Algérie, Mémoires du Raï

In the 18th century, the Barbary threat became serious. In July 1785 two American ships were brought back to Algiers; in the winter of 1793, eleven American ships, their crews chained, were in the hands of the Dey of Algiers. To ensure the freedom of movement of their merchant fleet, the U.S.A was forced to conclude treaties with the main Barbary states, paying considerable sums of money as a guarantee of non-aggression. With Morocco, treaty of 1786, 30,000 dollars; Tripoli, November 4, 1796, $56,000; Tunis, August 1797, $107,000. But the most expensive and the most humiliating was with the dey of Algiers, on September 5, 1795, "peace and friendship treaty" which cost nearly a million dollars (including 525,000 ransom for freed American slaves) , with the obligation to pay 20,000 dollars on the arrival of each new consul and 17,000 dollars in annual gifts to senior Algerian officials...

Séfar (in Arabic: سيفار) is an ancient city in the heart of the Tassili n'Ajjer mountain range in Algeria, more than 2,400 km south of Algiers and very close to the Libyan border. Séfar is the largest troglodyte city in the world, with several thousand fossilized houses. Very few travelers go there given its geographical remoteness and especially because of the difficulties of access to the site. The site is full of several paintings, some of which date back more than 12,000 years, mostly depicting animals and scenes of hunting or daily life which testify that this hostile place has not always been an inhabited desert. Local superstition suggests that the site is inhabited by djins, no doubt in connection with the strange paintings found on the site.

Verdon forever

The post-70’s explosion of independent music in America has many traceable roots, each with a compelling story. One of its most significant has never been told until now. Drawing on never-before-seen archival footage, in-depth-interviews with musicians and producers, and a mighty soundtrack, THE SMART STUDIOS STORY reveals the pivotal Midwest link to the global rise of 1990's Alternative Rock and the unassuming Madison, Wisconsin recording studio at its center. If you’ve ever been touched by the music of Nirvana, Smashing Pumpkins, Garbage, L7 or their peers, you’ve been touched by the music created at Smart Studios, the legendary recording facility founded by Butch Vig and Steve Marker.

Italy, 1970. An increasing legion of harmless warriors begins a peaceful struggle for sexual freedom through pornography, shaking and shocking religious authorities and conservative political institutions. They are ironic, happy, crazy. They are dreamers, defenders of definitive communion between body and soul. But they were censored and humiliated. They were mistreated and arrested for demanding loud a new cultural renaissance.

Balladur-Chirac, mensonges et trahisons

Absorbed, Unnatural, Dismal, Deface, SOK, Wisdom, Detestor ... Names linked to a very specific movement such as Death Metal and to a time and place as the Galicia from the 1990s. In this documentary, through interviews with members of that movement, from band members to producers or fanzine writers, we try to pay homage to an underground movement as Galician Death Metal along the 90s, deepening its history and its stories.

The Ta'ang or Palaung people, an ethnic minority living in the mountainous area between Myanmar's Kokang region and China's Yunnan province, have historically suffered many forced migrations due to war. When their survival is threatened again in 2015, thousands of them flee across the border. Filmmaker Wang Bing accompanies them and becomes a privileged witness to a human story that is both a modern reportage and a mythical epic.

A Sniper’s War is a story of a sniper, whose anti-US views led him to join the pro-Russian rebels in the ongoing Ukrainian conflict—a primary source of tension between the United States and Russia. When social media becomes a communication platform to schedule sniper duels, Deki’s rival threatens to kill him. The New York-based filmmaker, Olya Schechter, obtains unprecedented access to military bases and front line battles to paint an intimate portrait of the complex and fascinating nature of a man walking the tightrope that often comes to the morality of war: is Deki a solder or a killer?

The White Elephant is an experimental video loosely based on the adventures of a Palestinian teenager coming to grips with her angst within the political climate of the Oslo Accords in Palestine in the 1990s. Narrating a story of lies amongst thieves, the confessional and at times darkly humorous video, projects a confrontational gaze onto the landscape through acts that transgress political boundaries and explore personal desires.

This documentary presents a before-and-after picture of people in a large-scale public housing project in Toronto. Due to a housing shortage, they were forced to live in squalid, dingy flats and ramshackle dwellings on a crowded street in Regent Park North; now they have access to new, modern housing developments designed to offer them privacy, light and space.

The surprising story of Sexy Sadie, a successful English-language Spanish pop-rock band formed in Mallorca in 1992 and disbanded in 2006.

In the furnace of Algiers, the camera follows and accompanies Ibrahim, Adam, and Ismael, originally from sub-Saharan Africa, in an irregular situation who live in this hotel with the predestined name. They live from odd jobs. One is an elevator operator in a building, the second is a shoemaker and the third works in the construction sector. The other side of immigration from sub-Saharan Africa. Behind the statistics hide people, bodies waiting to be able to start another life elsewhere. A hotel thus becomes a transit point in which stories and hopes mingle, a place which seems suspended in time and space. A static journey waiting for another to begin.

A chronicle of the Russian Revolution of 1917, from the bourgeois democratic February Revolution to the great socialist October Revolution and the final triumph.

Directed by Pierre Clément and Djamel-Eddine Chanderli, produced by the FLN Information Service in 1958, this film is a rare document. Pierre Clément is considered one of the founders of Algerian cinema. In this film he shows images of Algerian refugee camps in Tunisia and their living conditions. A restored DVD version released in 2016, from the 35 mm original donated by Pierre Clément to the Contemporary International Documentation Library (BDIC).

Marshal Bruce Mathers III, better know by his stage name Eminem and his alter ego Slim Shady, is an American rapper, record producer, songwriter, and actor. His somewhat humorous songs combined with dark and edgy lyrics give detailed accounts of his troubled upbringing, and feature all the personal struggles he went through on his journey to superstardom. Eminem recently released the much hyped and anticipated album The Marshall Mathers LP 2, a sequel to the recordbreaking and multi platinum album The Marshall Mathers LP. There is quite simply no other Hip Hop artist like Eminem, he has been on top of the game since his debut album The Slim Shady LP, and he shows no signs of letting up. This is the story of how a poor kid from Detroit rose to become a Hip Hop Legend. This is….A Shady Story.

Documentary on movie special effects.

L'Adieu à Solférino

The adventure of the minitel, a small cubic terminal with a folding keyboard that began in the 1970s in the labs of France Telecom, is closely linked to Alsace. Alsatians had then in hand the future tools of interactive communication. What remains today of all those minitel years? Like a nocturnal and intimate road-movie, this documentary went to meet the last people who are still interested in the minitel, this strange beige box of access to telematic services, corny today, but pioneers at the end of the last century.

NFL veteran Don McPherson examines how definitions of masculinity adversely affect women and create "blind spots" that hinder the healthy development of men. Using examples from his own life, and generously illustrated with clips from motion pictures, McPherson leads us beyond the blind spots of traditional masculinity and toward solutions that engage men in dialogue.