Matthew, a college freshman, meets his dream girl in a dorm elevator during a blackout. He never sees her face, but instantly falls in love. In the morning, the power is restored, but the "dream girl" has vanished. All Matthew knows is that she lives in an all-girls dorm. He sets out on a semester-long journey to find his mystery girl among a hundred female suspects. Could it be Wendy? Dora? Arlene? Patty? Cynthia? Or the 95 other girls, any of whom could have been in that elevator with Matthew.
The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations.
Quatro em Linha
Deng Xiaoping's economic and political opening in China. Margaret Thatcher's extreme economic measures in the United Kingdom. Ayatollah Khomeini's Islamic Revolution in Iran. Pope John Paul II's visit to Poland. Saddam Hussein's rise to power in Iraq. The Soviet invasion of Afghanistan. The nuclear accident at the Harrisburg power plant and the birth of ecological activism. The year 1979, the beginning of the future.
Ms Norris meets with students, goes a little batty, has dinner with her boyfriend, and revelations ensue.
A group of young women from Ouagadougou study at a girl school to become auto mechanics. The classmates become their port of safety, joy and sisterhood, all while they are going through the life changing transition into becoming adults in a country boiling with political changes. In a country with youth unemployment at 52 percent, jobs are a hot issue. The young girls at a mechanics school in Burkina Faso’s capital Ouagadougou are right in the middle of a crucial point in life when their dreams, hopes and courage are confronted with opinions, fears and society’s expectations of what a woman should be. Using interesting narrative solutions, Theresa Traore Dahlberg depicts their last school years and at the same time succeeds in showing the country’s violent past and present. This is a feature-film debut and coming-of-age film with much warmth, laughs, heartbreak and depth.
Would-be feminist Yoanna, running her own company, is insulted in a phone booth by a stranger named Yong-ho. While searching for a job, Yong-ho applies to a magazine named 'The Modern Woman,' not knowing that the company's boss is in fact Yoanna. She hires him with the intention of paying back the humiliation she received. But his masculine attitude captivates her and she ends up marrying him. She resigns her post and becomes a housekeeper, handing over the company to her husband.
A Woman's Place is the first film about the UK women's liberation movement. Crockford and her co-producers Ellen Adams and Tony Wickert document the movement's first national conference and march and examine its demands. The film records impassioned discussions and speeches, as well as the humour of the marchers. It also includes interviews with members of the public who give their perspective on women's liberation Crockford made the film as an attempt to see 'whether other people could be engaged by what I believed in'.
Following a traumatic event at her grandparents' house, 10-year-old Rose embarks on an obsessive quest to see and understand the forbidden world of adults by herself.
Documentary consisting of archival footage that depicts the evolving conditions of Italian women during the first half of the 20th century.
There is a world beyond our world where men say NO to Women when it comes to the making decision. Most women suffer extreme inequality, but only few women accept dangers and fights against it.
Appetite is a psychological horror-thriller that explores the dark intersection of desire, power, and primal instinct.
Hannah wasn't always happy about the existence of her 'Vajayjay'. She talks about how she used to imagine having sex would be like a Céline Dion song and how she discovered masturbation thanks to her PlayStation controller. She's in a love-hate relationship with her vagina and chronicles how her feelings towards her sexuality have changed over time.
After a woman’s silent rage erupts into a fight post-coitus, a women’s group analyzes her refusal to stay passive. Another scene shows a woman’s despair when her lover misses their meeting, prompting the group to reject passive waiting. Together, they combat issues like rape, prostitution, and abortion rights (§218) to reclaim self-determination.
A Cape Town couple, Katherine and Hugh, are headed to their private mountain getaway, when they pick up a hitchhiker, Liza, who carries a gun. Liza is invited for lunch, but soon the couple can't get rid of her.
"Subversivas" is a documentary that reveals the brazilian military dictatorship from the perspective of women. Teresa Angelo, Gilse Cosenza, Thereza Vidigal, Angela Pezzuti and Delsy Gonçalves joined the resistance to the military regime in different ways. Their memories bring out events that marked that time and their life. These statements reveal their effort for freedom and democracy not only in political actions, but also in their family, work and everyday relationships, imbued with a belief and search for a fair and free country.
Tersine Dünya
A unique hybrid of documentary, silent film, drama and dance, 'Breaking Plates' puts revolutionary women of the past on the screen with present day filmmakers. Contemporary women talk to characters from 100 years ago, reanimate their antics and emulate their mayhem moves. As early 21st century performers step into the clothes of their early 20th century counterparts, battling their haywire machines, exploding gags, and eruptive bodies, they learn to wield humour as a weapon against the structures that contain them today.
Three over-looked and under-laid young women, a box of matches and some sage; can the cult leader rid the coven of their sins before it's too late?
Orbitas is the story of an impossible love which revolves around a planet at war.