Immigrant workers build a shopping mall for the upcoming 1972 Olympic Games in Munich. In 2016, nine people with migrant backgrounds are killed in a racist attack at the same mall.
50 minutos e 23 segundos com Júlio Bressane
Habito tells the story of a poor, fat black man in pursuit of his dream of being a filmmaker, facing academic and personal challenges after his mother is diagnosed with breast cancer. A narrative that intertwines life, family and cinema, exploring the roots of Alagoas and Bahia.
In an apocalyptic setting, the Matriarch’s family debates Cami’s rebellious behavior, when the deserter Eva returns home.
Takashi Miike is a cinema monster. Let's return to his filmography, his main themes, the framework of his monumental universe.
A cheerful road movie all about Belgian films at Cannes over the past 70 years. Filmmakers from the past converse with those from the present to paint the portrait of a cinema that is both diverse and free. An account of Belgium’s participation in the greatest film festival in the world.
The love of Kim Jong Il, the former dictator of North Korea, for cinema and his adventures, including the kidnapping of a director.
Gathering for a Christmas lunch, the film critics and writers of Discovering Film discuss the merits of 20 films from Bill Murray's star turn in Scrooged, the James Stewart classic It's a Wonderful Life, Ingmar Bergman's Fanny & Alexander, to Bruce Willis' memorable Die Hard.
Le Modernissimo de Bologne
Os Ruminantes
Jacques Rozier or the fierce, independent itinerary of a filmmaker in perpetual disarray, admired by his peers and pampered by the critics.
Six friends document their trip from Cork to Portmagee, County Kerry for the May the 4th Sci-fi film festival where one of their short films is screening.
Argentinean filmmakers talk about the Buenos Aires Rojo Sangre Film Festival and the history of genre cinema in Argentina.
Bomb Hunters is an engrossing examination of the micro-economy that has emerged in Cambodia from untrained civilians harvesting unexploded bombs as scrap metal. The film explores the long-term consequences of war and genocide in an attempt to understand the social, cultural, and historical context and experiences of rural villagers who seek out and dismantle UXO (unexploded ordnance) for profit. Part of a global economy, these individuals clear UXO from their land in order to protect their families from harm and to earn enough money to survive. Bomb Hunters is an eye-opening account investigating the on-going residual, persistent effects of war experienced by post-conflict nations around the globe, and the complex realities of achieving "peace".
A film crew crisscrosses England trying to unravel the mystery surrounding a record released 30 years earlier, 'Spirit of Eden', that defined the passage from light to shadow of its makers, the band Talk Talk and its lead singer Mark Hollis. From overwhelming obstacles to unpredictable encounters, their journey soon turns into an organic quest. With silence as a horizon line. And punk as a philosophy, thinking that music is accessible to all and that the human spirit is above the technique.
Schauburg Mon Amour
A intimate reflection at the making of and cultural phenomenon of one of the most popular and profitable horror films ever made, The Exorcist (1973).
In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”
De Wind
What if the only way to face life was to escape into cinema? Thirty years after Caro Diario, filmmaker Pablo Maqueda leaves Madrid on a Vespa, chasing the sun of Moretti’s Italy. With eight friends by his side, he embarks on a journey where laughter, memory, and film intertwine. As reels roll and roads unfold, reality gently fades – and what begins as a tribute becomes a meditation on how cinema doesn’t just reftect life, but transforms it.