of femicide – the belief that a girl’s body is the property of the family, and any suggestion of sexual impropriety must be cleansed with her blood. We meet women in hiding from their families, a brother who describes his reasons for killing the sister he loved, and a handful of women who have committed themselves to the protection of young women in danger of losing their lives.

Meier guides the viewer on a retrospective of his white buildings, from private houses of the 1960s to the Frankfurt and Atlanta Museums of the 1980s--all variations on his trademark spatial and planar treatment. His influences from Corbusier, Wright, Mies, and Baroque Germany are shown. Clients and colleagues offer opinions.

Googie architecture was one of the most visually exuberant and culturally formative design movements of the mid-20th century, yet it remains widely misunderstood. Defined by bold angles, sweeping rooflines, neon signage, and a sense of space-age optimism, Googie transformed everyday buildings into roadside spectacle. Coffee shops, bowling alleys, car washes, banks, and churches were designed not just for function, but to captivate motorists cruising by. Rooted in Los Angeles, the movement drew inspiration from visionary architects such as Frank Lloyd Wright and John Lautner, while firms like Armet & Davis brought futuristic flair to the commercial landscape. Though many original structures have been lost, preservationists now champion Googie as a serious architectural expression—one that captured the aspirations of postwar America and reshaped the visual identity of the modern city.

50 years after the realization of their utopias, three old architects take the director on a journey to discover extraordinary housing. A joyful journey through time, from which emerges a crucial question: how will we live tomorrow?

The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.

In the 1990s many people in Kurdistan were taken into custody and interrogated under torture; their killers disposed of the bodies by throwing them out of helicopters, or burying them in acid-filled wells. Thousands were murdered/disappeared by paramilitary forces—such as Jitem and Hizbul-Kontra—that were financed and supported by the state, though they have always stuck to the line: “We didn’t do it.” The documentary looks at the case of seven people, including four children, who were disappeared from the town of Kerboran [Dargeçit] in 1995, and tells the story of their families’ tireless search for their bones

Accentuating the effects of space, light and structure, glass has become an architectural staple that encourages transparency and visibility throughout a variety of landscapes. After its role in the last century's call to a radical new architecture and urban life, glass architecture is today more ubiquitous than ever.

Le génie romain