Pylon

"Bias" challenges us to confront our hidden biases and understand what we risk when we follow our gut. Through exposing her own biases, award-winning documentary filmmaker Robin Hauser highlights the nature of implicit bias, the grip it holds on our social and professional lives, and what it will take to induce change.

AMIN portrays Qashqai musician Amin Aghaie, a young modern nomad and his family who despite facing steep financial, cultural and political obstacles are dedicated to their art and culture. Amin travels to remote towns and villages to record the music of the surviving masters whose numbers decline each year. His nomadic family are selling their meager belongings to help support their son's education in performance and ethnomusicology at Tchaikovsky's Conservatory in Kyiv, Ukraine, but it is not enough. Amin, desperate to finish his academic education, sells his violins one at a time just to pay for his tuition.

A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.

Khaïma

The people of Unamenshipu (La Romaine), an Innu community in the Côte-Nord region of Quebec, are seen but not heard in this richly detailed documentary about the rituals surrounding an Innu caribou hunt. Released in 1960, it’s one of 13 titles in Au Pays de Neufve-France, a series of poetic documentary shorts about life along the St. Lawrence River. Off-camera narration, written by Pierre Perrault, frames the Innu participants through an ethnographic lens. Co-directed by René Bonnière and Perrault, a founding figure of Quebec’s direct cinema movement.

Fabrizio, Dante and Roberto have 14 years old and they live in Palermo in the ZEN. How is their life, their universe?

NFL veteran Don McPherson examines how definitions of masculinity adversely affect women and create "blind spots" that hinder the healthy development of men. Using examples from his own life, and generously illustrated with clips from motion pictures, McPherson leads us beyond the blind spots of traditional masculinity and toward solutions that engage men in dialogue.

Los Toques del Tambor Afro Montevideano

This intimate ethnographic study of Voudoun dances and rituals was shot by Maya Deren during her years in Haiti (1947-1951); she never edited the footage, so this “finished” version was made by Teiji Ito and Cherel Ito after Deren’s death.

On the night of 3 August 1996 a school of striped dolphins ran ashore near the village of Tuo on Ngasinue/Fenualoa Island in the Reef Islands (Solomon Islands). Dolphins have a special kinship-related link to the Aiwoo-speaking people in Tuo. Moffat Bonunga tells the legend or so-called local kastom story that explains why. Moffat's explanations are linked with those of another local expert, Commins Veio, who tells his version of the story to Nathaniel Meningi inside the men's house (sapolau) in Tuo. The night the dolphins run ashore, Moffat immediately contacts the film crew - the villagers want the crew to film this peculiar phenomenon. Although the film focuses on the kastom story and the villagers' re-enactment of the hunt, it also documents the villagers' joy that the sea once again has proved an important source of food.

The film follows a group of Nenets women gathering firewood in a snow-covered tundra. This film is part of a larger Yamal Nenets Series, which explores the daily life of nomadic reindeer pastoralists on the Yamal peninsula in Western Siberia during the calving period in the spring. The footage for the series was captured during a three-month period of ethnographic fieldwork in 1999.

The Fall of Womenland is a fascinating documentary on the unique sexual culture of the Mosuo people — a small minority situated in the southwest of China — and one of the last remaining matriarchal societies in the world. Without a formal marriage contract, the Mosuo traditionally build relationships based on free love and sexual satisfaction (‘walking marriages'). But can the sexual liberty and power of the Mosuo women survive as modern Chinese society slowly encroaches their ancestral land? The film explores the present reality for the Mosuo people as well as the dangers that threaten their inherited way of life.

Creature Catalogue

Why is social trust breaking down, and how do we find it again? This is the question at the heart of Leviathan. Directed and produced by Alexander Beiner, it draws on sociology, myth, psychology, economics and systems theory to delve into the deep code of culture and make sense of the times we live in. It’s a journey that invites the viewer to confront the shadows lurking at the heart of our systems, and points the way toward hope, healing and action.

In the summer of 1967, a hippie group called The Diggers - led by the cool and charismatic 23-year old David DePoe - wanted to turn the street where they resided, Yorkville Avenue in Toronto, into a car-free zone. Fed up with the noise and fumes from cars, DePoe staged a 3-day sit in where the Diggers peacefully occupied the street to petition the Toronto City Council to get what they wanted. To their surprise, the police were ordered to remove them by force by the city officials who wanted to keep the street open as a necessary traffic artery. After being released from jail, DePoe and his group were invited by the fiercely conservative and patronizing Allan Lamport, a member of the Board of Control and former Mayor of the city to a meeting at City Hall to present their case. The climactic battle unfolded there between Lamport and DePoe, who was representing the Canadian Youth Council.

Chileans are asked about their definition of the word (and the concept of) "power", as they answer images flash on the screen of powerful and powerless figures in Chilean history.

The story of two young single mothers who join forces to make a new kind of family unit for themselves and their children.

A group of filmmakers travel to a Kolla community in Salta to film their folkways. We see all aspects of their life: farming, herding, cooking, football, and making music during a Pachamama festival. In the course of filming, the leader of the Kolla community changes the filmmakers' view of what the documentary should be, and at the end of their visit they are changed. "La vida se puede ir amasando, como el barro": As life goes along, it becomes more pliant, like clay. An announcement at the beginning of the film states that this is neither fiction nor documentary, but I'd say it's closer to documentary.

When one thinks of the American Deep South, the image of veiled Muslim students strolling the University of Alabama campus is the last thing that comes to mind. VOICES OF MUSLIM WOMEN FROM THE US SOUTH is a documentary that explores the Muslim culture through the lens of five University of Alabama Muslim students. The film tackles how Muslim women carve a space for self-expression in the Deep South and how they negotiate their identities in a predominantly Christian society that often has unflattering views about Islam and Muslims. Through interviews with students and faculty at Alabama, this film examines representations and issues of agency by asking: How do Muslim female students carve a space in a culture that thinks of Muslims as terrorists and Muslim women as backward?

Steve, a 25-year-old Black man from the Paris suburbs, seeks to escape the violence of his immediate surroundings by training to become an actor at one of France’s most prestigious drama schools. But soon he discovers that the theater world is only interested in having him inhabit “Black” roles.