"Paris Commune," 1870-1871. Poor working class in Paris rises up against their oppressors as France is defeated by Germany in the 1870-71 Franco-Prussian war.
A 2D animated short film based on a fictionalized version of the history of the ancient Dian Kingdom.
"Man Hastam" is a unique adaptation of the Ferdowsi's tragic drama "Rustam-o-Sohrab". The play opens with Shah of Turan, Afrasiyab who is guided by the Prophet Paisgoh in an attempt to retain his throne. Raised in darkness, Sohrab is unaware of his genuine lineage and turns into a soldier looking for his father, whom he believes to be the finest of all warriors. Under Paisgoh's direction, the Shah stages a fight between the legendary Persian hero, Rustam, and his own son, Sohrab, both unaware of their relationship. Themes of manipulation, destiny, identity, and the terrible might of war are investigated in the play. It explores the human cost of political scheming and the terrible effects of misinterpretations. With its deep emotional resonance, "Man Hastam" is a meditation on the inevitable clash between personal honor and the manipulative forces that drive individuals to conflict.
The film depicts the love affair between William I and Elisa Radziwill.
Anatole
The true story of the frightening, lonely world of silence and darkness of 7-year-old Helen Keller who, since infancy, has never seen the sky, heard her mother's voice or expressed her innermost feelings. Then Annie Sullivan, a 20-year-old teacher from Boston, arrives. Having just recently regained her own sight, the no-nonsense Annie reaches out to Helen through the power of touch, the only tool they have in common, and leads her bold pupil on a miraculous journey from fear and isolation to happiness and light.
The wizard Finn sends Masha and Vanya on a journey through the fairy tale films of Aleksandr Ptushko, many dangers await them there.
The Second World War. A group of Royal Air Force officers led by William Ash (Jakub Reizer) is staying in Oflag XXI B, located in Szubin (Poland). The prisoners decide to organize a diversionary action, which is to be a daring escape through a tunnel, named after the main originator - the Asselin tunnel. They are helped in their activities by the Polish resistance movement, which includes a young photographer, Henryk Szalczyński (Michał Matela), who develops photos for forged documents.
Joe Arroyo and his musicians will embark together on this psychedelic journey through various hotel rooms. Rebelión is the portrait of a genius in the depths of his intimacy, the throb of a soul in love and tormented by that great love: music. It is a timeless journey through his life, passing through the dark and lonely place where the creative act happens, where his talent is on the surface and his emotions are free, as well as his whims. The story takes place in hotel rooms, overflowing with chaos and the genius of Joe. A hotel room that are many and that, in turn, contains the agony of the genius who sabotages everything he loves to remain free.
In the debacle of the battle of Vitoria in Spain in 1813, Pierre Cursey was robbed of the horses of his unit by a fugitive. He is taken prisoner and sent to a floating pontoon. He managed to survive but vowed to find the traitor who had put him through hell. He finds him two years later in a village in the Dordogne. Francois Lemercier is the town's shoemaker and above all the captain and hero of the local soule team, a ball game that dates back to the Middle Ages. Cursey will discover in Lemercier a man of chivalrous honor.
While, during World War II, European Jews were being dragged by the Nazis to the extermination camps and most people bowed their heads, some brave men and women risked their lives to save them: a journey through the world and history in search of those who, by their heroic and pious deeds, deserved to be known as the righteous.
This documentary tells three stories about Jewish properties stored during the Second World War, their Jewish owners and their non-Jewish custodians.
Victor Klemperer (1881-1960), a professor of literature in Dresden, was Jewish; through the efforts of his wife, he survived the war. From 1933 when Hitler came to power to the war's end, he kept a journal paying attention to the Nazis' use of words. This film takes the end of 1945 as its vantage point, with a narrator looking back as if Klemperer reads from his journal. He examines the use of simple words like "folk," "eternal," and "to live." Interspersed are personal photographs, newsreel footage of Reich leaders and of life in Germany then, and a few other narrative devices. Although he's dispassionate, Klemperer's fear and dread resonate
The Polish city of Łódź was under Nazi occupation for nearly the entirety of WWII. The segregation of the Jewish population into the ghetto, and the subsequent horrors are vividly chronicled via newsreels and photographs. The narration is taken almost entirely from journals and diaries of those who lived–and died–through the course of the occupation, with the number of different narrators diminishing as the film progresses, symbolic of the death of each narrator.
New York in the 1920s. Max Perkins, a literary editor is the first to sign such subsequent literary greats as Ernest Hemingway and F. Scott Fitzgerald. When a sprawling, chaotic 1,000-page manuscript by an unknown writer falls into his hands, Perkins is convinced he has discovered a literary genius.
Clara Immerwahr and her husband to be Fritz Haber are both young and gifted chemists. Their struggle for acknowledgment in nationalistic Germany during World War I lead to the development and use of the first chemical weapons.
Under the slogan of the arms race of the superpowers, which escalates in the Cuban Missile Crisis in 1962 and brings the world to the brink of nuclear war, two exemplary post-war male figures challenge an almost archaic feud: Defense Minister Franz Josef Strauss and journalist Rudolf Augstein.
A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
Deckname: Dr. Friedrich
The documentary examines the construction of the I.G. Farben factory in Monowitz, also known as I.G. Auschwitz, during World War II. The film follows various leads, including the memories of Dr. Hans Deichmann, the former representative for Italian workers. Interviews with survivors of the Buna/Monowitz concentration camp, a former Italian foreign worker, and Polish villagers offer a variety of perspectives. Despite its title, the film focuses not only on the 'crime scene Monowitz', but also on the masterminds and those responsible at the I.G. Farben corporation.