A Minor Inconvenience

63-year-old Dolores—a teacher, a wife and mother—has always lived up to expectations. Her life in Barcelona is stable but suffocating: a dull marriage, a grown son about to make her a grandmother, and yet another Christmas far from her hometown. On Christmas Eve, something snaps. After feeling provoked, she assaults a man in public — an impulsive, violent act that seems completely out of character. Suddenly she’s thrust into a hostile system that puts her sanity and womanhood on trial. The world says she’s lost control, but something deeper has been set in motion.

Directed by Solveig Hoogesteijn, Macu, the Policeman's Woman (1987) is a Venezuelan crime drama based on a true story. The film follows Macu, a young woman living in a Venezuelan shantytown, who becomes romantically involved with a local policeman named Ismael. As their relationship develops, Ismael's jealousy intensifies, leading to tragic consequences. The narrative delves into themes of power, control, and the dynamics of abusive relationships within marginalized communities. The film is notable for its exploration of gender roles and societal issues in Latin America.

A mysterious woman returns to her mountain village home to confront her painful past. As she tries to uncover the long-buried truth, the local villagers accuse her of witchcraft and murder.

Les Champs de la colère

A prom queen-to-be must break free from her small town’s ominous legacy of prom queens who die after their crowning.

After a long and successful career as a skater, Veronica has stepped away from competing, but continues her legacy by organizing skateboarding workshops to teach young girls from indigenous communities to skate, and to push them to fight back for the public spaces that have been occupied by men and to practice a sport that also belongs to women.

Matthew, a college freshman, meets his dream girl in a dorm elevator during a blackout. He never sees her face, but instantly falls in love. In the morning, the power is restored, but the "dream girl" has vanished. All Matthew knows is that she lives in an all-girls dorm. He sets out on a semester-long journey to find his mystery girl among a hundred female suspects. Could it be Wendy? Dora? Arlene? Patty? Cynthia? Or the 95 other girls, any of whom could have been in that elevator with Matthew.

After an anonymous hacker begins leaking the private data of thousands living in a small American town, the townspeople spiral into madness, with four high school seniors at the center of the maelstrom.

A lonely woman gets more than she bargained for when she begins wooing Mr Devil, an insatiable glutton who turns out to be the boyfriend from Hell.

The Impossible Dream" is an animation film produced by the United Nations (UN) in 1983, together with Dagmar Doubkova of Kratkty Films, Czechoslovakia. The film takes a wry humorous look at a problem faced by women everywhere: the double-workload of a full-time job and being a housewife. The film features an average family with a baby and two school-age children. Both parents work outside the home. The woman puts in the same hours as her husband, for less money.

Cultural historian Janina Ramirez presents a collection of intriguing and exciting short films by emerging women directors and artists. Each film gives a female perspective on modern-day topics from body image and new love to grief and belonging. Expect honest and refreshing storytelling that will make you laugh, make you cry and make you think. In a Room Full of Sisters; Blood Stains; Bridging the Gap; Cake; Ding-Ding, Next; Fruity; In Perpetuum; Owulide; White Dwarf; Cosmic Domestic; The Dead Are Jewels to Me; The Presence of Absence

Bani standing on the door with volatility. She founds footsteps with blood on the floor which leads her inside. Scarcely she knocks back on the wall and discovers hand marks on the wall. Then she begins to touch the marks hesitantly. Looking ahead she found a mirror and become apprehensive about it. Coming in front of the mirror she looks herself absurd. She puts on and wears saree, wig, shackle, ornaments from the dressing table, then begins to rotate and turns pale. As she rotates, her saree and ornaments fall down one by one. Now she moves towards the door, be taken aback, sees the room for once and goes away.

At times of changing gender roles, a tinder date encourages young Leonid to live his own definition of "masculinity". A current reflection on love, sexuality and role models.

How to ride a mechanical bull and not care that everyone is picturing you naked.

Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that's just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose.

The cinema of Pernambuco is considered one of the most complex components of Brazilian cinema, particularly for its potency and creative style. The presence of women in filmmaking seldom holds the same historical notoriety as that of men, and the Pernambuco scene is no exception. In the context of "Amor, Plástico e Barulho" (Love, Plastic, and Noise), we find a film that serves as a testament to the marginalization of women in the creative industry, intertwining themes of consumption and the production of brega music. Hence, we use "Feminino e Barulho" (Feminine and Noise) as a means to share what we've learned. Renata Pinheiro has inspired us to craft a narrative that gives voice to those who need to be heard. We are here to showcase a glimpse of them and what they represent. "Feminino e Barulho" is a short film about love, femininity, sisterhood, and empowerment.

Joanna Eberhart comes to the town of Stepford, Connecticut with her family, but soon discovers there lies a sinister truth in the all too perfect behavior of the female residents.

In this adaptation of the fairytale Little Red Riding Hood, nothing goes as expected: “Hoodie” boldly asserts her desires without fear or shame, the Wolf is far from being a predator, and Grandmother is losing her mind. But the narrator hasn’t had the last word yet…

The film tells the story of the Rote Zora, a militant women’s group in the FRG, which in the 1970s and 1980s carried out actions against various facets of patriarchal power relations. Narrations by various contemporary witnesses, interviews with a historian and former Zoras bring the history of the Rote Zora and the women’s movement of the time back to life. The film shows that many of the Rote Zora’s themes are highly topical and offers exciting material for discussion on how to deal with this history today.

In 2016, after the hate-fuelled murder of a woman in Gangnam, young feminists gathered to talk about their experiences, which led to the ‘tsunami’ of the feminist movement reawakening in Korean society. This tsunami included street protests against misogynistic hate crimes, political campaigning in the upcoming presidential elections, protests against sexism and sexual violence in everyday life, and the ‘black’ protests calling for the abolition of the anti-abortion law. The Fearless And Vulnerable focuses on the activities and members of the Feminist Party (known in Korean as “Femidangdang”), a feminist group that was part of this tsunami wave. The pleasure and sincerity with which they conduct their activities are compounded with their courage in the face of conflict, and the sense of fear that permeates the community. The film shows Femidangdang meetings as well as the daily lives and thoughts of members during their activities post-2016.