Mia Farrow: Shadows and Light

This is the story of my grandfather, Tiago Florit, who for 50 years was a film operator at the Teatre Principal de Maó, in Menorca. It is a review of his life, from his birth to his death, in a cinematographic key. A true love story to cinema.

A lyrical and nostalgic analysis of how Casablanca, the mythical film directed by Michael Curtiz in 1942, has influenced both film history and pop culture.

Examines the early 1980s Hong Kong filmmaking community. Tony Rayns interviews some of the new generation of filmmakers and figures from the wider film culture.

This film explains what James Ensor (1860-1949) meant for the development of art and makes palpable where he got his inspiration from.

Documentary about belgian actor and director Bouli Lanners

The life and times of noted Swedish author Sara Lidman, famous for her working-class novels set in northern Sweden and her work for peace in Vietnam during the war.

In the summer of 1975, the young director Steven Spielberg set new standards for cinema worldwide with an oversized shark bite, a plastic shark fin and an unmistakable two-note main theme composed by John Williams. With the horror from the deep, a man-eating, gigantic great white shark, the film of the same name became a similarly traumatic reference as Alfred Hitchcock's "Psycho": it triggered lasting primal fears across generations. On the beaches of the world, there was clearly a "before" and an "after". Steven Spielberg, who was only 28 at the time, not only set new standards for the thriller genre, but also hid his biting criticism of US capitalism in the 1970s behind it.

Hawaii, May 1977. After the success of Star Wars, George Lucas and Steven Spielberg meet to find a new project to work on together, the former as producer, the latter as director. The story of how the charismatic archaeologist Indiana Jones was born and how his first adventure, released in 1981, triumphed at box offices around the world.

An inventive remembrance of the impact of the Hollywood blacklist on two American classics, rendered as a visually mesmerizing dialogue between Carl Foreman and Elia Kazan.

The story of the making and subsequent success of The Day of the Beast, the Spanish cult film directed by Álex de la Iglesia and released in 1995.

The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.

3-part documentary on the life of Belgian singer Arno Hintjens.

A fun tour of 1950s West End with international film star Yoko Tani.

The poignant journey of a transgender actor unfolds, as twenty-three years after last performing on stage as a man, she makes her return in the iconic role of Aunt Eller in an LGBTQ+ production of the Rogers and Hammerstein classic Oklahoma! at the Oregon Shakespeare Festival.

A personal meditation on Rumble Fish, the legendary film directed by Francis Ford Coppola in 1983; the city of Tulsa, Oklahoma, USA, where it was shot; and its impact on the life of several people from Chile, Argentina and Uruguay related to film industry.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

The daily life of Petra, Virginie, and Estelle, three stuntwomen, from the dangerous film sets, where they face all kinds of deadly dangers, to the safety of their homes.

The Spanish journalist Manuel Chaves Nogales (1897-1944) was always there where the news broke out: in the fratricidal Spain of 1936, in Bolshevik Russia, in Fascist Italy, in Nazi Germany, in occupied Paris or in the bombed London of World War II; because his job was to walk, see and tell stories, and thus fight against tyrants, at a time when it was necessary to take sides in order not to be left alone; but he, a man of integrity to the bitter end, never did so.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…